Pub Date : 2024-06-13DOI: 10.30687/ri/2037-6588/2024/22/007
María Xesús Lama López
This article studies the textual strategies used by Rosalía de Castro in “Las literatas” to denounce the structural and epistemic violence suffered by women writers and to defend their right to participate in the public sphere through literary activity. The text appears in a peculiar context, a year after street demonstrations by seminarians prevented the publication of another article of hers in the same Almanaque para la Juventud Elegante. This article, addressing the general theme of the silencing imposed on women, exposes their reaction to any kind of pressure: to continue writing and publishing. The splitting of the narratorial voice to show an excinded, dialogic and even incoherent or contradictory authorial self continues a tradition initiated by Romantic women authors to generate fissures in a model of femininity disciplined within the limits of the space assigned to them.
本文研究了罗莎莉亚-德-卡斯特罗（Rosalía de Castro）在 "Las literatas "一文中为谴责女作家遭受的结构性和认识论暴力以及捍卫她们通过文学活动参与公共领域的权利而使用的文本策略。这篇文章是在一个特殊的背景下发表的，一年前，神学院学生的街头示威阻止了她的另一篇文章在同一刊物 Almanaque para la Juventud Elegante 上发表。这篇文章的主题是 "女性的沉默"，揭示了她们对任何压力的反应：继续写作和出版。将叙述者的声音拆分开来，展现出了一个不完整的、对话性的、甚至是不连贯的或自相矛盾的作者自我，这延续了浪漫主义女作家开创的传统，即在分配给她们的空间范围内，对女性形象进行约束，使其产生裂痕。
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Pub Date : 2024-06-13DOI: 10.30687/ri/2037-6588/2024/22/009
Donatella Siviero
The article presents a formal and content-related analysis of Flores y Perlas, a journal created for women readers which relied almost exclusively on female collaborators. The weekly journal was founded by María del Pilar Sinués who edited it for the first four months. The publication was short-lived (27 issues came out between March 1883 and October 1884) and switched from being a “periódico literario, recreativo y moral dedicado al bello sexo” to a “periódico literario, moral y religioso publicado bajo la censura eclesiástica” for the last two issues, which were edited by Eulalia González de Barbarroja. The objective is to identify in the two articles selected forms of subliminal violence exerted by the authors on their own gender.
这篇文章对《Flores y Perlas》进行了形式和内容上的分析，这是一份为女性读者创办的期刊，几乎完全依靠女性合作者。这份周刊由玛丽亚-德尔皮拉尔-西努埃斯（María del Pilar Sinués）创办，并由她担任最初四个月的编辑。该刊物发行时间不长（1883 年 3 月至 1884 年 10 月间共发行 27 期），最后两期由 Eulalia González de Barbarroja 编辑，从 "献给美丽女性的文学、娱乐和道德周刊 "转为 "在教会审查下出版的文学、道德和宗教周刊"。目的是在这两篇文章中找出作者对其性别所施加的某些形式的潜意识暴力。
{"title":"Subliminal Violence Against Women in Flores y Perlas (1883-84), a Periodical by and for the bello sexo: Two Case Studies","authors":"Donatella Siviero","doi":"10.30687/ri/2037-6588/2024/22/009","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2024/22/009","url":null,"abstract":"The article presents a formal and content-related analysis of Flores y Perlas, a journal created for women readers which relied almost exclusively on female collaborators. The weekly journal was founded by María del Pilar Sinués who edited it for the first four months. The publication was short-lived (27 issues came out between March 1883 and October 1884) and switched from being a “periódico literario, recreativo y moral dedicado al bello sexo” to a “periódico literario, moral y religioso publicado bajo la censura eclesiástica” for the last two issues, which were edited by Eulalia González de Barbarroja. The objective is to identify in the two articles selected forms of subliminal violence exerted by the authors on their own gender.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"96 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141347702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-13DOI: 10.30687/ri/2037-6588/2024/22/005
Angela Di Matteo
Tiburón, by Lagartijas tiradas al sol, constructs on stage a game of theatrical deceptions between reality and rewritings. Inspired by the desire to relive the awe of American nature that the missionary José María de Barahona had experienced during his journey to Tiburón Island in the Sea of Cortés, in 2019 Lázaro sets sail for the same island to retrace the steps of the friar and thus write his Anthropology thesis on the Tokáriku tribe. The only actor on stage splits into two (or more?) characters in an intertextual mise en abyme that mixes fiction and chronicles, historical novel and documentary theatre, ‘civilisation’ and ‘barbarism’.
