性格的塑造:古典文学作为维多利亚时代英国文化绝望的一剂良药

IF 0.2 4区 文学 0 LITERARY REVIEWS CRITICAL QUARTERLY Pub Date : 2023-05-19 DOI:10.1111/criq.12724
Stephen Gaukroger
{"title":"性格的塑造:古典文学作为维多利亚时代英国文化绝望的一剂良药","authors":"Stephen Gaukroger","doi":"10.1111/criq.12724","DOIUrl":null,"url":null,"abstract":"<p>In an essay on Grote's <i>History of Greece</i>, John Stuart Mill remarked: ‘The battle of Marathon, even as an event in English history, is more important than the battle of Hastings.’<sup>1</sup> We may find this statement surprising, but Mill's contemporaries would not have. Just as nineteenth-century European scholars focused on the ancient Orient and its religions largely because they thought modern Eastern cultures static or degraded and of incidental value, so too, as Suzanne Marchand has pointed out, many members of the European educated elite thought the same was true of their own culture, ‘which is why the study of classical antiquity was dominant in educational institutions and why religious reformers emphasized the virtues of Jesus and the apostles, rather than those of contemporary Christians’.<sup>2</sup></p><p>In nineteenth-century England, appeal to classical antiquity was used to remedy cultural despair, yet in the course of the century the programme was collapsing, as there arose an increasingly acrimonious struggle between the claims of science and those of classical antiquity with regard to the explanation for the uniqueness and success of Western culture. Nowhere is this clearer than in the attempts of promoters of classical education to provide a model of character development. Character development was something that had almost always been a core role of the study of classical antiquity and, as the claims of Christianity in this role began to be questioned in Europe from the end of the eighteenth century, it took on a new urgency. Frank Turner notes that Greek antiquity began to absorb the interests of eighteenth-century Europeans as their Roman and Christian heritage began to come apart, attempting to identify ‘prescriptive signposts for the present age in the European past that predated Rome and Christianity’.<sup>3</sup></p><p>To understand the extent of classical studies in the curriculum of the English educational system, however, we need to recognise from the outset how class-bound education was in England. By contrast with Germany, for example, where Humboldt's reforms of 1810 were designed to open up tertiary education to the middle classes, in England in the first half of the nineteenth century education was seen as a privilege, and there was a widespread belief among the elite that too much education would produce overqualified and unemployable people.<sup>7</sup> The resistance to general education was reflected in literacy levels: in 1850 the literacy rate (reading and writing) in Prussia was 85 per cent, that in Britain just 52 per cent.<sup>8</sup> Museums, at the forefront of general educational programme in Germany, laboured under a class-ridden ideology in Britain. The trustees of the British Museum, predominantly members of the aristocracy and Anglican clergy, were staunchly resistant to displaying its specimens to the public, and by contrast with French and German museums its collection was sadly lacking any professional oversight on questions of classification and nomenclature. One of the defenders of these arrangements, Sir Robert Inglis, insisted that wealth and rank were essential for the trustees if they were to solicit patronage for a public museum.<sup>9</sup></p><p>Such an attitude was nevertheless in conflict with a transformation of British culture from the 1820s. As John Herschel put it in his influential <i>Preliminary Discourse on Natural Philosophy</i> of 1830: ‘The observation of the calm, energetic regularity of nature, the immense scale of her operations, and the certainty with which her ends are attained, tends, irresistably, to tranquilize and re-assure the mind, and render it less accessible to repining, selfish, and turbulent emotions.’<sup>10</sup> This therapeutic understanding of science was matched in the rapidly expanding urban centres of the industrial north of England, where scientific reading and enquiry was taking over from literary, political or classical studies as the leading form of recreation among the literate,<sup>11</sup> and from the 1830s, there was a significant increase in reviews and discussion of scientific books in the widely read journals of the day. Moreover, in the course of the nineteenth century, science was extended outside the confines of serious research, and was installed at the centre of leisure, for both adults and children. In the case of adults, natural history and machines predominated, whereas in the case of children, as well as pedagogic material there was a new focus on such children's daytime activities as rock collecting, shell collecting and the identification of plants, and the night-time activity of star-gazing.<sup>12</sup> At the same time, there arose non-elite educational institutions outside the public schools and universities. The new Mechanics' Institutes, which flourished between the early 1820s and the mid-1840s, provided evening teaching for the working class. They were not sponsored by wealthy aristocrats, as in the case of the Royal Institution, for example, but were voluntary associations.</p><p>Classical education and education in mechanics might just seem two different independent educational streams, one associated with an aristocratic elite, the other with the middle and working classes. But there are two absolutely central issues on which they come into competition: their contribution to civilisation and their role in character formation.</p><p>The appeal of classical education, for example to reformers like Matthew Arnold, lay in its portrayal of history as a source of objective values, a call to secular living in a way that involved no moral traumas as traditional religious values were abandoned.<sup>13</sup> But for an increasing number of writers in the eighteenth and particularly in the nineteenth century, it was science, not Christianity or classical culture, that provided the path to civilisation. As early as 1759, for example, Linnaeus was remarking that ‘only the Sciences distinguish Wild people, Barbarians and Hottentots, from us’.<sup>14</sup> A century later, in 1866, Thomas Huxley writes of science saving civilisation from barbarism, talking of a ‘new nature’ created by science and manifested ‘in every mechanical artifice, every chemically pure substance employed by manufacture, every abnormally fertile race of plants, or rapidly growing and fattening breed of animals’. This new nature, we are told, is ‘the foundation of our wealth and the condition of our safety from submergence by another flood of barbarous hordes; it is the bond which unites into a solid political whole, regions larger than any empire of antiquity; it secures us from the recurrence of pestilences and famines of former times; it is the source of endless comforts and conveniences, which are not mere luxuries, but conduce to physical and moral well-being’.<sup>15</sup> At the same time, general lessons for history were being drawn from the new role given to science. In 1877, the eminent German physiologist Emil du Bois-Reymond was suggesting that the fall of the Roman Empire was due not to social, political or economic conditions but to a lack of science: Roman imperial culture rested ‘on the quicksand of speculation’.<sup>16</sup> Historical progress was due to science alone – ‘the history of natural science’, he writes, ‘is the actual history of mankind’ – and it was science ‘that made mankind mankind’.