{"title":"授权观众和剥夺艺术家的权力:对早期时尚崇拜对象的浪漫论调和直销","authors":"Werner Michler","doi":"10.1111/glal.12345","DOIUrl":null,"url":null,"abstract":"<p>The article discusses aspects of the dialectics of genius cults in the nineteenth century, using examples of Mozart's reception: the unveiling of the Salzburg memorial statue in 1842, Franz Grillparzer's texts on Wolfgang Amadeus Mozart and his son Franz Xaver, as well as the artist's novella <i>Der arme Spielmann</i>. The consolidation and popularisation of genius discourse in the genius cults of post-Romanticism exerted unprecedented if latent pressure on producers of art in the period: the cults around prominent figures make great art into an unattainable exception. The article investigates how Franz Xaver Mozart and Grillparzer reacted to this dilemma.</p>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12345","citationCount":"0","resultStr":"{\"title\":\"ERMÄCHTIGUNG DES PUBLIKUMS UND ENTMÄCHTIGUNG DES KÜNSTLERS: GENIEDISKURSE DER NACHROMANTIK MIT BLICK AUF DEN FRÜHEN MOZARTKULT UND GRILLPARZER\",\"authors\":\"Werner Michler\",\"doi\":\"10.1111/glal.12345\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>The article discusses aspects of the dialectics of genius cults in the nineteenth century, using examples of Mozart's reception: the unveiling of the Salzburg memorial statue in 1842, Franz Grillparzer's texts on Wolfgang Amadeus Mozart and his son Franz Xaver, as well as the artist's novella <i>Der arme Spielmann</i>. The consolidation and popularisation of genius discourse in the genius cults of post-Romanticism exerted unprecedented if latent pressure on producers of art in the period: the cults around prominent figures make great art into an unattainable exception. The article investigates how Franz Xaver Mozart and Grillparzer reacted to this dilemma.</p>\",\"PeriodicalId\":54012,\"journal\":{\"name\":\"GERMAN LIFE AND LETTERS\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-06-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12345\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"GERMAN LIFE AND LETTERS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/glal.12345\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"GERMAN LIFE AND LETTERS","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/glal.12345","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
ERMÄCHTIGUNG DES PUBLIKUMS UND ENTMÄCHTIGUNG DES KÜNSTLERS: GENIEDISKURSE DER NACHROMANTIK MIT BLICK AUF DEN FRÜHEN MOZARTKULT UND GRILLPARZER
The article discusses aspects of the dialectics of genius cults in the nineteenth century, using examples of Mozart's reception: the unveiling of the Salzburg memorial statue in 1842, Franz Grillparzer's texts on Wolfgang Amadeus Mozart and his son Franz Xaver, as well as the artist's novella Der arme Spielmann. The consolidation and popularisation of genius discourse in the genius cults of post-Romanticism exerted unprecedented if latent pressure on producers of art in the period: the cults around prominent figures make great art into an unattainable exception. The article investigates how Franz Xaver Mozart and Grillparzer reacted to this dilemma.
期刊介绍：
- German Life and Letters was founded in 1936 by the distinguished British Germanist L.A. Willoughby and the publisher Basil Blackwell. In its first number the journal described its aim as "engagement with German culture in its widest aspects: its history, literature, religion, music, art; with German life in general". German LIfe and Letters has continued over the decades to observe its founding principles of providing an international and interdisciplinary forum for scholarly analysis of German culture past and present. The journal appears four times a year, and a typical number contains around eight articles of between six and eight thousand words each.
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