{"title":"“打开潘多拉的盒子:将文物送回原籍国会清空西方博物馆吗?”","authors":"Pierre Losson","doi":"10.1080/10632921.2021.1941467","DOIUrl":null,"url":null,"abstract":"Abstract The fear of setting a precedent is a much-rehearsed argument used by Western museums to refuse the return of cultural heritage objects to their country of origin. After proposing to consistently distinguish among returns, restitutions, and repatriations as distinct phenomena, the article details three reasons that contradict this fear of setting a precedent: as each case is historically situated, one agreement is not easily transposable to other cases; the current practice of returns does not suggest that massive transfers are looming; and, most importantly, there is no will or plan, among experts and political authorities in claiming countries, to ask for massive returns. In turn, the fear of setting a precedent does open questions about the future museums: are universal museums at risk of disappearing? The museum as an institution is hardly at risk, as objects returned to another country will continue to live in the world of museums. Western universal museums should see return claims as an opportunity to rethink their mission and relations with other museums worldwide rather than a threat.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1941467","citationCount":"2","resultStr":"{\"title\":\"“Opening Pandora’s Box: Will the Return of Cultural Heritage Objects to Their Country of Origin Empty Western Museums?”\",\"authors\":\"Pierre Losson\",\"doi\":\"10.1080/10632921.2021.1941467\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The fear of setting a precedent is a much-rehearsed argument used by Western museums to refuse the return of cultural heritage objects to their country of origin. After proposing to consistently distinguish among returns, restitutions, and repatriations as distinct phenomena, the article details three reasons that contradict this fear of setting a precedent: as each case is historically situated, one agreement is not easily transposable to other cases; the current practice of returns does not suggest that massive transfers are looming; and, most importantly, there is no will or plan, among experts and political authorities in claiming countries, to ask for massive returns. In turn, the fear of setting a precedent does open questions about the future museums: are universal museums at risk of disappearing? The museum as an institution is hardly at risk, as objects returned to another country will continue to live in the world of museums. Western universal museums should see return claims as an opportunity to rethink their mission and relations with other museums worldwide rather than a threat.\",\"PeriodicalId\":45760,\"journal\":{\"name\":\"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/10632921.2021.1941467\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10632921.2021.1941467\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10632921.2021.1941467","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
“Opening Pandora’s Box: Will the Return of Cultural Heritage Objects to Their Country of Origin Empty Western Museums?”
Abstract The fear of setting a precedent is a much-rehearsed argument used by Western museums to refuse the return of cultural heritage objects to their country of origin. After proposing to consistently distinguish among returns, restitutions, and repatriations as distinct phenomena, the article details three reasons that contradict this fear of setting a precedent: as each case is historically situated, one agreement is not easily transposable to other cases; the current practice of returns does not suggest that massive transfers are looming; and, most importantly, there is no will or plan, among experts and political authorities in claiming countries, to ask for massive returns. In turn, the fear of setting a precedent does open questions about the future museums: are universal museums at risk of disappearing? The museum as an institution is hardly at risk, as objects returned to another country will continue to live in the world of museums. Western universal museums should see return claims as an opportunity to rethink their mission and relations with other museums worldwide rather than a threat.
期刊介绍:
How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.