{"title":"权力边缘的声波空间制作:马其顿共和国的电子音乐、代理和另类归属(2011-2014)","authors":"Dave Wilson","doi":"10.5406/21567417.66.3.04","DOIUrl":null,"url":null,"abstract":"\n This article examines the space-making practices of an electronic music scene in Skopje, Macedonia, between 2011 and 2014. It argues that such practices can make spaces for “alternative belonging,” enabling individuals and groups to diverge from the powerful without open resistance. The article builds on ethnomusicological literature on how space is mediated by music and sound in ways that are generative and transformative, suggesting that understanding agency as distributed across numerous positionalities assists in thinking beyond dichotomous dominance-resistance frameworks.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014)\",\"authors\":\"Dave Wilson\",\"doi\":\"10.5406/21567417.66.3.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article examines the space-making practices of an electronic music scene in Skopje, Macedonia, between 2011 and 2014. It argues that such practices can make spaces for “alternative belonging,” enabling individuals and groups to diverge from the powerful without open resistance. The article builds on ethnomusicological literature on how space is mediated by music and sound in ways that are generative and transformative, suggesting that understanding agency as distributed across numerous positionalities assists in thinking beyond dichotomous dominance-resistance frameworks.\",\"PeriodicalId\":51751,\"journal\":{\"name\":\"ETHNOMUSICOLOGY\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ETHNOMUSICOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/21567417.66.3.04\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETHNOMUSICOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21567417.66.3.04","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014)
This article examines the space-making practices of an electronic music scene in Skopje, Macedonia, between 2011 and 2014. It argues that such practices can make spaces for “alternative belonging,” enabling individuals and groups to diverge from the powerful without open resistance. The article builds on ethnomusicological literature on how space is mediated by music and sound in ways that are generative and transformative, suggesting that understanding agency as distributed across numerous positionalities assists in thinking beyond dichotomous dominance-resistance frameworks.
期刊介绍:
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.