{"title":"乌托邦假说","authors":"D. Sarkar","doi":"10.1086/721062","DOIUrl":null,"url":null,"abstract":"W hen Isaac Newton declares that he feigns no hypotheses because they are not “deduced from the phenomena,” he marks them as inappropriate to “experimental philosophy.” Many of his followers accentuate his criticism, labeling hypothesis a “dangerous and unscientific product of an unregulated imagination.” By wedding it to imagination— whichwas often associatedwith falsehood and insubstantiality—these criticisms strip hypothesis of its intellectual value and belie the reality that it was a vital component of scientific methods. To underscore its importance in the inductive sciences, by contrast, William Whewell declares in the nineteenth century that the hypothesis “should be close to the facts,” and that the “philosopher should be ready to resign it as soon as the facts","PeriodicalId":44199,"journal":{"name":"ENGLISH LITERARY RENAISSANCE","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Utopian Hypothesis\",\"authors\":\"D. Sarkar\",\"doi\":\"10.1086/721062\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"W hen Isaac Newton declares that he feigns no hypotheses because they are not “deduced from the phenomena,” he marks them as inappropriate to “experimental philosophy.” Many of his followers accentuate his criticism, labeling hypothesis a “dangerous and unscientific product of an unregulated imagination.” By wedding it to imagination— whichwas often associatedwith falsehood and insubstantiality—these criticisms strip hypothesis of its intellectual value and belie the reality that it was a vital component of scientific methods. To underscore its importance in the inductive sciences, by contrast, William Whewell declares in the nineteenth century that the hypothesis “should be close to the facts,” and that the “philosopher should be ready to resign it as soon as the facts\",\"PeriodicalId\":44199,\"journal\":{\"name\":\"ENGLISH LITERARY RENAISSANCE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ENGLISH LITERARY RENAISSANCE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/721062\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ENGLISH LITERARY RENAISSANCE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/721062","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
W hen Isaac Newton declares that he feigns no hypotheses because they are not “deduced from the phenomena,” he marks them as inappropriate to “experimental philosophy.” Many of his followers accentuate his criticism, labeling hypothesis a “dangerous and unscientific product of an unregulated imagination.” By wedding it to imagination— whichwas often associatedwith falsehood and insubstantiality—these criticisms strip hypothesis of its intellectual value and belie the reality that it was a vital component of scientific methods. To underscore its importance in the inductive sciences, by contrast, William Whewell declares in the nineteenth century that the hypothesis “should be close to the facts,” and that the “philosopher should be ready to resign it as soon as the facts
期刊介绍:
English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.