<sup>17</sup></p><p>On the question of the shaping of character, in England, a great deal hinged on the diminishing esteem that Anglicanism attracted in this respect. The Anglican Church gradually lost its religious-political monopoly from the end of the eighteenth century, with the Catholic emancipation of 1829 coming about largely because Parliament no longer believed that the Established Church had any unique claims to precedence on religious matters. At the same time, with the rise of the Evangelical movement from the late eighteenth century, we enter a period of sharp and intense public criticism of ecclesiastical institutions on moral, intellectual and spiritual grounds. The aim was to re-Christianise these institutions, however, not to replace them with something non-Christian.<sup>18</sup> The question was how Christianity could be reformed so as to fulfil its traditional tasks in a radically altered environment. And paramount among these tasks was the moral formation of character. This was something that had a number of different dimensions, and it was generally considered that it was not a question that could be left open until the appropriate remedy could be found within Christianity. Since the Renaissance, classical learning had played an indispensable supporting role so, other things being equal, it could perhaps carry the load in the short term. Questions of the shaping of character were intimately associated with those of civilisation, and if classical antiquity came to be separated from civilisation in favour of science, then the question of character formation would become much more complicated.</p><p>We can distinguish three developments in English universities in response to the questioning of Christianity as a means of the shaping of character. First, the promotion of classics had served in this role, usually as a supplement to Christianity in the English elite educational system, and it continued to do so at Eton and Oxford for example. Second, there was what was in effect a replacement of classics by science as a means of shaping character, a development centred on Cambridge. Third, there was a rejection of the whole concept of the shaping of character, which was associated with a minority aristocratic interest which could have no standing in a democratic society. Such a view was above all that of the Utilitarians, and the way in which scientific and medical education were pursued at University College London, for which Bentham provided the inspiration, was quite different from the character-forming concerns of the two traditional English universities.</p><p>The education of the Cambridge undergraduates was not confined to intellectual pursuits, and the elite mathematicians were encouraged to be elite sportsmen as well: it was a crucial part of the ethos that intellectual endeavour had to be balanced against physical exercise, and the elite mathematics students were often elite athletes as well. Such exercise was largely collective and competitive: individual exercise was discouraged, except for long walks. By the 1840s the combined pursuits of mathematics and sport had become constitutive of the liberal education through which good undergraduate character was formed.<sup>20</sup> Here it is not so much that science has been integrated into English culture, but rather than it has begun to play a direct role in shaping that culture, through the educational formation of the country's elite: the names of the top mathematics students, the ‘wranglers’, for example, were published in the newspapers, particularly <i>The Times</i>, from the mid-1840s, occasionally accompanied by short biographies.<sup>21</sup></p><p>In short, by the middle decades of the nineteenth century in England, science education emerged as a competitor to classical education as a means of character formation. Nevertheless, the idea of classical education as the route to the formation of a moral character still had many defenders in nineteenth-century England. In response to attacks on the classical teaching of the English universities, for example, the moral qualities that it supposedly fostered were set out in detail. Edward Copleston, later Provost of Oriel College, writes: ‘A high degree of honour, a distain of death in a good cause, a passionate devotion to the welfare of one's country, … are the first sentiments, which those studies communicate to the mind.’<sup>22</sup> And the connection between Greek studies and a certain conception of morality did indeed seem to be a real one: in his 1872 <i>Notes sur l'Angleterre</i>, based on his travels to England in the 1860s, the French critic Hippolyte Taine remarked how French schoolchildren were superior in their knowledge of Latin, but English ones far surpassed them in Greek, and he was surprised by how religious they were compared to the French. This would have confirmed Matthew Arnold's claims, in his <i>Culture and Anarchy</i> (1869), that Hellenism and Hebraicism were mutually reinforcing, and as such an indispensable part of any educational programme that aimed at the formation of character. For Arnold, as Turner points out, ‘the assertion of the rational, calm character of ancient Greek culture allowed Arnold to embrace a moral spirit more flexible than that of Christianity without seeming to encounter moral license’.<sup>23</sup></p><p>By contrast, character formation in the case of science would seem to have no bearing on the formation of moral character, and in his disputes with Anglican divines,<sup>24</sup> John Stuart Mill, arguing that the system of morals espoused by Anglican divines simply reflected their own conservative prejudices and dogmas, in effect pits a scientific model of morality, Utilitarianism, against a morality based on character. But Utilitarians were loath to renounce questions of character completely. Bentham had explored questions of personal motivation, albeit in a very sketchy and inconclusive unpublished piece,<sup>25</sup> and Mill raises questions of character on a number of occasions, even praising ancient literature in its presentation of values absent from modern commercial society.<sup>26</sup> The problem is not that Mill ignored questions of character, but rather that he failed to show how considerations of character might be reconciled with a consequentialist construal of morality. His <i>Logic</i>, for example, contains a section on ‘ethology’, that is, ‘the science of character formation’, which deals with life history and how it contributes to character. But while he clearly made an effort to develop an ethology, he got nowhere.<sup>27</sup> His <i>Logic</i> went through several editions, but the ethology section was never essentially modified, and in 1843 he wrote to Alexander Bain that his ‘scheme had not assumed any definite shape’.<sup>28</sup> Bain subsequently noted that Mill had ‘dropped thinking of it’.<sup>29</sup> Bain himself, notably in his <i>The Senses and the Intellect</i> (1855), had examined behaviour in terms of the particular circumstances in which people find themselves and the effect on psychology, including moral psychology. Mill was enthusiastic about Bain's book, for here might have been a route into ‘character’, but it came to nothing and indeed it is far from clear how Utilitarianism could have been reformed in this direction, and in particular whether the ‘scientific’ approach of psychology is the place to be looking for guidance if one believes that considerations of character are indispensable.