“内容上的无产阶级,形式上的民族:”苏联的时尚、现代化和民族认同

IF 0.3 Q2 HISTORY Soviet and Post Soviet Review Pub Date : 2022-11-03 DOI:10.30965/18763324-bja10072
Virginia Olmsted McGraw
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引用次数: 0

摘要

苏联的时装业是作为一个社会主义制度发展起来的,其前提是资产阶级和面向西方的制度现代化和无产阶级化。1949年,当全联盟设计院(ODMO)开业时,服装设计师认为,基于各组成共和国民族服装的民族图案的使用提供了最简单的方式来创造反映和庆祝苏联独特性的服装。斯大林去世后,时装设计师帮助建立了一个与国际风格潮流相适应的服装行业,同时努力保持苏联设计的基本原则:实用、美观、可批量生产的服装,反映了民族或民族传统。民族和民族主题的持续使用在国内外呈现了一个统一的现代苏联的形象,它允许民族自我表达并美化其公民。
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“Proletarian in Content, National in (Uni)form:” Fashion, Modernization, and National Identity in the Soviet Union
The fashion industry in the USSR developed as a socialist institution, premised on modernizing and proletarianizing a bourgeois and westward-facing system. When the All-Union House of Design (ODMO) opened in 1949, clothing designers believed that the usage of ethnic motifs based on the national costumes of the constituent republics provided the simplest means of creating clothing that reflected and celebrated the uniqueness of the USSR. Following Stalin’s death, fashion designers helped build a clothing industry that was compatible with international style trends, while endeavoring to maintain the basic tenets of Soviet design: practical, beautiful, and mass-producible clothing that reflected ethnic or national traditions. The continued utilization of ethnic and national motifs presented an image domestically and internationally of a unified, modern Soviet Union that allowed for national self-expression and beautified its citizens.
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CiteScore
0.80
自引率
33.30%
发文量
18
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