Urbe的街头艺术。罗马郊区的城市艺术=乌尔贝的街头艺术。郊区或罗马的城市艺术

IF 0.2 Q4 COMMUNICATION H-ermes-Journal of Communication Pub Date : 2017-06-16 DOI:10.1285/I22840753N9P197
Ilaria Renna
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引用次数: 1

摘要

都市的街头艺术。郊区或罗马的城市艺术。罗马在过去是无可争议的艺术摇篮,是18世纪伟大的游客们必去的目的地,因为它不断地将旧与新、卑微与宏伟结合在一起。最近,罗马再次在21世纪的世界中扮演着关键角色。这个场景主要是关于罗马郊区的,不仅在地理上,而且在文化和社会上都是边缘的,在那里,外在的丑陋往往是由于原始缺乏美学设计,或者经常受到粗心大意和退化的影响。在这种类型的城市竞赛中,许多街头艺术家都参与了他们的作品,直接与领土和居民接触。在这篇文章中,重点是艺术家和公民的参与所产生的联系,这导致了一个合法的、程序化的和联系的艺术生产。因此,艺术在无声的地方成为一种交流的手段,同时,它总是发挥其功能:通过美,艺术重新界定和教育
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Street art in Urbe. Arte urbana nelle periferie romane=Street art in Urbe. Urban art in the suburbs or Rome
Street art in Urbe. Urban art in the suburbs or Rome. Rome in the past was the undisputed cradle of the arts, the imperative destination of the eighteenth-century grand tourists for its constant combination of old and new, humble and magnificent. Recently, Rome is playing once again that key role in the 21st century world. The scenario is mostly regarding the Roman suburbs, borderline not only geographically, but also culturally and socially, where external ugliness is often due to an original lack of aesthetic design or frequently subjects to carelessness and degradation. On this type of urban contest many street artists are involved with their works, directly in contact with the territory and its inhabitants. In this essay the focus is on the connection born from the involvement of artists and citizens, which leads to a legal, programmatic and connected artistic production. So, Art becomes a means of communication in places that are often voiceless and, at the same time, it always performs its function: trough the Beauty, Art re-qualifies and educates
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