<sup>30</sup></p><p>The crucial point for Mill was that not only did both science and morality share a concern with how one's judgements can be objective, but achieving objectivity in the two cases ran along similar lines: both relied on an appeal to evidence, for this is what objectivity consisted in. In the case of science the evidence took the form of garnering inductive support for a theory. In the case of ethics, it took the form of a comparative assessment of the harmful or beneficial consequences of different actions: it was the consequences of the actions that mattered, not the character or intentions of the actor. This at least is what Utilitarianism's critics took as its understanding of moral guidance for behaviour. And in practical terms, particularly in the legal and political realms, this was as good a characterisation as any. Not only that, but its success as an instrument of reform depended on it, for considered in this way Utilitarianism was a natural fit for a culture that looked to science as the source of guidance on how to arrive at objective judgements. In effectively removing considerations of character from moral reasoning, in spite of the efforts of Grote and Mill to promote classical culture, Utilitarianism ended up marginalising any role for it in the shaping of the population, just as the association of the progress of science with the progress of civilisation put science, rather than classical culture, at the centre of civilisation.</p><p>The idea of European shared values was the biggest cultural casualty of the War. If the values of classicism and science were to attempt to recover their earlier standing, they needed to be promoted in new ways. Classicism had been promoted throughout the nineteenth and early twentieth centuries in a variety of ways, including translations, vernacular poetic imitation (brought to perfection in Swinburne's beautiful <i>Atalanta in Calydon</i><sup>35</sup>), children's literature, popular performances such as puppet shows, the <i>poses plastiques</i> of ‘Beauty and Strength’ performers with their remarkable imitations of Greek statues, feats of sporting prowess that invoked comparisons with Hercules and Atlas, trade union banners and (albeit here very much in competition with Oriental themes) Staffordshire pottery.<sup>36</sup></p><p>In the aftermath of the War, the earlier forms of promotion could no longer be relied on. The response of science was twofold.<sup>39</sup> Professional scientists such as Rutherford quickly put their war work behind them, playing down the military applications of science, and promoted their work (in Rutherford's case nuclear physics) as the most socially disengaged of the pure sciences. At the same time, in writers such as H. G. Wells and Olaf Stapledon, a new and extremely popular genre of futuristic science fiction had been created, in which, whether utopian or dystopian fantasies were at issue, it was science that was the key to self-understanding. Classicism could offer no renewal along these lines and popular interest in antiquity had in fact begun to shift away from Greece and Rome to Egypt in the course of the nineteenth century, particularly with the publication of John Gardner Wilkinson's very popular <i>Manners and Customs of the Ancient Egyptians</i> (1837), Jean François Champollion's lavishly illustrated <i>Monuments de l'Égypt et de Nubia</i> (1835–45) and Auguste Mariette's spectacular discovery of the vaults of the Serapeum in November 1851. Egypt subsequently became a fashionable winter resort for Europeans and Americans, Egyptophilia coming to a head, as far as popular culture was concerned, in the 1920s with Howard Carter's discovery of the tomb of Tutankhamun. As the archaeologist James Breasted remarked at the time, the Tutankhamun discovery ‘received a volume of world-wide publicity exceeding anything in the entire history of science’.<sup>40</sup> The classical world could offer nothing to match this.</p>","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"66 2","pages":"4-17"},"PeriodicalIF":0.2000,"publicationDate":"2023-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12724","citationCount":"0","resultStr":"{\"title\":\"The shaping of character: The classics as a remedy for cultural despair in Victorian England\",\"authors\":\"Stephen Gaukroger\",\"doi\":\"10.1111/criq.12724\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>In an essay on Grote's <i>History of Greece</i>, John Stuart Mill remarked: ‘The battle of Marathon, even as an event in English history, is more important than the battle of Hastings.’<sup>1</sup> We may find this statement surprising, but Mill's contemporaries would not have. Just as nineteenth-century European scholars focused on the ancient Orient and its religions largely because they thought modern Eastern cultures static or degraded and of incidental value, so too, as Suzanne Marchand has pointed out, many members of the European educated elite thought the same was true of their own culture, ‘which is why the study of classical antiquity was dominant in educational institutions and why religious reformers emphasized the virtues of Jesus and the apostles, rather than those of contemporary Christians’.<sup>2</sup></p><p>In nineteenth-century England, appeal to classical antiquity was used to remedy cultural despair, yet in the course of the century the programme was collapsing, as there arose an increasingly acrimonious struggle between the claims of science and those of classical antiquity with regard to the explanation for the uniqueness and success of Western culture. Nowhere is this clearer than in the attempts of promoters of classical education to provide a model of character development. Character development was something that had almost always been a core role of the study of classical antiquity and, as the claims of Christianity in this role began to be questioned in Europe from the end of the eighteenth century, it took on a new urgency. Frank Turner notes that Greek antiquity began to absorb the interests of eighteenth-century Europeans as their Roman and Christian heritage began to come apart, attempting to identify ‘prescriptive signposts for the present age in the European past that predated Rome and Christianity’.<sup>3</sup></p><p>To understand the extent of classical studies in the curriculum of the English educational system, however, we need to recognise from the outset how class-bound education was in England. By contrast with Germany, for example, where Humboldt's reforms of 1810 were designed to open up tertiary education to the middle classes, in England in the first half of the nineteenth century education was seen as a privilege, and there was a widespread belief among the elite that too much education would produce overqualified and unemployable people.<sup>7</sup> The resistance to general education was reflected in literacy levels: in 1850 the literacy rate (reading and writing) in Prussia was 85 per cent, that in Britain just 52 per cent.<sup>8</sup> Museums, at the forefront of general educational programme in Germany, laboured under a class-ridden ideology in Britain. The trustees of the British Museum, predominantly members of the aristocracy and Anglican clergy, were staunchly resistant to displaying its specimens to the public, and by contrast with French and German museums its collection was sadly lacking any professional oversight on questions of classification and nomenclature. One of the defenders of these arrangements, Sir Robert Inglis, insisted that wealth and rank were essential for the trustees if they were to solicit patronage for a public museum.<sup>9</sup></p><p>Such an attitude was nevertheless in conflict with a transformation of British culture from the 1820s. As John Herschel put it in his influential <i>Preliminary Discourse on Natural Philosophy</i> of 1830: ‘The observation of the calm, energetic regularity of nature, the immense scale of her operations, and the certainty with which her ends are attained, tends, irresistably, to tranquilize and re-assure the mind, and render it less accessible to repining, selfish, and turbulent emotions.’