由 Lagartijas tiradas al sol 创作的《Tiburón》在舞台上构建了一场现实与改写之间的戏剧欺骗游戏。传教士何塞-玛丽亚-德-巴拉奥纳（José María de Barahona）曾在前往科尔特斯海的提布隆岛的旅途中体验到对美洲大自然的敬畏之情，受此启发，2019 年，拉扎罗起航前往同一岛屿，重走修道士的足迹，从而撰写他关于托卡里库部落的人类学论文。舞台上唯一的演员分裂成两个（或更多？）角色，上演了一场互文式混搭，混合了小说与编年史、历史小说与纪实戏剧、"文明 "与 "野蛮"。
{"title":"“¿No es asombro lo que he buscado toda mi vida?”\u0000 Tiburón or of the Staging of Otherness","authors":"Angela Di Matteo","doi":"10.30687/ri/2037-6588/2024/22/005","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2024/22/005","url":null,"abstract":"Tiburón, by Lagartijas tiradas al sol, constructs on stage a game of theatrical deceptions between reality and rewritings. Inspired by the desire to relive the awe of American nature that the missionary José María de Barahona had experienced during his journey to Tiburón Island in the Sea of Cortés, in 2019 Lázaro sets sail for the same island to retrace the steps of the friar and thus write his Anthropology thesis on the Tokáriku tribe. The only actor on stage splits into two (or more?) characters in an intertextual mise en abyme that mixes fiction and chronicles, historical novel and documentary theatre, ‘civilisation’ and ‘barbarism’.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"29 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141346099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-13DOI: 10.30687/ri/2037-6588/2024/22/008
Elena Losada
Matilde Cherner (1833-1880) published under her male pseudonym – Rafael Luna – María Magdalena, a novel about prostitution that was silenced despite the concealment of her authorial identity. This is a pioneering reflection, but it contradicts the ideologically more ambiguous discourse of her series of articles titled Women Painted by Themselves and published under her name in La Ilustración de la Mujer in 1875. This article aims to analyse these ambiguities, so frequent in the authors of the second half of the nineteenth century, as well as the opacity in the treatment of violence against women.
玛蒂尔德-切尔纳（Matilde Cherner，1833-1880 年）以男性笔名拉斐尔-卢纳（Rafael Luna）发表了一部关于卖淫的小说《玛丽亚-马格达莱纳》（María Magdalena）。这是一种开创性的思考，但与她 1875 年在《La Ilustración de la Mujer》上以自己的名字发表的题为 "自己画的女人"（Women Painted by Themselves）的系列文章中意识形态更为模糊的论述相矛盾。本文旨在分析这些在十九世纪下半叶作家中经常出现的模糊性，以及在处理对妇女的暴力行为时的不透明性。
{"title":"Matilde Cherner and the Ambiguities of a Pioneering Speech\u0000 The Articles from La Ilustración de la Mujer (1875) and the Novel María Magdalena (1880)","authors":"Elena Losada","doi":"10.30687/ri/2037-6588/2024/22/008","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2024/22/008","url":null,"abstract":"Matilde Cherner (1833-1880) published under her male pseudonym – Rafael Luna – María Magdalena, a novel about prostitution that was silenced despite the concealment of her authorial identity. This is a pioneering reflection, but it contradicts the ideologically more ambiguous discourse of her series of articles titled Women Painted by Themselves and published under her name in La Ilustración de la Mujer in 1875. This article aims to analyse these ambiguities, so frequent in the authors of the second half of the nineteenth century, as well as the opacity in the treatment of violence against women.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"45 26","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141345284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-13DOI: 10.30687/ri/2037-6588/2024/22/001
Eugenia Fosalba
This article aims to provide arguments, based on historical and literary events, to place the conception of the Ode ad florem Gnidi in Leucopetra, the palace of Bernardino Martirano, during the two days of November 1535 when Emperor Charles V’s entourage stayed in its chambers and gardens, while waiting for the grand celebration in Naples of the imperial military triumph over Tunis.
{"title":"Why, Where, and When Was Garcilaso’s Ode ad florem Gnidi Conceived?","authors":"Eugenia Fosalba","doi":"10.30687/ri/2037-6588/2024/22/001","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2024/22/001","url":null,"abstract":"This article aims to provide arguments, based on historical and literary events, to place the conception of the Ode ad florem Gnidi in Leucopetra, the palace of Bernardino Martirano, during the two days of November 1535 when Emperor Charles V’s entourage stayed in its chambers and gardens, while waiting for the grand celebration in Naples of the imperial military triumph over Tunis.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"14 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141346349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-13DOI: 10.30687/ri/2037-6588/2024/22/003
Pedro J. Plaza González
This article presents Antonio Gala’s most unknown facet: his poetry. To do this, firstly, a I present a current state of the art about how Gala has been presented in various stories of Spanish contemporary literature and on the dimensions of his lyric. Secondly I focus on the research carried out within the “Phonodia” group of Ca’ Foscari University of Venice. Thereby, not only the importance of Antonio Gala as a contemporary poet will be proven, but also the relevance of his poems in the framework of the relationships between voice and poetry through sound files, which allow to make known, even, as an unexpected discovery, two unpublished texts of Valverde, 20, whose reproduction, transcription and edition are offered, exclusively, in this article.
