{"title":"莎士比亚《提图斯·安多尼库斯》中的文字表演:拉维尼娅的痛苦与马库斯的演讲","authors":"Judith H. Anderson","doi":"10.1086/715423","DOIUrl":null,"url":null,"abstract":"Discussions of Titus Andronicus have often treated myths as literalizations of metaphor, meaning the staged embodiment of Ovidian myth, despite the fact that a literal meaning is one still in letters. Distinctions between language and physical act or between mind and matter bear both on the aestheticizing and sensationalizing of physical violence and on the metaphor pervading Titus. The speech in Titus that has caused the strongest assertions about the disparity between poetic rhetoric, notably metaphorical symbolism, and the representation of physical violence and human suffering is uttered by Marcus when he unexpectedly sees Lavinia in the near distance, following her rape and mutilation. My essay focuses on this long speech, its rhetorical, poetical, and mythic context, and then its aftermath, the revenge of the Andronici and Lavinia’s death. It notes that Lavinia is conscious, not the dumb object of Marcus’ speech, as commonly assumed, and that her awareness is a game changer. In the aftermath of Marcus’ speech, Lavinia’s reception by Titus and her role in the Andronici’s revenge is again remarkably and mythically crucial. [J.A.]","PeriodicalId":44199,"journal":{"name":"ENGLISH LITERARY RENAISSANCE","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Staging the Literal in Shakespeare’s Titus Andronicus: Lavinia’s Suffering and Marcus’ Speech\",\"authors\":\"Judith H. Anderson\",\"doi\":\"10.1086/715423\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Discussions of Titus Andronicus have often treated myths as literalizations of metaphor, meaning the staged embodiment of Ovidian myth, despite the fact that a literal meaning is one still in letters. Distinctions between language and physical act or between mind and matter bear both on the aestheticizing and sensationalizing of physical violence and on the metaphor pervading Titus. The speech in Titus that has caused the strongest assertions about the disparity between poetic rhetoric, notably metaphorical symbolism, and the representation of physical violence and human suffering is uttered by Marcus when he unexpectedly sees Lavinia in the near distance, following her rape and mutilation. My essay focuses on this long speech, its rhetorical, poetical, and mythic context, and then its aftermath, the revenge of the Andronici and Lavinia’s death. It notes that Lavinia is conscious, not the dumb object of Marcus’ speech, as commonly assumed, and that her awareness is a game changer. In the aftermath of Marcus’ speech, Lavinia’s reception by Titus and her role in the Andronici’s revenge is again remarkably and mythically crucial. [J.A.]\",\"PeriodicalId\":44199,\"journal\":{\"name\":\"ENGLISH LITERARY RENAISSANCE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ENGLISH LITERARY RENAISSANCE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/715423\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ENGLISH LITERARY RENAISSANCE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/715423","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Staging the Literal in Shakespeare’s Titus Andronicus: Lavinia’s Suffering and Marcus’ Speech
Discussions of Titus Andronicus have often treated myths as literalizations of metaphor, meaning the staged embodiment of Ovidian myth, despite the fact that a literal meaning is one still in letters. Distinctions between language and physical act or between mind and matter bear both on the aestheticizing and sensationalizing of physical violence and on the metaphor pervading Titus. The speech in Titus that has caused the strongest assertions about the disparity between poetic rhetoric, notably metaphorical symbolism, and the representation of physical violence and human suffering is uttered by Marcus when he unexpectedly sees Lavinia in the near distance, following her rape and mutilation. My essay focuses on this long speech, its rhetorical, poetical, and mythic context, and then its aftermath, the revenge of the Andronici and Lavinia’s death. It notes that Lavinia is conscious, not the dumb object of Marcus’ speech, as commonly assumed, and that her awareness is a game changer. In the aftermath of Marcus’ speech, Lavinia’s reception by Titus and her role in the Andronici’s revenge is again remarkably and mythically crucial. [J.A.]
期刊介绍:
English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.