吉尔·史蒂文森在基督教末世表演中感受未来。安娜堡:密歇根大学出版社,2022;Pp. xii + 230,7插图。布料75美元,电子书59.95美元。

IF 0.3 3区 艺术学 0 THEATER THEATRE SURVEY Pub Date : 2022-12-21 DOI:10.1017/S0040557422000436
Joseph R. D’Ambrosi
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引用次数: 0

摘要

在《感受未来》一书中,史蒂文森研究了与美国各地教堂和其他宗教组织有关的现代福音派结束时间制作,以展示这些身临其境的表演如何在观众中为特定目的构建对未来时间的深切焦虑:拯救自己和他人的灵魂,并保持警惕,为不可避免的结束时刻做好准备。史蒂文森在她的引言《寻找终结》中概述了西方基督教末世论的历史,然后讨论了培养未来时间的现代福音派表演。根据这些经历的创造者的说法,对未来产生焦虑会导致人们在日常生活中为终结做准备时做出更好的选择。
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Feeling the Future at Christian End-Time Performances By Jill Stevenson. Ann Arbor: University of Michigan Press, 2022; pp. xii + 230, 7 illustrations. $75 cloth, $59.95 e-book.
In Feeling the Future, Stevenson studies modern Evangelical end-time productions linked to churches and other religious organizations throughout the United States to demonstrate how these immersive performances construct deeply felt anxiety about future time within its viewers for specific aims: to save one's own soul and that of another, and to remain vigilant and prepared for the inevitable end times. In her Introduction, "Seeking an End,” Stevenson outlines Western Christian eschatological history before discussing modern Evangelical performances that foster future time. According to the creators of these experiences, producing anxiety about the future leads people to make better choices in their day-to-day lives as they prepare for the end.
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THEATRE SURVEY
THEATRE SURVEY THEATER-
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