{"title":"书评","authors":"Nevena Daković","doi":"10.3233/ip-180001","DOIUrl":null,"url":null,"abstract":"If curious readers are expecting a catalogue or a guide to movies made in Yugoslavia, a country that disappeared from the political map of Europe in the 1990s, they won’t necessarily find it here. Instead, they will find something more: a reflective journey through some of the most important parts of Yugoslav and post-Yugoslav cinematic, cultural and political history. Written in engaging prose, the book represents both a homage to the cultural history of a lost country and a critical overview of the political, aesthetic and moral principles embedded in post-Yugoslav film.","PeriodicalId":46265,"journal":{"name":"Information Polity","volume":" ","pages":""},"PeriodicalIF":1.3000,"publicationDate":"2018-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3233/ip-180001","citationCount":"0","resultStr":"{\"title\":\"Book Review\",\"authors\":\"Nevena Daković\",\"doi\":\"10.3233/ip-180001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"If curious readers are expecting a catalogue or a guide to movies made in Yugoslavia, a country that disappeared from the political map of Europe in the 1990s, they won’t necessarily find it here. Instead, they will find something more: a reflective journey through some of the most important parts of Yugoslav and post-Yugoslav cinematic, cultural and political history. Written in engaging prose, the book represents both a homage to the cultural history of a lost country and a critical overview of the political, aesthetic and moral principles embedded in post-Yugoslav film.\",\"PeriodicalId\":46265,\"journal\":{\"name\":\"Information Polity\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2018-08-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.3233/ip-180001\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Information Polity\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3233/ip-180001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"INFORMATION SCIENCE & LIBRARY SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Information Polity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3233/ip-180001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"INFORMATION SCIENCE & LIBRARY SCIENCE","Score":null,"Total":0}
If curious readers are expecting a catalogue or a guide to movies made in Yugoslavia, a country that disappeared from the political map of Europe in the 1990s, they won’t necessarily find it here. Instead, they will find something more: a reflective journey through some of the most important parts of Yugoslav and post-Yugoslav cinematic, cultural and political history. Written in engaging prose, the book represents both a homage to the cultural history of a lost country and a critical overview of the political, aesthetic and moral principles embedded in post-Yugoslav film.
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