《客体,代理,自我》

IF 0.8 1区 艺术学 0 ART GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2018-09-01 DOI:10.1086/698842
I. Drpić
{"title":"《客体,代理,自我》","authors":"I. Drpić","doi":"10.1086/698842","DOIUrl":null,"url":null,"abstract":"The term enkolpion encompasses a broad category of objects—crosses, medallions adorned with Christian imagery, and miniature reliquaries, among others—worn around the neck. Protecting the wearer and providing a constant focus for prayer, enkolpia were arguably the most personal and intimate of all devotional artifacts in Byzantium. They were embraced at confession and appealed to in circumstances of danger and anxiety, intensely scrutinized, caressed, and kissed. Yet the agency of these diminutive objects was not limited to their basic religious function. Enkolpia actively participated in various forms of social interaction. They could serve as gifts, collaterals, and safe-conducts and, most important, operate as physical extensions of their owners. This article explores how the Byzantines used and related to devotional pectorals. It has two objectives: first, to recover the significance of enkolpia as a distinct category of objects; and second, to shed new light on the material culture of personal piety as a critical setting for the formation of subjectivity in Byzantium.","PeriodicalId":43922,"journal":{"name":"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART","volume":null,"pages":null},"PeriodicalIF":0.8000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/698842","citationCount":"2","resultStr":"{\"title\":\"The Enkolpion: Object, Agency, Self\",\"authors\":\"I. Drpić\",\"doi\":\"10.1086/698842\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The term enkolpion encompasses a broad category of objects—crosses, medallions adorned with Christian imagery, and miniature reliquaries, among others—worn around the neck. Protecting the wearer and providing a constant focus for prayer, enkolpia were arguably the most personal and intimate of all devotional artifacts in Byzantium. They were embraced at confession and appealed to in circumstances of danger and anxiety, intensely scrutinized, caressed, and kissed. Yet the agency of these diminutive objects was not limited to their basic religious function. Enkolpia actively participated in various forms of social interaction. They could serve as gifts, collaterals, and safe-conducts and, most important, operate as physical extensions of their owners. This article explores how the Byzantines used and related to devotional pectorals. It has two objectives: first, to recover the significance of enkolpia as a distinct category of objects; and second, to shed new light on the material culture of personal piety as a critical setting for the formation of subjectivity in Byzantium.\",\"PeriodicalId\":43922,\"journal\":{\"name\":\"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2018-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/698842\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/698842\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/698842","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 2

摘要

佩戴在脖子上的物品包括十字架、装饰有基督教图像的大奖章、微型圣物箱等。保护佩戴者并为祈祷提供持续的焦点,enkolia可以说是拜占庭所有虔诚文物中最私人和最亲密的。他们忏悔时被拥抱,在危险和焦虑的情况下被恳求,被仔细地审视,被爱抚,被亲吻。然而,这些小物件的作用并不局限于它们的基本宗教功能。斯洛文尼亚积极参加各种形式的社会交往。它们可以作为礼物、抵押品和安全行为,最重要的是,它们可以作为所有者的实体延伸。这篇文章探讨了拜占庭人如何使用和与虔诚的胸肌有关。它有两个目标:第一,恢复enkolpia作为一个独特的对象类别的意义;第二,重新阐释个人虔诚的物质文化作为拜占庭主体性形成的关键背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The Enkolpion: Object, Agency, Self
The term enkolpion encompasses a broad category of objects—crosses, medallions adorned with Christian imagery, and miniature reliquaries, among others—worn around the neck. Protecting the wearer and providing a constant focus for prayer, enkolpia were arguably the most personal and intimate of all devotional artifacts in Byzantium. They were embraced at confession and appealed to in circumstances of danger and anxiety, intensely scrutinized, caressed, and kissed. Yet the agency of these diminutive objects was not limited to their basic religious function. Enkolpia actively participated in various forms of social interaction. They could serve as gifts, collaterals, and safe-conducts and, most important, operate as physical extensions of their owners. This article explores how the Byzantines used and related to devotional pectorals. It has two objectives: first, to recover the significance of enkolpia as a distinct category of objects; and second, to shed new light on the material culture of personal piety as a critical setting for the formation of subjectivity in Byzantium.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.50
自引率
25.00%
发文量
8
期刊介绍: The Newsletter, published three times a year, includes notices of ICMA elections and other important votes of the membership, notices of ICMA meetings, conference and exhibition announcements, some employment and fellowship listings, and topical news items related to the discovery, conservation, research, teaching, publication, and exhibition of medieval art and architecture. The movement of some material traditionally included in the newsletter to the ICMA website, such as the Census of Dissertations in Medieval Art, has provided the opportunity for new features in the Newsletter, such as reports on issues of broad concern to our membership.
期刊最新文献
An African “Constantine” in the Twelfth Century: The Architecture of the Early Zagwe Dynasty and Egyptian Episcopal Authority Touching the Magdalene: The Cult of Mary Magdalene in Iberia in the Central Middle Ages Art, Relics, and the Senses in the Cult of Saint Demetrios of Thessaloniki Witness Images and Oath-Stones: On Law and Pictorial Culture in the Eleventh Century Front Matter
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1