阿梅德奥·马乌里:赫库兰尼姆、考古与法西斯宣传

IF 1.2 0 ARCHAEOLOGY Bulletin of the History of Archaeology Pub Date : 2020-02-24 DOI:10.5334/bha-625
B. Brennan
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引用次数: 0

摘要

Amedeo Maiuri(1886-1963)被认为是二十世纪最伟大的意大利考古学家之一,他在赫库兰尼姆的科学考古工作受到了广泛的研究。然而,尽管马乌里的作品在墨索里尼法西斯政权的庇护下蓬勃发展,但他与该党关系的性质却没有受到太多关注。本文基于档案来源和马乌里出版的著作,通过考古学考察了马乌里对法西斯政权意识形态和宣传需求的政治承诺回应。这里有人认为,马乌里的作品以及他在将赫库兰尼姆重建为一个“复活的”和“活着的”罗马城镇时的博物馆学实践,代表了进一步发展罗马法西斯学说情感方面的尝试。马乌里被法西斯主义的“行动而非言语”所吸引,为该政权的宣传提供了一个鼓舞人心的例子,展示了意志力、辛勤工作和现代机器在“新意大利”考古中所能取得的成就
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Amedeo Maiuri: Herculaneum, Archaeology and Fascist Propaganda
Amedeo Maiuri (1886–1963) is rightly considered one of the greatest Italian archaeologists of the twentieth century and his scientific archaeological work at Herculaneum has been much studied. Yet while Maiuri’s work flourished under the patronage of Mussolini’s fascist regime, the nature of his relationship with the party has received less attention. This paper, based both on archival sources and Maiuri’s published writings, investigates Maiuri’s politically committed response through archaeology, both to the ideological and the propaganda needs of the fascist regime. It is argued here that Maiuri’s writings as well as his museological practice in the reconstruction of Herculaneum as a ‘resurrected’ and ‘living’ Roman town, represent an attempt to further develop the affective aspect of the fascist doctrine of romanita. Maiuri, drawn to the ‘action not words’ of fascism, provided the regime’s propaganda with an inspiring example of what willpower, hard work and modern machines could achieve in the archaeology of the ‘New Italy.’
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来源期刊
CiteScore
1.60
自引率
0.00%
发文量
2
审稿时长
11 weeks
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