{"title":"保罗·奎佐洛:的里雅斯特与易卜生案","authors":"Sara Culeddu","doi":"10.1080/15021866.2021.1997235","DOIUrl":null,"url":null,"abstract":"Published by Marsilio in 2020 and equipped with a preface by Franco Perrelli, Trieste e il caso Ibsen. Polemiche e dibattiti tra Otto e Novecento (Trieste and the Ibsen case. Controversies and Debates at the Turn of the Twentieth Century) is a recent work by Paolo Quazzolo, Associate Professor of Drama Studies at the University of Trieste and author of many publications on theatre, both from a historical and critical point of view, as well as monographs on specific playwrights. This is his first book on Ibsen. In this work on Ibsen in Trieste the historical and critical approaches previously employed by Quazzolo seem to merge, enhancing each other to create new perspectives. Here the author reconstructs the first reception of Ibsen in Italy focussing on the encounter between the Norwegian playwright and the city of Trieste at the turn of the twentieth century, and recognises in this encounter some unique elements, charged with promises of mutual enrichment: on the one hand the reception of Ibsen in Trieste – once some initial scepticism was overcome – set the tone for the national reception of the playwright; on the other, the entrance of his dramas both on the stages and in cultural debates in Trieste during those years contributed to reconceptualizing the identity of a city which, in that moment, was defining its role and position in the cultural landscape of Italy. One of the most interesting aspects of this book is the narrowing of its focus to a very specific geographic area, which allows","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Paolo Quazzolo: Trieste e il caso Ibsen\",\"authors\":\"Sara Culeddu\",\"doi\":\"10.1080/15021866.2021.1997235\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Published by Marsilio in 2020 and equipped with a preface by Franco Perrelli, Trieste e il caso Ibsen. Polemiche e dibattiti tra Otto e Novecento (Trieste and the Ibsen case. Controversies and Debates at the Turn of the Twentieth Century) is a recent work by Paolo Quazzolo, Associate Professor of Drama Studies at the University of Trieste and author of many publications on theatre, both from a historical and critical point of view, as well as monographs on specific playwrights. This is his first book on Ibsen. In this work on Ibsen in Trieste the historical and critical approaches previously employed by Quazzolo seem to merge, enhancing each other to create new perspectives. Here the author reconstructs the first reception of Ibsen in Italy focussing on the encounter between the Norwegian playwright and the city of Trieste at the turn of the twentieth century, and recognises in this encounter some unique elements, charged with promises of mutual enrichment: on the one hand the reception of Ibsen in Trieste – once some initial scepticism was overcome – set the tone for the national reception of the playwright; on the other, the entrance of his dramas both on the stages and in cultural debates in Trieste during those years contributed to reconceptualizing the identity of a city which, in that moment, was defining its role and position in the cultural landscape of Italy. One of the most interesting aspects of this book is the narrowing of its focus to a very specific geographic area, which allows\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2021-12-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15021866.2021.1997235\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15021866.2021.1997235","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Marsilio于2020年出版,并配有Franco Perrelli的序言,Trieste e il caso Ibsen。Polemiche e dibattti tra Otto e Novecento(的里雅斯特和易卜生案。二十世纪之交的争议和辩论)是的里雅特大学戏剧研究副教授Paolo Quazzolo的最新作品,他出版了许多关于戏剧的出版物,从历史和批判的角度来看,以及关于特定剧作家的专著。这是他的第一本关于易卜生的书。在这部关于的里雅斯特易卜生的作品中,Quazzolo之前采用的历史和批判方法似乎融合在一起,相互增强,创造了新的视角。在这里,作者以二十世纪之交挪威剧作家易卜生与的里雅斯特市的相遇为中心,重建了易卜生在意大利的第一次接受,并在这次相遇中认识到了一些独特的元素,充满了相互丰富的承诺:一方面,易卜生在的里雅斯特受到的欢迎——一旦一些最初的怀疑被克服——为全国对这位剧作家的欢迎定下了基调;另一方面,他的戏剧在的里雅斯特的舞台上和文化辩论中的出现,有助于重新定义一个城市的身份,在那一刻,这个城市正在定义它在意大利文化景观中的角色和地位。这本书最有趣的方面之一是将重点缩小到一个非常特定的地理区域,这使得
Published by Marsilio in 2020 and equipped with a preface by Franco Perrelli, Trieste e il caso Ibsen. Polemiche e dibattiti tra Otto e Novecento (Trieste and the Ibsen case. Controversies and Debates at the Turn of the Twentieth Century) is a recent work by Paolo Quazzolo, Associate Professor of Drama Studies at the University of Trieste and author of many publications on theatre, both from a historical and critical point of view, as well as monographs on specific playwrights. This is his first book on Ibsen. In this work on Ibsen in Trieste the historical and critical approaches previously employed by Quazzolo seem to merge, enhancing each other to create new perspectives. Here the author reconstructs the first reception of Ibsen in Italy focussing on the encounter between the Norwegian playwright and the city of Trieste at the turn of the twentieth century, and recognises in this encounter some unique elements, charged with promises of mutual enrichment: on the one hand the reception of Ibsen in Trieste – once some initial scepticism was overcome – set the tone for the national reception of the playwright; on the other, the entrance of his dramas both on the stages and in cultural debates in Trieste during those years contributed to reconceptualizing the identity of a city which, in that moment, was defining its role and position in the cultural landscape of Italy. One of the most interesting aspects of this book is the narrowing of its focus to a very specific geographic area, which allows