莎士比亚《提图斯·安多尼库斯》中的文字表演:拉维尼娅的痛苦与马库斯的演讲

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES ENGLISH LITERARY RENAISSANCE Pub Date : 2021-09-01 DOI:10.1086/715423
Judith H. Anderson
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引用次数: 1

摘要

关于提图斯·安多洛尼克斯的讨论经常将神话视为隐喻的字面化,即奥维德神话的舞台化,尽管字面意义仍然是字母。语言和身体行为之间的区别,或者精神和物质之间的区别,既与对身体暴力的审美化和耸人听闻有关,也与提图斯所使用的隐喻有关。在《提多书》中,马库斯的演讲引起了对诗歌修辞,尤其是隐喻象征主义,和身体暴力和人类痛苦的表现之间的差异的最强烈的断言,当他意外地在近距离看到拉维尼娅,在她被强奸和残害之后。我的文章主要关注这篇长篇演讲,它的修辞、诗意和神话背景,以及它的后果,对安多罗尼奇和拉维尼娅之死的报复。它指出,拉维尼娅是有意识的,而不是像人们通常认为的那样,是马库斯讲话的哑巴对象,她的意识改变了游戏规则。在马库斯的演讲之后,拉维尼娅受到提图斯的接待以及她在安德洛尼奇家族的复仇中所扮演的角色再次成为了引人注目的神话般的关键。[j]
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Staging the Literal in Shakespeare’s Titus Andronicus: Lavinia’s Suffering and Marcus’ Speech
Discussions of Titus Andronicus have often treated myths as literalizations of metaphor, meaning the staged embodiment of Ovidian myth, despite the fact that a literal meaning is one still in letters. Distinctions between language and physical act or between mind and matter bear both on the aestheticizing and sensationalizing of physical violence and on the metaphor pervading Titus. The speech in Titus that has caused the strongest assertions about the disparity between poetic rhetoric, notably metaphorical symbolism, and the representation of physical violence and human suffering is uttered by Marcus when he unexpectedly sees Lavinia in the near distance, following her rape and mutilation. My essay focuses on this long speech, its rhetorical, poetical, and mythic context, and then its aftermath, the revenge of the Andronici and Lavinia’s death. It notes that Lavinia is conscious, not the dumb object of Marcus’ speech, as commonly assumed, and that her awareness is a game changer. In the aftermath of Marcus’ speech, Lavinia’s reception by Titus and her role in the Andronici’s revenge is again remarkably and mythically crucial. [J.A.]
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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