Hella酒吧:黑人女性说唱在不安全中的文化包容性

IF 0.5 Q3 CULTURAL STUDIES Open Cultural Studies Pub Date : 2022-01-01 DOI:10.1515/culture-2022-0144
Adeerya Johnson
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引用次数: 0

摘要

摘要对HBO不安全的音乐监督从声音上映射了黑人女性与嘻哈音乐联系的各种表现,将其视为一个自主、代理和真实的场所。重要的是,在《不安全感》第1-3季中,黑人女说唱歌手的多样性将黑人千禧一代女性对黑人女性身份、性、友谊、爱情和关系的理解的微妙和当代表现联系在一起。我认为,伊萨·拉对嘻哈的看法和联系的影响,以及歌曲在不安全环境中的位置,支持了一种对黑人流行文化采取嘻哈女权主义方法的配乐。我探索了当代女性嘻哈艺术家作为一个新兴的说唱歌手群体,他们支持黑人千禧一代女性细致入微的叙事和身份。此外,这篇文章强调了黑人流行文化和嘻哈女权主义的联系,嘻哈女权主义是黑人女性的一个重要代表场所,她们将嘻哈作为文化、自我表达和身份的能指。我认识到不安全感的配乐和黑人女性在嘻哈音乐中的使用的重要性,以强调嘻哈音乐在黑人女性日常生活中处于种族、性和性别的交叉点。
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Hella Bars: The Cultural Inclusion of Black Women’s Rap in Insecure
Abstract The musical supervision of HBO’s insecure sonically maps various representations of Black women’s connections to hip-hop music as a site of autonomy, agency, and authenticity. Importantly, the variety of Black female rappers who are featured in seasons 1–3 of insecure connects nuanced and contemporary representations of Black millennial women’s understanding of Black womanhood, sex, friendship, love, and relationships. I argue that the influence of Issa Rae’s perception and connections to hip-hop and the placement of songs in insecure supports a soundtrack that takes on a hip-hop feminist approach to Black popular culture. I explore contemporary female hip-hop artist as an emerging group of rappers who support nuanced narratives and identities of Black millennial women. Furthermore, this article highlights the connectedness of Black popular culture and hip-hop feminism as an important site of representation for Black women who use hip-hop as a signifier to culture, self-expression, and identity. I recognize the importance of insecure’s soundtrack and usage of Black women in hip-hop to underline the ways hip-hop sits at the intersections of race, sexuality, and gender for Black women’s everyday lives.
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来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
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