罗马晚期叙利亚和巴勒斯坦的马赛克历史场景:建立在古代晚期塞琉古王朝的基础上

IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Journal of Late Antiquity Pub Date : 2021-10-25 DOI:10.1353/jla.2021.0027
Ra‘anan Boustan, Karen C. Britt
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引用次数: 0

摘要

摘要:在加利利胡科克(Huqoq)一座五世纪犹太教堂的地板马赛克中,没有一件比大象马赛克更能引起人们的兴趣。这个马赛克的主题背离了被认为支配古代犹太教堂艺术的艺术惯例。与犹太教堂马赛克的叙述完全基于经文的观点相反,这幅马赛克描绘了已知的第一个历史叙述的例子。学者们普遍认为,与历史的接触在地板马赛克中是罕见的。这种观点需要根据叙利亚最近的马赛克发现进行修正,这些发现反映了人们对该地区历史的持久兴趣。这些马赛克支持了我们的说法,即大象马赛克描绘了希腊化时期的一个插曲,表明加利利犹太人社区对过去的兴趣不仅超越了圣经的界限,而且还参与了更广泛的文化和艺术趋势。
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Historical Scenes in Mosaics from Late Roman Syria and Palestine: Building on the Seleucid Past in Late Antiquity
Abstract:Among the floor mosaics discovered in the ongoing excavations in the fifth-century synagogue at Huqoq in Galilee, none has elicited more interest than the Elephant Mosaic. The subject matter of this mosaic departs from the artistic conventions believed to govern ancient synagogue art. Contrary to the view that narratives in synagogue mosaics were solely based on scripture, this mosaic depicts the first known example of a historical narrative. Scholars have commonly presumed that engagement with the historical past is rare in floor mosaics. This view requires modification in light of recent mosaic discoveries from Syria that reflect an abiding interest in the region's history. These mosaics bolster our claim that the Elephant Mosaic depicts an episode from the Hellenistic period, indicating that interest in the past among the Jewish communities in Galilee not only transcended the boundaries of sacred scripture but also participated in far broader cultural and artistic trends.
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来源期刊
Journal of Late Antiquity
Journal of Late Antiquity HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
50.00%
发文量
18
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