<sup>10</sup> This therapeutic understanding of science was matched in the rapidly expanding urban centres of the industrial north of England, where scientific reading and enquiry was taking over from literary, political or classical studies as the leading form of recreation among the literate,<sup>11</sup> and from the 1830s, there was a significant increase in reviews and discussion of scientific books in the widely read journals of the day. Moreover, in the course of the nineteenth century, science was extended outside the confines of serious research, and was installed at the centre of leisure, for both adults and children. In the case of adults, natural history and machines predominated, whereas in the case of children, as well as pedagogic material there was a new focus on such children's daytime activities as rock collecting, shell collecting and the identification of plants, and the night-time activity of star-gazing.<sup>12</sup> At the same time, there arose non-elite educational institutions outside the public schools and universities. The new Mechanics' Institutes, which flourished between the early 1820s and the mid-1840s, provided evening teaching for the working class. They were not sponsored by wealthy aristocrats, as in the case of the Royal Institution, for example, but were voluntary associations.</p><p>Classical education and education in mechanics might just seem two different independent educational streams, one associated with an aristocratic elite, the other with the middle and working classes. But there are two absolutely central issues on which they come into competition: their contribution to civilisation and their role in character formation.</p><p>The appeal of classical education, for example to reformers like Matthew Arnold, lay in its portrayal of history as a source of objective values, a call to secular living in a way that involved no moral traumas as traditional religious values were abandoned.<sup>13</sup> But for an increasing number of writers in the eighteenth and particularly in the nineteenth century, it was science, not Christianity or classical culture, that provided the path to civilisation. As early as 1759, for example, Linnaeus was remarking that ‘only the Sciences distinguish Wild people, Barbarians and Hottentots, from us’.<sup>14</sup> A century later, in 1866, Thomas Huxley writes of science saving civilisation from barbarism, talking of a ‘new nature’ created by science and manifested ‘in every mechanical artifice, every chemically pure substance employed by manufacture, every abnormally fertile race of plants, or rapidly growing and fattening breed of animals’. This new nature, we are told, is ‘the foundation of our wealth and the condition of our safety from submergence by another flood of barbarous hordes; it is the bond which unites into a solid political whole, regions larger than any empire of antiquity; it secures us from the recurrence of pestilences and famines of former times; it is the source of endless comforts and conveniences, which are not mere luxuries, but conduce to physical and moral well-being’.<sup>15</sup> At the same time, general lessons for history were being drawn from the new role given to science. In 1877, the eminent German physiologist Emil du Bois-Reymond was suggesting that the fall of the Roman Empire was due not to social, political or economic conditions but to a lack of science: Roman imperial culture rested ‘on the quicksand of speculation’.<sup>16</sup> Historical progress was due to science alone – ‘the history of natural science’, he writes, ‘is the actual history of mankind’ – and it was science ‘that made mankind mankind’.<sup>17</sup></p><p>On the question of the shaping of character, in England, a great deal hinged on the diminishing esteem that Anglicanism attracted in this respect. The Anglican Church gradually lost its religious-political monopoly from the end of the eighteenth century, with the Catholic emancipation of 1829 coming about largely because Parliament no longer believed that the Established Church had any unique claims to precedence on religious matters. At the same time, with the rise of the Evangelical movement from the late eighteenth century, we enter a period of sharp and intense public criticism of ecclesiastical institutions on moral, intellectual and spiritual grounds. The aim was to re-Christianise these institutions, however, not to replace them with something non-Christian.<sup>18</sup> The question was how Christianity could be reformed so as to fulfil its traditional tasks in a radically altered environment. And paramount among these tasks was the moral formation of character. This was something that had a number of different dimensions, and it was generally considered that it was not a question that could be left open until the appropriate remedy could be found within Christianity. Since the Renaissance, classical learning had played an indispensable supporting role so, other things being equal, it could perhaps carry the load in the short term. Questions of the shaping of character were intimately associated with those of civilisation, and if classical antiquity came to be separated from civilisation in favour of science, then the question of character formation would become much more complicated.</p><p>We can distinguish three developments in English universities in response to the questioning of Christianity as a means of the shaping of character. First, the promotion of classics had served in this role, usually as a supplement to Christianity in the English elite educational system, and it continued to do so at Eton and Oxford for example. Second, there was what was in effect a replacement of classics by science as a means of shaping character, a development centred on Cambridge. Third, there was a rejection of the whole concept of the shaping of character, which was associated with a minority aristocratic interest which could have no standing in a democratic society. Such a view was above all that of the Utilitarians, and the way in which scientific and medical education were pursued at University College London, for which Bentham provided the inspiration, was quite different from the character-forming concerns of the two traditional English universities.</p><p>The education of the Cambridge undergraduates was not confined to intellectual pursuits, and the elite mathematicians were encouraged to be elite sportsmen as well: it was a crucial part of the ethos that intellectual endeavour had to be balanced against physical exercise, and the elite mathematics students were often elite athletes as well. Such exercise was largely collective and competitive: individual exercise was discouraged, except for long walks. By the 1840s the combined pursuits of mathematics and sport had become constitutive of the liberal education through which good undergraduate character was formed.<sup>20</sup> Here it is not so much that science has been integrated into English culture, but rather than it has begun to play a direct role in shaping that culture, through the educational formation of the country's elite: the names of the top mathematics students, the ‘wranglers’, for example, were published in the newspapers, particularly <i>The Times</i>, from the mid-1840s, occasionally accompanied by short biographies.<sup>21</sup></p><p>In short, by the middle decades of the nineteenth century in England, science education emerged as a competitor to classical education as a means of character formation. Nevertheless, the idea of classical education as the route to the formation of a moral character still had many defenders in nineteenth-century England. In response to attacks on the classical teaching of the English universities, for example, the moral qualities that it supposedly fostered were set out in detail. Edward Copleston, later Provost of Oriel College, writes: ‘A high degree of honour, a distain of death in a good cause, a passionate devotion to the welfare of one's country, … are the first sentiments, which those studies communicate to the mind.’