自由主义与内心生活:曼斯菲尔德·帕克和维莱特的奇事

IF 0.3 2区 文学 0 LITERATURE NOVEL-A FORUM ON FICTION Pub Date : 2020-11-01 DOI:10.1215/00295132-8624516
Abby Scribner
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引用次数: 1

摘要

这篇文章探讨了两部著名的不受欢迎的19世纪小说——简·奥斯汀的《曼斯菲尔德公园》和夏洛特·勃朗特的《维莱特》——并认为它们让读者感到不满意,因为它们的主人公未能在清晰的内部领域中作为自由主义主题团结起来。曼斯菲尔德公园最初提供其东房间作为范妮·普莱斯室内的空间模拟,但它逐渐取消了对该空间的叙事访问,以完全服从外部状态标记。同样,维莱特笔下的露西·斯诺(Lucy Snowe)创造了建筑结构,以此向外界展示她的内心世界。然而,每一个实例都会导致一个不可能的空间,无法建立露西的内部轮廓。这篇文章根据将这部19世纪的小说与自由主义联系起来的批判性叙述,解读了这两部小说中主观主义的失败,这种联系往往是通过共同强调内部而建立的。因此,它考察了一旦这种联系被打破,接下来会发生什么:重新评估19世纪小说默认的政治视角,但也重新理解自由主义能够捕捉的各种主观形式。
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Liberalism and Inner Life: The Curious Cases of Mansfield Park and Villette
This article takes up two famously disliked nineteenth-century novels—Jane Austen's Mansfield Park and Charlotte Brontë's Villette—and argues that they are dissatisfying to readers because their protagonists fail to cohere as liberal subjects around a legible interior realm. Mansfield Park initially offers its east room as a spatial analogue for Fanny Price's interior, but it gradually revokes narrative access to the space in order to defer wholly to external status markers. Likewise, Villette's Lucy Snowe creates architectural constructions as a means of representing her inner realm to an outside world. However, each instance results in an impossible space that fails to establish the contours of Lucy's interior. The article reads the failures of subjectivation in the two novels in light of critical accounts that link the nineteenth-century novel to liberalism, a link that is often established through a shared emphasis on the interior. It thus examines what could come next once such a link is broken: a reevaluation of the default political perspective of the nineteenth-century novel but also a renewed understanding of the variety of subjective forms that liberalism is able to capture.
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来源期刊
CiteScore
0.40
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0.00%
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期刊介绍: Widely acknowledged as the leading journal in its field, Novel publishes essays concerned with the novel"s role in engaging and shaping the world. To promote critical discourse on the novel, the journal publishes significant work on fiction and related areas of research and theory. Recent issues on the early American novel, eighteenth-century fiction, and postcolonial modernisms carry on Novel"s long-standing interest in the Anglo-American tradition.
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