明星契约:管理中国的娱乐产业

IF 1 4区 社会学 Q2 AREA STUDIES Modern China Pub Date : 2023-09-01 DOI:10.1177/00977004221133533
E. Jeffreys, Jian Xu
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引用次数: 1

摘要

这篇文章用“契约名人”的概念来考察中国娱乐产业的治理——名人被迫充当中国政府广告和公共外交的大使。本文介绍了契约名人的概念,并将其与西方社会学对主要名人的理解联系起来,这些名人是“国家权力精英”、“无权精英”和世界主义的“大公民”,他们利用他们被调解的明星力量施加未经选举的、“无国籍”的政治影响。然后,它考察了自2000年代中期以来中国娱乐行业监管控制的扩张。最后,它探讨了“范冰冰偷税漏税案”,揭示了网上公众的谴责,以及相关的政府行动的可能性,可以联合起来约束名人的行为。我们的结论是,监管框架,以及在较小程度上的“舆论监督”,让主要名人帮助执政的中国共产党,同时破坏了像西方名人那样施加非政府政治影响的任何范围。
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Indenturing Celebrity: Governing China’s Entertainment Industries
This article examines the governance of China’s entertainment industries using the concept of “indentured celebrities”—famous people who are obliged to serve as ambassadors for Chinese government advertising and public diplomacy. The article introduces the idea of indentured celebrities in relation to Western sociological understandings of major celebrities as “national power elites,” “powerless elites,” and cosmopolitan “Big Citizens” who use their mediatized star power to exert unelected, “stateless” political influence. It then examines the expansion since the mid-2000s of regulatory controls over China’s entertainment industries. Finally, it explores the “Fan Bingbing tax evasion case,” revealing how online public censure, and the associated potential for government action, can coalesce to discipline celebrity behaviors. We conclude that regulatory frameworks and, to a lesser degree, “supervision by public opinion,” indenture major celebrities to aid the ruling Chinese Communist Party, while undermining any scope to exert nongovernmental political influence as per Western celebrities.
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来源期刊
Modern China
Modern China AREA STUDIES-
CiteScore
1.70
自引率
10.00%
发文量
26
期刊介绍: Published for over thirty years, Modern China has been an indispensable source of scholarship in history and the social sciences on late-imperial, twentieth-century, and present-day China. Modern China presents scholarship based on new research or research that is devoted to new interpretations, new questions, and new answers to old questions. Spanning the full sweep of Chinese studies of six centuries, Modern China encourages scholarship that crosses over the old "premodern/modern" and "modern/contemporary" divides.
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