{"title":"“无魔法”：《女王的甘比特》中的象棋、艺术情感与主体发展","authors":"P. H. Schmidt","doi":"10.7560/tsll64305","DOIUrl":null,"url":null,"abstract":"ABSTRACT:In this essay, I claim that The Queen’s Gambit examines the sources of excellence in creative work and describes a practice for organizing a durable selfhood. Following the rise of an orphan (Beth Harmon) in the world of 1960s international chess, the novel suggests, I argue, allegorical correspondences between chess and other forms of artistic and intellectual endeavor. I further contend that in learning to play chess, Beth develops a capacity to live an ethical life in a hostile world.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"64 1","pages":"309 - 337"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“No Sorcery”: Chess, Artistic Sensibility, and Subjective Development in The Queen’s Gambit\",\"authors\":\"P. H. Schmidt\",\"doi\":\"10.7560/tsll64305\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:In this essay, I claim that The Queen’s Gambit examines the sources of excellence in creative work and describes a practice for organizing a durable selfhood. Following the rise of an orphan (Beth Harmon) in the world of 1960s international chess, the novel suggests, I argue, allegorical correspondences between chess and other forms of artistic and intellectual endeavor. I further contend that in learning to play chess, Beth develops a capacity to live an ethical life in a hostile world.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":\"64 1\",\"pages\":\"309 - 337\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll64305\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll64305","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
“No Sorcery”: Chess, Artistic Sensibility, and Subjective Development in The Queen’s Gambit
ABSTRACT:In this essay, I claim that The Queen’s Gambit examines the sources of excellence in creative work and describes a practice for organizing a durable selfhood. Following the rise of an orphan (Beth Harmon) in the world of 1960s international chess, the novel suggests, I argue, allegorical correspondences between chess and other forms of artistic and intellectual endeavor. I further contend that in learning to play chess, Beth develops a capacity to live an ethical life in a hostile world.
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