{"title":"《客体,代理,自我》","authors":"I. Drpić","doi":"10.1086/698842","DOIUrl":null,"url":null,"abstract":"The term enkolpion encompasses a broad category of objects—crosses, medallions adorned with Christian imagery, and miniature reliquaries, among others—worn around the neck. Protecting the wearer and providing a constant focus for prayer, enkolpia were arguably the most personal and intimate of all devotional artifacts in Byzantium. They were embraced at confession and appealed to in circumstances of danger and anxiety, intensely scrutinized, caressed, and kissed. Yet the agency of these diminutive objects was not limited to their basic religious function. Enkolpia actively participated in various forms of social interaction. They could serve as gifts, collaterals, and safe-conducts and, most important, operate as physical extensions of their owners. This article explores how the Byzantines used and related to devotional pectorals. It has two objectives: first, to recover the significance of enkolpia as a distinct category of objects; and second, to shed new light on the material culture of personal piety as a critical setting for the formation of subjectivity in Byzantium.","PeriodicalId":43922,"journal":{"name":"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART","volume":null,"pages":null},"PeriodicalIF":0.8000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/698842","citationCount":"2","resultStr":"{\"title\":\"The Enkolpion: Object, Agency, Self\",\"authors\":\"I. Drpić\",\"doi\":\"10.1086/698842\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The term enkolpion encompasses a broad category of objects—crosses, medallions adorned with Christian imagery, and miniature reliquaries, among others—worn around the neck. Protecting the wearer and providing a constant focus for prayer, enkolpia were arguably the most personal and intimate of all devotional artifacts in Byzantium. They were embraced at confession and appealed to in circumstances of danger and anxiety, intensely scrutinized, caressed, and kissed. Yet the agency of these diminutive objects was not limited to their basic religious function. Enkolpia actively participated in various forms of social interaction. They could serve as gifts, collaterals, and safe-conducts and, most important, operate as physical extensions of their owners. This article explores how the Byzantines used and related to devotional pectorals. It has two objectives: first, to recover the significance of enkolpia as a distinct category of objects; and second, to shed new light on the material culture of personal piety as a critical setting for the formation of subjectivity in Byzantium.\",\"PeriodicalId\":43922,\"journal\":{\"name\":\"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2018-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/698842\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/698842\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/698842","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
The term enkolpion encompasses a broad category of objects—crosses, medallions adorned with Christian imagery, and miniature reliquaries, among others—worn around the neck. Protecting the wearer and providing a constant focus for prayer, enkolpia were arguably the most personal and intimate of all devotional artifacts in Byzantium. They were embraced at confession and appealed to in circumstances of danger and anxiety, intensely scrutinized, caressed, and kissed. Yet the agency of these diminutive objects was not limited to their basic religious function. Enkolpia actively participated in various forms of social interaction. They could serve as gifts, collaterals, and safe-conducts and, most important, operate as physical extensions of their owners. This article explores how the Byzantines used and related to devotional pectorals. It has two objectives: first, to recover the significance of enkolpia as a distinct category of objects; and second, to shed new light on the material culture of personal piety as a critical setting for the formation of subjectivity in Byzantium.
期刊介绍:
The Newsletter, published three times a year, includes notices of ICMA elections and other important votes of the membership, notices of ICMA meetings, conference and exhibition announcements, some employment and fellowship listings, and topical news items related to the discovery, conservation, research, teaching, publication, and exhibition of medieval art and architecture. The movement of some material traditionally included in the newsletter to the ICMA website, such as the Census of Dissertations in Medieval Art, has provided the opportunity for new features in the Newsletter, such as reports on issues of broad concern to our membership.