自由诗与言语结构

Q2 Social Sciences Explorations in Media Ecology Pub Date : 2022-10-01 DOI:10.1386/eme_00127_1
V. Kupriyanov
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引用次数: 0

摘要

基于尤里·罗日德斯文斯基的理论,本文认为自由体是一种“第三”类型:既不是散文也不是诗歌,而是散文和诗歌相交的一种独立的艺术形式。与其他类型的言语一样,自由诗也受到通信技术变化的影响。本文以俄罗斯自由诗的代表作例,研究了这种影响。它追溯了俄语自由体与口头体裁(包括谚语和寓言)之间的相关性,以及自由体与书面体裁(特别是神圣文本:诗篇和祈祷)之间的关系。它解释了印刷技术对自由诗的影响,表明散文印刷文本可以接近自由诗,并解释了为什么科学文本,即使写得好,也不能。它展示了俄罗斯自由主义者如何应对大众媒体的风格和压力,突出了讽刺的使用。观察到的俄语材料的模式和规律可能适用于其他语言的自由诗,有待进一步研究。
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Free verse and speech texture
Based on the theories of Yuri Rozhdestvensky, this article considers vers libres a ‘third’ genre: neither prose nor poetry, but a separate artistic form where prose and poetry intersect. As other types of speech, free verse is influenced by the changes in communication technologies. Using representative examples of Russian free verse, the article studies this influence. It traces the correlations between Russian vers libres and oral genres, including proverbs and fables, and between vers libre and written genres, specifically sacred texts: psalms and prayers. It explains the influence of print technology on free verse, shows that prose printed texts can be close to free verse, and explains why scientific texts, even well written, cannot. It demonstrates how Russian verlibrists responded to mass media styles and pressures, highlighting the use of irony. The patterns and regularities observed for the Russian material may be applicable to free verse in other languages, pending further research.
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来源期刊
Explorations in Media Ecology
Explorations in Media Ecology Social Sciences-Cultural Studies
CiteScore
0.70
自引率
0.00%
发文量
24
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