{"title":"“Quieta la voz”. Transcription, Reproduction and Edition of Two Unpublished Poems of Valverde, 20, by Antonio Gala","authors":"Pedro J. Plaza González","doi":"10.30687/ri/2037-6588/2024/22/003","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2024/22/003","url":null,"abstract":"This article presents Antonio Gala’s most unknown facet: his poetry. To do this, firstly, a I present a current state of the art about how Gala has been presented in various stories of Spanish contemporary literature and on the dimensions of his lyric. Secondly I focus on the research carried out within the “Phonodia” group of Ca’ Foscari University of Venice. Thereby, not only the importance of Antonio Gala as a contemporary poet will be proven, but also the relevance of his poems in the framework of the relationships between voice and poetry through sound files, which allow to make known, even, as an unexpected discovery, two unpublished texts of Valverde, 20, whose reproduction, transcription and edition are offered, exclusively, in this article.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"68 34","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141346291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-13DOI: 10.30687/ri/2037-6588/2024/22/006
Sofía Mateos Gómez
This article proposes the analysis of María Rivera’s changing identity throughout her career as a strategy for survival and financial autonomy in a post-revolutionary Mexico in the midst of a modernization process. To this end, her published work is analysed (Friné Criolla, published in 1937 and Flor en el agua, 1945) in relation to the literary influences of her context and in contrast with documentary sources that allow us to understand the public presence of the author during the decades of the thirties, forties and fifties.
本文建议分析玛丽亚-里维拉在其职业生涯中身份的变化，这是她在革命后处于现代化进程中的墨西哥谋求生存和经济自主的策略。为此，文章分析了她已出版的作品（1937 年出版的《Friné Criolla》和 1945 年出版的《Flor en el agua》）与其所处环境的文学影响，并与文献资料进行对比，从而了解作者在 30、40 和 50 年代的公众存在。
{"title":"María Rivera’s Ductile Identity as a Strategy of Autonomy","authors":"Sofía Mateos Gómez","doi":"10.30687/ri/2037-6588/2024/22/006","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2024/22/006","url":null,"abstract":"This article proposes the analysis of María Rivera’s changing identity throughout her career as a strategy for survival and financial autonomy in a post-revolutionary Mexico in the midst of a modernization process. To this end, her published work is analysed (Friné Criolla, published in 1937 and Flor en el agua, 1945) in relation to the literary influences of her context and in contrast with documentary sources that allow us to understand the public presence of the author during the decades of the thirties, forties and fifties.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"39 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141347214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/001
Alicia Delgado-Olmos, Clara Tellez-Perez, Marluis Melissa Ugueto Colina
The aim of this study is to determine to what extent the pandemic might have influenced lexical retrieval in relation to everyday centers of interest. In order to achieve this, five centers of interest have been selected from Panhispanic Project of Lexical Availability (PPHLD). Additionally, the new centers Pandemia and Coronavirus have been added in two separate experiments. Our data suggest that the pandemic might be connected to changes in the lexical availability and the position of certain terms on the lexical availability lists, as well as to the inclusion of new words.
{"title":"El léxico de la pandemia: un estudio de disponibilidad léxica con estudiantes de la Universidad de Salamanca","authors":"Alicia Delgado-Olmos, Clara Tellez-Perez, Marluis Melissa Ugueto Colina","doi":"10.30687/ri/2037-6588/2023/01/001","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/001","url":null,"abstract":"The aim of this study is to determine to what extent the pandemic might have influenced lexical retrieval in relation to everyday centers of interest. In order to achieve this, five centers of interest have been selected from Panhispanic Project of Lexical Availability (PPHLD). Additionally, the new centers Pandemia and Coronavirus have been added in two separate experiments. Our data suggest that the pandemic might be connected to changes in the lexical availability and the position of certain terms on the lexical availability lists, as well as to the inclusion of new words.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46051892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/010
M. Magro
Review of: Giménez, F. (2022). La línea clara: la poesía de Luis Alberto de Cuenca. Sevilla: Renacimiento. 216 pp.
回顾:gimenez, F.(2022)。La linea clara:路易斯·阿尔贝托·德昆卡的诗歌。塞维利亚:文艺复兴。216页。
{"title":"Facundo Giménez. La línea clara: la poesía de Luis Alberto de Cuenca","authors":"M. Magro","doi":"10.30687/ri/2037-6588/2023/01/010","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/010","url":null,"abstract":"Review of: Giménez, F. (2022). La línea clara: la poesía de Luis Alberto de Cuenca. Sevilla: Renacimiento. 216 pp.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48225092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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