{"title":"“然后他用长矛刺伤了我”:侵略性的神圣形象和宗教间的论战","authors":"Monica Mitri","doi":"10.1163/15700682-12341532","DOIUrl":null,"url":null,"abstract":"\nThis paper studies Coptic communal identity in early Islamic Egypt by analyzing two hagiographical narratives from the Christian Copto-Arabic text The History of the Patriarchs of Alexandria. The narratives relate incidents of sacred images that become ‘aggressive’ when they retaliate against insults. Although the relation between religious violence and sacred art has merited much scholarly attention, the focus is usually on humans as the aggressors and sacred art as the victim. The reverse is scarcer, and its rarity means we miss an opportunity to rethink such narratives as communicative modes of rhetoric to be contextually interpreted. Here I argue that these aggressive sacred images were tools of power within a polemic religious discourse aimed at proclaiming divine truth, undergirding it with supernatural power, and ultimately shaping Coptic communal identity around this discourse.","PeriodicalId":44982,"journal":{"name":"Method & Theory in the Study of Religion","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2021-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Then He Stabbed Me with a Spear”: Aggressive Sacred Images and Interreligious Polemics\",\"authors\":\"Monica Mitri\",\"doi\":\"10.1163/15700682-12341532\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis paper studies Coptic communal identity in early Islamic Egypt by analyzing two hagiographical narratives from the Christian Copto-Arabic text The History of the Patriarchs of Alexandria. The narratives relate incidents of sacred images that become ‘aggressive’ when they retaliate against insults. Although the relation between religious violence and sacred art has merited much scholarly attention, the focus is usually on humans as the aggressors and sacred art as the victim. The reverse is scarcer, and its rarity means we miss an opportunity to rethink such narratives as communicative modes of rhetoric to be contextually interpreted. Here I argue that these aggressive sacred images were tools of power within a polemic religious discourse aimed at proclaiming divine truth, undergirding it with supernatural power, and ultimately shaping Coptic communal identity around this discourse.\",\"PeriodicalId\":44982,\"journal\":{\"name\":\"Method & Theory in the Study of Religion\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-11-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Method & Theory in the Study of Religion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/15700682-12341532\",\"RegionNum\":2,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Method & Theory in the Study of Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15700682-12341532","RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
“Then He Stabbed Me with a Spear”: Aggressive Sacred Images and Interreligious Polemics
This paper studies Coptic communal identity in early Islamic Egypt by analyzing two hagiographical narratives from the Christian Copto-Arabic text The History of the Patriarchs of Alexandria. The narratives relate incidents of sacred images that become ‘aggressive’ when they retaliate against insults. Although the relation between religious violence and sacred art has merited much scholarly attention, the focus is usually on humans as the aggressors and sacred art as the victim. The reverse is scarcer, and its rarity means we miss an opportunity to rethink such narratives as communicative modes of rhetoric to be contextually interpreted. Here I argue that these aggressive sacred images were tools of power within a polemic religious discourse aimed at proclaiming divine truth, undergirding it with supernatural power, and ultimately shaping Coptic communal identity around this discourse.
期刊介绍:
Method & Theory in the Study of Religion publishes articles, notes, book reviews and letters which explicitly address the problems of methodology and theory in the academic study of religion. This includes such traditional points of departure as history, philosophy, anthropology and sociology, but also the natural sciences, and such newer disciplinary approaches as feminist theory and studies. Method & Theory in the Study of Religion also concentrates on the critical analysis of theoretical problems prominent in the study of religion.