给琳达·瓦格纳·马丁的感谢信

IF 0.1 0 POETRY WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-05-07 DOI:10.1353/WCW.2019.0000
C. Macgowan
{"title":"给琳达·瓦格纳·马丁的感谢信","authors":"C. Macgowan","doi":"10.1353/WCW.2019.0000","DOIUrl":null,"url":null,"abstract":"a distant stage, in May 1979. This was before I had actually settled down to read her pioneer books and articles on William Carlos Williams. I had only just gravitated towards a decision to write my doctoral dissertation on the poet, aided by Walt Litz’s argument that Williams would be a better subject to explore than the other author I had pitched to him with fervor. Having only just gotten started, I was in the process of reading what seemed like a very long list of works by our author. To be followed by what seemed the much shorter list of books and articles on our author—and Linda Wagner-Martin’s name appeared alongside quite a few of them. The occasion of this distant glimpse—which brought some reassurance that young scholars survived the years of doctoral research that loomed ahead, that such scholars might get jobs, and that they might even still have the energy left that Linda Wagner-Martin displayed in her presentation— was what was billed as the “William Carlos Williams ‘Spring and All’ Festival” at Kean College (since 1997, University) of New Jersey. As I look now at the review of the event, which appeared in the WCWN in Spring 1980, I am astonished that the program was so full. Evidently over 200 people attended. Among other events, Harvey Shapiro and David Ignatow read, two films were shown, and there was an evening performance of Williams’s The First President along with the Theodore Harris score adapted for two pianos. I’ll confess that forty years later I remember only the opera, because it seemed to go on for rather a long time, and that distant view of Linda WagnerMartin on stage; the latter because of the many reminders in the years to come of her pioneer studies, as well as the contributions that followed them. A Thank You Note to Linda Wagner-Martin","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2019-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/WCW.2019.0000","citationCount":"0","resultStr":"{\"title\":\"A Thank You Note to Linda Wagner-Martin\",\"authors\":\"C. Macgowan\",\"doi\":\"10.1353/WCW.2019.0000\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"a distant stage, in May 1979. This was before I had actually settled down to read her pioneer books and articles on William Carlos Williams. I had only just gravitated towards a decision to write my doctoral dissertation on the poet, aided by Walt Litz’s argument that Williams would be a better subject to explore than the other author I had pitched to him with fervor. Having only just gotten started, I was in the process of reading what seemed like a very long list of works by our author. To be followed by what seemed the much shorter list of books and articles on our author—and Linda Wagner-Martin’s name appeared alongside quite a few of them. The occasion of this distant glimpse—which brought some reassurance that young scholars survived the years of doctoral research that loomed ahead, that such scholars might get jobs, and that they might even still have the energy left that Linda Wagner-Martin displayed in her presentation— was what was billed as the “William Carlos Williams ‘Spring and All’ Festival” at Kean College (since 1997, University) of New Jersey. As I look now at the review of the event, which appeared in the WCWN in Spring 1980, I am astonished that the program was so full. Evidently over 200 people attended. Among other events, Harvey Shapiro and David Ignatow read, two films were shown, and there was an evening performance of Williams’s The First President along with the Theodore Harris score adapted for two pianos. I’ll confess that forty years later I remember only the opera, because it seemed to go on for rather a long time, and that distant view of Linda WagnerMartin on stage; the latter because of the many reminders in the years to come of her pioneer studies, as well as the contributions that followed them. A Thank You Note to Linda Wagner-Martin\",\"PeriodicalId\":53869,\"journal\":{\"name\":\"WILLIAM CARLOS WILLIAMS REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-05-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/WCW.2019.0000\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"WILLIAM CARLOS WILLIAMS REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/WCW.2019.0000\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"POETRY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"WILLIAM CARLOS WILLIAMS REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/WCW.2019.0000","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"POETRY","Score":null,"Total":0}
引用次数: 0

摘要

遥远的舞台,1979年5月。那是在我真正坐下来阅读她关于威廉·卡洛斯·威廉姆斯的先驱书籍和文章之前。我刚刚下定决心写一篇关于这位诗人的博士论文,沃尔特·利茨(Walt Litz)的观点帮助了我,他认为威廉姆斯比我热情推荐给他的另一位作家更值得研究。因为刚刚开始,我正在阅读我们的作者的一长串作品。接着是一份关于我们作者的书籍和文章的清单,似乎要短得多,琳达·瓦格纳-马丁的名字也出现在其中不少书的旁边。这种遥远的一瞥——让人确信年轻的学者能挺过未来若隐若今的博士研究,这些学者可能会找到工作,他们甚至可能还有琳达·瓦格纳·马丁在她的演讲中展示的精力——是在新泽西基恩学院(1997年起,大学)被称为“威廉·卡洛斯·威廉姆斯的春天和所有”的节日。当我现在看到1980年春天《世界新闻周刊》上对这次事件的评论时,我惊讶于节目安排得如此之满。显然有超过200人参加了。在其他活动中,哈维·夏皮罗和大卫·伊格纳托朗读了两部电影,还有一场威廉姆斯的《第一任总统》的晚间演出,以及为两架钢琴改编的西奥多·哈里斯的配乐。我承认,四十年后,我只记得那部歌剧,因为它似乎持续了相当长的时间,还有琳达·瓦格纳·马丁在舞台上的远景;后者是因为她的先驱研究在未来的岁月里得到了许多提醒,以及随后的贡献。给琳达·瓦格纳·马丁的感谢信
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
A Thank You Note to Linda Wagner-Martin
a distant stage, in May 1979. This was before I had actually settled down to read her pioneer books and articles on William Carlos Williams. I had only just gravitated towards a decision to write my doctoral dissertation on the poet, aided by Walt Litz’s argument that Williams would be a better subject to explore than the other author I had pitched to him with fervor. Having only just gotten started, I was in the process of reading what seemed like a very long list of works by our author. To be followed by what seemed the much shorter list of books and articles on our author—and Linda Wagner-Martin’s name appeared alongside quite a few of them. The occasion of this distant glimpse—which brought some reassurance that young scholars survived the years of doctoral research that loomed ahead, that such scholars might get jobs, and that they might even still have the energy left that Linda Wagner-Martin displayed in her presentation— was what was billed as the “William Carlos Williams ‘Spring and All’ Festival” at Kean College (since 1997, University) of New Jersey. As I look now at the review of the event, which appeared in the WCWN in Spring 1980, I am astonished that the program was so full. Evidently over 200 people attended. Among other events, Harvey Shapiro and David Ignatow read, two films were shown, and there was an evening performance of Williams’s The First President along with the Theodore Harris score adapted for two pianos. I’ll confess that forty years later I remember only the opera, because it seemed to go on for rather a long time, and that distant view of Linda WagnerMartin on stage; the latter because of the many reminders in the years to come of her pioneer studies, as well as the contributions that followed them. A Thank You Note to Linda Wagner-Martin
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
5
期刊最新文献
“No One to Witness and Adjust”: The Academy Still in Peril Spring and All No Longer in Peril Spring and All: The Present 100 Years Later Modernist Hangover? William Carlos Williams as Bob Perelman’s Poetic Cure Which Side Are You On?
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1