爱德华四世与宣传政治

Q3 Arts and Humanities Renaissance Drama Pub Date : 2018-09-01 DOI:10.1086/699621
Joseph Mansky
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引用次数: 0

摘要

1614年,理查三世的鬼魂兴高采烈地回忆起他对其兄弟爱德华四世的情妇“肖尔夫人”的“尤斯蒂斯之怒”。“肖尔的妻子”,也被称为“肖尔之妻”,首次出现在托马斯·莫尔的《理查三世国王史》中,通过一系列的诗歌抱怨,她继续讲述自己在1590年代的故事。所有版本都遵循大致相同的轮廓:肖尔的妻子作为爱德华最喜欢的情妇掌权,然后在理查德夺取王位后急剧衰落。克里斯托弗·布鲁克(Christopher Brooke)在1614年的叙事诗中写道,理查德的鬼魂陶醉于他的虚伪,“当我(怀着既成事实的仇恨/为了生活)强迫她去忏悔时,与被神化的国家在一起。”但这种“尤斯蒂斯的愤怒”似乎适得其反。从中世纪的英格兰转移到现代早期的伦敦,理查德的鬼魂痛苦地抱怨,
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Jane Shore, Edward IV, and the Politics of Publicity
n 1614, the ghost of Richard III gleefully recalled the “peece of Iustice” he had inflicted on “Mistresse Shore,” the mistress of his brother Edward IV. “Shore’s wife,” as she was also known, first appeared in Thomas More’sHistory of King Richard III. She featured as the only female exemplar in the second edition of the Mirror for Magistrates (1563), and through a spate of verse complaints, she continued to tell her story in the 1590s. All versions follow roughly the same outline: Shore’s wife rises to power as Edward’s favorite mistress and then falls precipitously once Richard seizes the throne. Richard’s ghost, in the 1614 narrative poem by Christopher Brooke, revels in his hypocrisy “when (with a fained hate / To vnchast Life) I forced her to goe / Bare-foote, on penance, with deiected State.” But this “peece of Iustice” seems to have backfired. Shifting from medieval England to early modern London, Richard’s ghost bitterly complains,
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来源期刊
Renaissance Drama
Renaissance Drama Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
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0.00%
发文量
8
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