{"title":"阅读胡里奥·萨雷斯的《黄雨》(1988年)作为“废墟剧院”","authors":"B. Greco","doi":"10.30687/ri/2037-6588/2022/18/003","DOIUrl":null,"url":null,"abstract":"The article studies Llamazares’ novel La lluvia amarilla (1988) from a new perspective, which identifies the scenario of the work as a ‘theatre of ruins’. The essay opens with a reflection on the chromatic symbolism already suggested by the title and discernible also in Vilas’ novel Ordesa (2018), with which it seems to have a dialogical relationship. After a necessary reference to the lyricism of Llamazares’ prose, the Ainielle landscape is interpreted as a ‘literary landscape’, a concept that refers to the subjective experience of nature through the protagonist perceptive consciousness. In the second part of the article, the metamorphosis of Ainielle into a place of ruins (which also engulfs the narrator) is demonstrated, in a passage that is accomplished through the cemetery metaphor and the supernatural incursion. Finally, it illustrates the current state of Ainielle, a village in the Pyrenees, which has become a ‘place of memory’.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"For a Reading of Julio Llamazares’ La lluvia amarilla (1988) as a “Theatre of Ruins”\",\"authors\":\"B. Greco\",\"doi\":\"10.30687/ri/2037-6588/2022/18/003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article studies Llamazares’ novel La lluvia amarilla (1988) from a new perspective, which identifies the scenario of the work as a ‘theatre of ruins’. The essay opens with a reflection on the chromatic symbolism already suggested by the title and discernible also in Vilas’ novel Ordesa (2018), with which it seems to have a dialogical relationship. After a necessary reference to the lyricism of Llamazares’ prose, the Ainielle landscape is interpreted as a ‘literary landscape’, a concept that refers to the subjective experience of nature through the protagonist perceptive consciousness. In the second part of the article, the metamorphosis of Ainielle into a place of ruins (which also engulfs the narrator) is demonstrated, in a passage that is accomplished through the cemetery metaphor and the supernatural incursion. Finally, it illustrates the current state of Ainielle, a village in the Pyrenees, which has become a ‘place of memory’.\",\"PeriodicalId\":36702,\"journal\":{\"name\":\"Rassegna Iberistica\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rassegna Iberistica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/ri/2037-6588/2022/18/003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rassegna Iberistica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/ri/2037-6588/2022/18/003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
For a Reading of Julio Llamazares’ La lluvia amarilla (1988) as a “Theatre of Ruins”
The article studies Llamazares’ novel La lluvia amarilla (1988) from a new perspective, which identifies the scenario of the work as a ‘theatre of ruins’. The essay opens with a reflection on the chromatic symbolism already suggested by the title and discernible also in Vilas’ novel Ordesa (2018), with which it seems to have a dialogical relationship. After a necessary reference to the lyricism of Llamazares’ prose, the Ainielle landscape is interpreted as a ‘literary landscape’, a concept that refers to the subjective experience of nature through the protagonist perceptive consciousness. In the second part of the article, the metamorphosis of Ainielle into a place of ruins (which also engulfs the narrator) is demonstrated, in a passage that is accomplished through the cemetery metaphor and the supernatural incursion. Finally, it illustrates the current state of Ainielle, a village in the Pyrenees, which has become a ‘place of memory’.