<sup>22</sup> And the connection between Greek studies and a certain conception of morality did indeed seem to be a real one: in his 1872 <i>Notes sur l'Angleterre</i>, based on his travels to England in the 1860s, the French critic Hippolyte Taine remarked how French schoolchildren were superior in their knowledge of Latin, but English ones far surpassed them in Greek, and he was surprised by how religious they were compared to the French. This would have confirmed Matthew Arnold's claims, in his <i>Culture and Anarchy</i> (1869), that Hellenism and Hebraicism were mutually reinforcing, and as such an indispensable part of any educational programme that aimed at the formation of character. For Arnold, as Turner points out, ‘the assertion of the rational, calm character of ancient Greek culture allowed Arnold to embrace a moral spirit more flexible than that of Christianity without seeming to encounter moral license’.<sup>23</sup></p><p>By contrast, character formation in the case of science would seem to have no bearing on the formation of moral character, and in his disputes with Anglican divines,<sup>24</sup> John Stuart Mill, arguing that the system of morals espoused by Anglican divines simply reflected their own conservative prejudices and dogmas, in effect pits a scientific model of morality, Utilitarianism, against a morality based on character. But Utilitarians were loath to renounce questions of character completely. Bentham had explored questions of personal motivation, albeit in a very sketchy and inconclusive unpublished piece,<sup>25</sup> and Mill raises questions of character on a number of occasions, even praising ancient literature in its presentation of values absent from modern commercial society.<sup>26</sup> The problem is not that Mill ignored questions of character, but rather that he failed to show how considerations of character might be reconciled with a consequentialist construal of morality. His <i>Logic</i>, for example, contains a section on ‘ethology’, that is, ‘the science of character formation’, which deals with life history and how it contributes to character. But while he clearly made an effort to develop an ethology, he got nowhere.<sup>27</sup> His <i>Logic</i> went through several editions, but the ethology section was never essentially modified, and in 1843 he wrote to Alexander Bain that his ‘scheme had not assumed any definite shape’.<sup>28</sup> Bain subsequently noted that Mill had ‘dropped thinking of it’.<sup>29</sup> Bain himself, notably in his <i>The Senses and the Intellect</i> (1855), had examined behaviour in terms of the particular circumstances in which people find themselves and the effect on psychology, including moral psychology. Mill was enthusiastic about Bain's book, for here might have been a route into ‘character’, but it came to nothing and indeed it is far from clear how Utilitarianism could have been reformed in this direction, and in particular whether the ‘scientific’ approach of psychology is the place to be looking for guidance if one believes that considerations of character are indispensable.<sup>30</sup></p><p>The crucial point for Mill was that not only did both science and morality share a concern with how one's judgements can be objective, but achieving objectivity in the two cases ran along similar lines: both relied on an appeal to evidence, for this is what objectivity consisted in. In the case of science the evidence took the form of garnering inductive support for a theory. In the case of ethics, it took the form of a comparative assessment of the harmful or beneficial consequences of different actions: it was the consequences of the actions that mattered, not the character or intentions of the actor. This at least is what Utilitarianism's critics took as its understanding of moral guidance for behaviour. And in practical terms, particularly in the legal and political realms, this was as good a characterisation as any. Not only that, but its success as an instrument of reform depended on it, for considered in this way Utilitarianism was a natural fit for a culture that looked to science as the source of guidance on how to arrive at objective judgements. In effectively removing considerations of character from moral reasoning, in spite of the efforts of Grote and Mill to promote classical culture, Utilitarianism ended up marginalising any role for it in the shaping of the population, just as the association of the progress of science with the progress of civilisation put science, rather than classical culture, at the centre of civilisation.</p><p>The idea of European shared values was the biggest cultural casualty of the War. If the values of classicism and science were to attempt to recover their earlier standing, they needed to be promoted in new ways. Classicism had been promoted throughout the nineteenth and early twentieth centuries in a variety of ways, including translations, vernacular poetic imitation (brought to perfection in Swinburne's beautiful <i>Atalanta in Calydon</i><sup>35</sup>), children's literature, popular performances such as puppet shows, the <i>poses plastiques</i> of ‘Beauty and Strength’ performers with their remarkable imitations of Greek statues, feats of sporting prowess that invoked comparisons with Hercules and Atlas, trade union banners and (albeit here very much in competition with Oriental themes) Staffordshire pottery.<sup>36</sup></p><p>In the aftermath of the War, the earlier forms of promotion could no longer be relied on. The response of science was twofold.<sup>39</sup> Professional scientists such as Rutherford quickly put their war work behind them, playing down the military applications of science, and promoted their work (in Rutherford's case nuclear physics) as the most socially disengaged of the pure sciences. At the same time, in writers such as H. G. Wells and Olaf Stapledon, a new and extremely popular genre of futuristic science fiction had been created, in which, whether utopian or dystopian fantasies were at issue, it was science that was the key to self-understanding. Classicism could offer no renewal along these lines and popular interest in antiquity had in fact begun to shift away from Greece and Rome to Egypt in the course of the nineteenth century, particularly with the publication of John Gardner Wilkinson's very popular <i>Manners and Customs of the Ancient Egyptians</i> (1837), Jean François Champollion's lavishly illustrated <i>Monuments de l'Égypt et de Nubia</i> (1835–45) and Auguste Mariette's spectacular discovery of the vaults of the Serapeum in November 1851. Egypt subsequently became a fashionable winter resort for Europeans and Americans, Egyptophilia coming to a head, as far as popular culture was concerned, in the 1920s with Howard Carter's discovery of the tomb of Tutankhamun. As the archaeologist James Breasted remarked at the time, the Tutankhamun discovery ‘received a volume of world-wide publicity exceeding anything in the entire history of science’.<sup>40</sup> The classical world could offer nothing to match this.</p>\",\"PeriodicalId\":44341,\"journal\":{\"name\":\"CRITICAL QUARTERLY\",\"volume\":\"66 2\",\"pages\":\"4-17\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-05-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12724\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CRITICAL QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/criq.12724\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY REVIEWS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CRITICAL QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/criq.12724","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY REVIEWS","Score":null,"Total":0}
引用次数: 0

