杰拉德·赫伯特关于戏剧表演的报告,1617-19年

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS STUDIES IN PHILOLOGY Pub Date : 2021-10-05 DOI:10.1353/sip.2021.0026
D. Bergeron
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引用次数: 0

摘要

摘要:Gerrard Herbert是雅各宾宫廷的敏锐观察者,但身份不明,他在1617-19年间写了一系列信件,回应戏剧性的表演,通常是宫廷面具。在某些情况下,赫伯特提供了关于某些作品的唯一现存信息,最著名的是1619年5月莎士比亚的《伯里克利》。他的私人信件涵盖了一系列主题,但本文侧重于他对戏剧的描述,包括1619年1月白厅宴会厅的火灾损失,一个重要的剧院场地的损失。就戏剧评论而言,赫伯特的最高成就来自于他对伯里克利表演的明显见证,记录在他关于戏剧的最后一封信中。这封信的相关部分的转录本包含在这里。赫伯特作为一名写信人,提供了关于一个被华丽的面具和戏剧性表演所困扰的法庭的信息、见解和视角。因此,他扩展了英国戏剧史最丰富时期的知识。
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Gerrard Herbert's Reports about Drama Performances, 1617–19
Abstract:Gerrard Herbert, a keen observer of the Jacobean court but of undetermined identity, wrote a series of letters in the period of 1617–19 that respond to dramatic performances, usually court masques. In some cases, Herbert provides the only extant information about certain productions, most notably that of Shakespeare's Pericles in May 1619. His personal letters cover a range of topics, but this essay focuses on his accounts of drama, including the loss through fire of Whitehall's Banqueting House in January 1619, a loss of a crucial theater venue. The crowning achievement for Herbert, in terms of commentary on drama, came in his apparent eye-witness account of the Pericles performance, recorded in his last letter about drama. A transcription of the pertinent parts of the letter is included here. Herbert as letter writer provides information, insight, and perspective on a court caught up in the splendor of masques and dramatic performances. He thereby expands knowledge of English theater history in its richest period.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Founded in 1903, Studies in Philology addresses scholars in a wide range of disciplines, though traditionally its strength has been English Medieval and Renaissance studies. SIP publishes articles on British literature before 1900 and on relations between British literature and works in the Classical, Romance, and Germanic Languages.
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