{"title":"约瑟夫·康拉德非洲小说中的沉默、空间与缺席","authors":"John G. Peters","doi":"10.7560/tsll63403","DOIUrl":null,"url":null,"abstract":"ABSTRACT:In Heart of Darkness and \"An Outpost of Progress,\" Joseph Conrad's characters initially associate African space with silence and absence and European space with sound and fullness. As these tales progress, however, the barriers between empty African space and full European space break down, as Conrad reveals the activity and sound of the West to be merely a surface that obscures its underlying emptiness, an emptiness that reflects a universe absent of order or meaning.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"63 1","pages":"381 - 409"},"PeriodicalIF":0.1000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Silence, Space, and Absence in Joseph Conrad's African Fiction\",\"authors\":\"John G. Peters\",\"doi\":\"10.7560/tsll63403\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:In Heart of Darkness and \\\"An Outpost of Progress,\\\" Joseph Conrad's characters initially associate African space with silence and absence and European space with sound and fullness. As these tales progress, however, the barriers between empty African space and full European space break down, as Conrad reveals the activity and sound of the West to be merely a surface that obscures its underlying emptiness, an emptiness that reflects a universe absent of order or meaning.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":\"63 1\",\"pages\":\"381 - 409\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll63403\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll63403","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Silence, Space, and Absence in Joseph Conrad's African Fiction
ABSTRACT:In Heart of Darkness and "An Outpost of Progress," Joseph Conrad's characters initially associate African space with silence and absence and European space with sound and fullness. As these tales progress, however, the barriers between empty African space and full European space break down, as Conrad reveals the activity and sound of the West to be merely a surface that obscures its underlying emptiness, an emptiness that reflects a universe absent of order or meaning.