摘要

古典教育和机械教育似乎只是两个不同的独立教育流派,一个与贵族精英有关,另一个与中产阶级和工人阶级有关。古典教育对马修-阿诺德(Matthew Arnold)等改革者的吸引力在于,它将历史描绘成客观价值的源泉,呼吁人们抛弃传统宗教价值观,以一种不会造成道德创伤的方式过世俗生活。14 一个世纪后的 1866 年,托马斯-赫胥黎(Thomas Huxley)写道,科学将文明从野蛮中拯救出来,科学创造了一种 "新的自然","在每一种机械装置、每一种制造中使用的纯化学物质、每一种异常肥沃的植物种族或快速生长和增肥的动物品种中都有所体现"。我们被告知,这种新的性质是'我们财富的基础,也是我们免于被另一股野蛮部落的洪流淹没的安全条件;它是将比古代任何帝国都要大的地区联合成一个坚实的政治整体的纽带;它使我们免于重蹈覆辙,不再遭受昔日的瘟疫和饥荒;它是无穷无尽的舒适和便利的源泉,这些舒适和便利不仅仅是奢侈品,而且有助于身心健康'。15 同时,人们也从科学所发挥的新作用中吸取了历史的普遍教训。1877 年,德国著名生理学家 Emil du Bois-Reymond 提出,罗马帝国的衰落不是因为社会、政治或经济条件,而是因为缺乏科学:他写道:"自然科学的历史""就是人类的真实历史",正是科学 "使人类成为人类"。从 18 世纪末开始,英国圣公会逐渐失去了其宗教政治垄断地位,1829 年天主教的解放在很大程度上是因为议会不再相信既定教会在宗教事务上有任何独一无二的优先权。与此同时,随着十八世纪末福音派运动的兴起,我们进入了一个从道德、知识和精神方面对教会机构进行尖锐而激烈的公开批评的时期。18 问题是如何改革基督教,使其在彻底改变的环境中完成传统任务。在这些任务中,最重要的是品德的培养。这涉及到许多不同的方面,人们普遍认为,在基督教内部找到适当的补救办法之前,这个问题不能悬而未决。自文艺复兴以来,古典学说一直扮演着不可或缺的辅助角色,因此,在其他条件相同的情况下,古典学说或许可以在短期内承担起这一重任。塑造人格的问题与文明问题密切相关,如果古典古代文学从文明中分离出来,转而支持科学,那么人格塑造的问题就会变得复杂得多。首先,在英国精英教育体系中,对古典文学的推广起到了这种作用,通常是对基督教的补充,例如在伊顿公学和牛津大学,这种作用仍在继续。其次,以剑桥大学为中心,科学实际上取代了古典文学,成为塑造人格的一种手段。第三,摒弃了塑造品格的整个概念,因为这与少数贵族的利益有关,在民主社会中不可能有任何地位。这种观点首先是功利主义者的观点,而本瑟姆所启发的伦敦大学学院开展科学和医学教育的方式,与英国两所传统大学对塑造人格的关注大相径庭。 30 对密尔来说,关键的一点是,科学和道德不仅都关注如何使自己的判断客观,而且在这两种情况下实现客观性的思路也是相似的:两者都依赖于对证据的诉求,因为这就是客观性的内涵。就科学而言,证据的形式是为理论获取归纳支持。在伦理学中,证据的形式是对不同行为的有害或有益后果进行比较评估:重要的是行为的后果,而不是行为者的性格或意图。这至少是功利主义的批评者对其行为道德指导的理解。而在实际生活中,尤其是在法律和政治领域,这是最恰当的描述。不仅如此,功利主义作为改革工具的成功也有赖于此,因为从这个角度来看,功利主义与以科学为指导如何做出客观判断的文化是天然契合的。尽管格罗特和密尔努力弘扬古典文化,但功利主义还是有效地将品格因素从道德推理中剔除,最终使古典文化在塑造民众方面的作用被边缘化,正如科学进步与文明进步的联系将科学而非古典文化置于文明的中心一样。如果古典主义和科学的价值观想要恢复其早先的地位,就必须以新的方式加以推广。在整个 19 世纪和 20 世纪初,古典主义曾以各种方式得到推广,其中包括翻译、白话诗模仿(斯温伯恩的《卡里登的阿塔兰塔》35 美轮美奂)、儿童文学、木偶剧等通俗表演、美丽与力量 "表演者对希腊雕像的惟妙惟肖的模仿、与赫拉克勒斯和阿特拉斯相提并论的体育壮举、工会标语和斯塔福德郡陶器(尽管在这里与东方主题有很大的竞争)。36战争结束后,以前的宣传方式已不再适用。39 卢瑟福等专业科学家迅速将战争工作抛在脑后,淡化科学在军事上的应用,将他们的工作(以卢瑟福为例,核物理)作为最脱离社会的纯科学来宣传。与此同时,在威尔斯(H. G. Wells)和奥拉夫-斯塔普莱登(Olaf Stapledon)等作家笔下,未来主义科幻小说这一新的、极受欢迎的流派应运而生,在这一流派中,无论是乌托邦还是乌托邦式的幻想,科学都是自我认识的关键。古典主义无法在这些方面带来革新,而事实上,在十九世纪,人们对古代的兴趣已经开始从希腊和罗马转向埃及,特别是随着约翰-加德纳-威尔金森(John Gardner Wilkinson)非常受欢迎的《古埃及人的礼仪和习俗》(1837 年)、让-弗朗索瓦-尚博良(Jean François Champollion)图文并茂的《埃及和努比亚古迹》(1835-45 年)以及奥古斯特-马里耶特(Auguste Mariette)于 1851 年 11 月发现塞拉皮姆拱顶的壮举。埃及随后成为欧洲人和美国人的时尚冬季度假胜地,就流行文化而言,"埃及迷 "在 20 世纪 20 年代随着霍华德-卡特发现图坦卡蒙墓而达到顶峰。正如考古学家詹姆斯-布雷斯特德(James Breasted)当时所言,图坦卡蒙墓的发现 "在世界范围内得到了前所未有的宣传 "40 。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The shaping of character: The classics as a remedy for cultural despair in Victorian England

In an essay on Grote's History of Greece, John Stuart Mill remarked: ‘The battle of Marathon, even as an event in English history, is more important than the battle of Hastings.’1 We may find this statement surprising, but Mill's contemporaries would not have. Just as nineteenth-century European scholars focused on the ancient Orient and its religions largely because they thought modern Eastern cultures static or degraded and of incidental value, so too, as Suzanne Marchand has pointed out, many members of the European educated elite thought the same was true of their own culture, ‘which is why the study of classical antiquity was dominant in educational institutions and why religious reformers emphasized the virtues of Jesus and the apostles, rather than those of contemporary Christians’.2

In nineteenth-century England, appeal to classical antiquity was used to remedy cultural despair, yet in the course of the century the programme was collapsing, as there arose an increasingly acrimonious struggle between the claims of science and those of classical antiquity with regard to the explanation for the uniqueness and success of Western culture. Nowhere is this clearer than in the attempts of promoters of classical education to provide a model of character development. Character development was something that had almost always been a core role of the study of classical antiquity and, as the claims of Christianity in this role began to be questioned in Europe from the end of the eighteenth century, it took on a new urgency. Frank Turner notes that Greek antiquity began to absorb the interests of eighteenth-century Europeans as their Roman and Christian heritage began to come apart, attempting to identify ‘prescriptive signposts for the present age in the European past that predated Rome and Christianity’.3

