{"title":"治理接口","authors":"M. Samdub","doi":"10.1215/08992363-9937382","DOIUrl":null,"url":null,"abstract":"\n In Modi's India, a host of indices perform transparency, efficiency, and good governance but leave undeclared the political shifts they are bringing about. Dramatized in real-time dashboards, policy briefs, press reports, and social media posts, these technocratic numbers arbitrarily rank administrative units and place them in a competitive relation with each other within Indian federalism. As technical device, aesthetic projection, and mediating interface, the index is a node in “maximum governance,” an emergent apparatus of governance that renders development as the site of a pernicious combination of centralizing state power and neoliberal entrepreneurship.","PeriodicalId":47901,"journal":{"name":"Public Culture","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Governance Interface\",\"authors\":\"M. Samdub\",\"doi\":\"10.1215/08992363-9937382\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n In Modi's India, a host of indices perform transparency, efficiency, and good governance but leave undeclared the political shifts they are bringing about. Dramatized in real-time dashboards, policy briefs, press reports, and social media posts, these technocratic numbers arbitrarily rank administrative units and place them in a competitive relation with each other within Indian federalism. As technical device, aesthetic projection, and mediating interface, the index is a node in “maximum governance,” an emergent apparatus of governance that renders development as the site of a pernicious combination of centralizing state power and neoliberal entrepreneurship.\",\"PeriodicalId\":47901,\"journal\":{\"name\":\"Public Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2022-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Public Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/08992363-9937382\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/08992363-9937382","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
In Modi's India, a host of indices perform transparency, efficiency, and good governance but leave undeclared the political shifts they are bringing about. Dramatized in real-time dashboards, policy briefs, press reports, and social media posts, these technocratic numbers arbitrarily rank administrative units and place them in a competitive relation with each other within Indian federalism. As technical device, aesthetic projection, and mediating interface, the index is a node in “maximum governance,” an emergent apparatus of governance that renders development as the site of a pernicious combination of centralizing state power and neoliberal entrepreneurship.
期刊介绍：
Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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