Darwin on the Cutting-Room Floor:

In the mid-twentieth century, film studios sent their screenplays to the Hays Office, Hollywood’s official censorship body, and to the Catholic Church’s Legion of Decency for approval and recommendations for revision. This essay examines how filmmakers crafted stories involving evolutionary biology and how religiously motivated movie censorship groups modified these cinematic narratives in order to depict what they considered to be more appropriate visions of humanity’s origins. I find that censorship groups were concerned about the perceived impact of science fiction cinema on the public’s belief systems and on the wider cultural meanings of evolution. By controlling the stories told about evolution in science fiction cinema, censorship organizations believed that they could regulate the broader cultural meanings of evolution itself. But this is not a straightforward story of “science” versus “religion.” There were significant differences among these groups as to how to censor evolution, as well as changes in their attitudes toward evolutionary content over time. As a result, I show how censorship groups adopted diverse perspectives, depending on their perception of what constituted a morally appropriate science fiction story about evolution.