To understand the extent of classical studies in the curriculum of the English educational system, however, we need to recognise from the outset how class-bound education was in England. By contrast with Germany, for example, where Humboldt's reforms of 1810 were designed to open up tertiary education to the middle classes, in England in the first half of the nineteenth century education was seen as a privilege, and there was a widespread belief among the elite that too much education would produce overqualified and unemployable people.7 The resistance to general education was reflected in literacy levels: in 1850 the literacy rate (reading and writing) in Prussia was 85 per cent, that in Britain just 52 per cent.8 Museums, at the forefront of general educational programme in Germany, laboured under a class-ridden ideology in Britain. The trustees of the British Museum, predominantly members of the aristocracy and Anglican clergy, were staunchly resistant to displaying its specimens to the public, and by contrast with French and German museums its collection was sadly lacking any professional oversight on questions of classification and nomenclature. One of the defenders of these arrangements, Sir Robert Inglis, insisted that wealth and rank were essential for the trustees if they were to solicit patronage for a public museum.9

Such an attitude was nevertheless in conflict with a transformation of British culture from the 1820s. As John Herschel put it in his influential Preliminary Discourse on Natural Philosophy of 1830: ‘The observation of the calm, energetic regularity of nature, the immense scale of her operations, and the certainty with which her ends are attained, tends, irresistably, to tranquilize and re-assure the mind, and render it less accessible to repining, selfish, and turbulent emotions.’10 This therapeutic understanding of science was matched in the rapidly expanding urban centres of the industrial north of England, where scientific reading and enquiry was taking over from literary, political or classical studies as the leading form of recreation among the literate,11 and from the 1830s, there was a significant increase in reviews and discussion of scientific books in the widely read journals of the day. Moreover, in the course of the nineteenth century, science was extended outside the confines of serious research, and was installed at the centre of leisure, for both adults and children. In the case of adults, natural history and machines predominated, whereas in the case of children, as well as pedagogic material there was a new focus on such children's daytime activities as rock collecting, shell collecting and the identification of plants, and the night-time activity of star-gazing.12 At the same time, there arose non-elite educational institutions outside the public schools and universities. The new Mechanics' Institutes, which flourished between the early 1820s and the mid-1840s, provided evening teaching for the working class. They were not sponsored by wealthy aristocrats, as in the case of the Royal Institution, for example, but were voluntary associations.

Classical education and education in mechanics might just seem two different independent educational streams, one associated with an aristocratic elite, the other with the middle and working classes. But there are two absolutely central issues on which they come into competition: their contribution to civilisation and their role in character formation.

The appeal of classical education, for example to reformers like Matthew Arnold, lay in its portrayal of history as a source of objective values, a call to secular living in a way that involved no moral traumas as traditional religious values were abandoned.13 But for an increasing number of writers in the eighteenth and particularly in the nineteenth century, it was science, not Christianity or classical culture, that provided the path to civilisation. As early as 1759, for example, Linnaeus was remarking that ‘only the Sciences distinguish Wild people, Barbarians and Hottentots, from us’.14 A century later, in 1866, Thomas Huxley writes of science saving civilisation from barbarism, talking of a ‘new nature’ created by science and manifested ‘in every mechanical artifice, every chemically pure substance employed by manufacture, every abnormally fertile race of plants, or rapidly growing and fattening breed of animals’. This new nature, we are told, is ‘the foundation of our wealth and the condition of our safety from submergence by another flood of barbarous hordes; it is the bond which unites into a solid political whole, regions larger than any empire of antiquity; it secures us from the recurrence of pestilences and famines of former times; it is the source of endless comforts and conveniences, which are not mere luxuries, but conduce to physical and moral well-being’.15 At the same time, general lessons for history were being drawn from the new role given to science. In 1877, the eminent German physiologist Emil du Bois-Reymond was suggesting that the fall of the Roman Empire was due not to social, political or economic conditions but to a lack of science: Roman imperial culture rested ‘on the quicksand of speculation’.16 Historical progress was due to science alone – ‘the history of natural science’, he writes, ‘is the actual history of mankind’ – and it was science ‘that made mankind mankind’.17

On the question of the shaping of character, in England, a great deal hinged on the diminishing esteem that Anglicanism attracted in this respect. The Anglican Church gradually lost its religious-political monopoly from the end of the eighteenth century, with the Catholic emancipation of 1829 coming about largely because Parliament no longer believed that the Established Church had any unique claims to precedence on religious matters. At the same time, with the rise of the Evangelical movement from the late eighteenth century, we enter a period of sharp and intense public criticism of ecclesiastical institutions on moral, intellectual and spiritual grounds. The aim was to re-Christianise these institutions, however, not to replace them with something non-Christian.18 The question was how Christianity could be reformed so as to fulfil its traditional tasks in a radically altered environment. And paramount among these tasks was the moral formation of character. This was something that had a number of different dimensions, and it was generally considered that it was not a question that could be left open until the appropriate remedy could be found within Christianity. Since the Renaissance, classical learning had played an indispensable supporting role so, other things being equal, it could perhaps carry the load in the short term. Questions of the shaping of character were intimately associated with those of civilisation, and if classical antiquity came to be separated from civilisation in favour of science, then the question of character formation would become much more complicated.

We can distinguish three developments in English universities in response to the questioning of Christianity as a means of the shaping of character. First, the promotion of classics had served in this role, usually as a supplement to Christianity in the English elite educational system, and it continued to do so at Eton and Oxford for example. Second, there was what was in effect a replacement of classics by science as a means of shaping character, a development centred on Cambridge. Third, there was a rejection of the whole concept of the shaping of character, which was associated with a minority aristocratic interest which could have no standing in a democratic society. Such a view was above all that of the Utilitarians, and the way in which scientific and medical education were pursued at University College London, for which Bentham provided the inspiration, was quite different from the character-forming concerns of the two traditional English universities.

The education of the Cambridge undergraduates was not confined to intellectual pursuits, and the elite mathematicians were encouraged to be elite sportsmen as well: it was a crucial part of the ethos that intellectual endeavour had to be balanced against physical exercise, and the elite mathematics students were often elite athletes as well. Such exercise was largely collective and competitive: individual exercise was discouraged, except for long walks. By the 1840s the combined pursuits of mathematics and sport had become constitutive of the liberal education through which good undergraduate character was formed.20 Here it is not so much that science has been integrated into English culture, but rather than it has begun to play a direct role in shaping that culture, through the educational formation of the country's elite: the names of the top mathematics students, the ‘wranglers’, for example, were published in the newspapers, particularly The Times, from the mid-1840s, occasionally accompanied by short biographies.21

In short, by the middle decades of the nineteenth century in England, science education emerged as a competitor to classical education as a means of character formation. Nevertheless, the idea of classical education as the route to the formation of a moral character still had many defenders in nineteenth-century England. In response to attacks on the classical teaching of the English universities, for example, the moral qualities that it supposedly fostered were set out in detail. Edward Copleston, later Provost of Oriel College, writes: ‘A high degree of honour, a distain of death in a good cause, a passionate devotion to the welfare of one's country, … are the first sentiments, which those studies communicate to the mind.’22 And the connection between Greek studies and a certain conception of morality did indeed seem to be a real one: in his 1872 Notes sur l'Angleterre, based on his travels to England in the 1860s, the French critic Hippolyte Taine remarked how French schoolchildren were superior in their knowledge of Latin, but English ones far surpassed them in Greek, and he was surprised by how religious they were compared to the French. This would have confirmed Matthew Arnold's claims, in his Culture and Anarchy (1869), that Hellenism and Hebraicism were mutually reinforcing, and as such an indispensable part of any educational programme that aimed at the formation of character. For Arnold, as Turner points out, ‘the assertion of the rational, calm character of ancient Greek culture allowed Arnold to embrace a moral spirit more flexible than that of Christianity without seeming to encounter moral license’.23

By contrast, character formation in the case of science would seem to have no bearing on the formation of moral character, and in his disputes with Anglican divines,24 John Stuart Mill, arguing that the system of morals espoused by Anglican divines simply reflected their own conservative prejudices and dogmas, in effect pits a scientific model of morality, Utilitarianism, against a morality based on character. But Utilitarians were loath to renounce questions of character completely. Bentham had explored questions of personal motivation, albeit in a very sketchy and inconclusive unpublished piece,25 and Mill raises questions of character on a number of occasions, even praising ancient literature in its presentation of values absent from modern commercial society.26 The problem is not that Mill ignored questions of character, but rather that he failed to show how considerations of character might be reconciled with a consequentialist construal of morality. His Logic, for example, contains a section on ‘ethology’, that is, ‘the science of character formation’, which deals with life history and how it contributes to character. But while he clearly made an effort to develop an ethology, he got nowhere.27 His Logic went through several editions, but the ethology section was never essentially modified, and in 1843 he wrote to Alexander Bain that his ‘scheme had not assumed any definite shape’.28 Bain subsequently noted that Mill had ‘dropped thinking of it’.29 Bain himself, notably in his The Senses and the Intellect (1855), had examined behaviour in terms of the particular circumstances in which people find themselves and the effect on psychology, including moral psychology. Mill was enthusiastic about Bain's book, for here might have been a route into ‘character’, but it came to nothing and indeed it is far from clear how Utilitarianism could have been reformed in this direction, and in particular whether the ‘scientific’ approach of psychology is the place to be looking for guidance if one believes that considerations of character are indispensable.30

The crucial point for Mill was that not only did both science and morality share a concern with how one's judgements can be objective, but achieving objectivity in the two cases ran along similar lines: both relied on an appeal to evidence, for this is what objectivity consisted in. In the case of science the evidence took the form of garnering inductive support for a theory. In the case of ethics, it took the form of a comparative assessment of the harmful or beneficial consequences of different actions: it was the consequences of the actions that mattered, not the character or intentions of the actor. This at least is what Utilitarianism's critics took as its understanding of moral guidance for behaviour. And in practical terms, particularly in the legal and political realms, this was as good a characterisation as any. Not only that, but its success as an instrument of reform depended on it, for considered in this way Utilitarianism was a natural fit for a culture that looked to science as the source of guidance on how to arrive at objective judgements. In effectively removing considerations of character from moral reasoning, in spite of the efforts of Grote and Mill to promote classical culture, Utilitarianism ended up marginalising any role for it in the shaping of the population, just as the association of the progress of science with the progress of civilisation put science, rather than classical culture, at the centre of civilisation.

The idea of European shared values was the biggest cultural casualty of the War. If the values of classicism and science were to attempt to recover their earlier standing, they needed to be promoted in new ways. Classicism had been promoted throughout the nineteenth and early twentieth centuries in a variety of ways, including translations, vernacular poetic imitation (brought to perfection in Swinburne's beautiful Atalanta in Calydon35), children's literature, popular performances such as puppet shows, the poses plastiques of ‘Beauty and Strength’ performers with their remarkable imitations of Greek statues, feats of sporting prowess that invoked comparisons with Hercules and Atlas, trade union banners and (albeit here very much in competition with Oriental themes) Staffordshire pottery.36

In the aftermath of the War, the earlier forms of promotion could no longer be relied on. The response of science was twofold.39 Professional scientists such as Rutherford quickly put their war work behind them, playing down the military applications of science, and promoted their work (in Rutherford's case nuclear physics) as the most socially disengaged of the pure sciences. At the same time, in writers such as H. G. Wells and Olaf Stapledon, a new and extremely popular genre of futuristic science fiction had been created, in which, whether utopian or dystopian fantasies were at issue, it was science that was the key to self-understanding. Classicism could offer no renewal along these lines and popular interest in antiquity had in fact begun to shift away from Greece and Rome to Egypt in the course of the nineteenth century, particularly with the publication of John Gardner Wilkinson's very popular Manners and Customs of the Ancient Egyptians (1837), Jean François Champollion's lavishly illustrated Monuments de l'Égypt et de Nubia (1835–45) and Auguste Mariette's spectacular discovery of the vaults of the Serapeum in November 1851. Egypt subsequently became a fashionable winter resort for Europeans and Americans, Egyptophilia coming to a head, as far as popular culture was concerned, in the 1920s with Howard Carter's discovery of the tomb of Tutankhamun. As the archaeologist James Breasted remarked at the time, the Tutankhamun discovery ‘received a volume of world-wide publicity exceeding anything in the entire history of science’.40 The classical world could offer nothing to match this.

求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CRITICAL QUARTERLY
CRITICAL QUARTERLY LITERARY REVIEWS-
CiteScore
0.20
自引率
0.00%
发文量
43
期刊介绍: Critical Quarterly is internationally renowned for it unique blend of literary criticism, cultural studies, poetry and fiction. The journal addresses the whole range of cultural forms so that discussions of, for example, cinema and television can appear alongside analyses of the accepted literary canon. It is a necessary condition of debate in these areas that it should involve as many and as varied voices as possible, and Critical Quarterly welcomes submissions from new researchers and writers as well as more established contributors.
期刊最新文献
Issue Information Editorial Revaluations ‘Notebook Literature’: Virginia Woolf and Marion Milner Issue Information
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1