“黑暗中的小镇”:托马斯·乌斯克《爱的呼唤与遗嘱》中的权威、反抗与理性顺从

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2022-05-01 DOI:10.1215/10829636-9687886
Chandler Fry
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引用次数: 0

摘要

尽管对14世纪英国抄写员和政治家托马斯·乌斯克的许多批评将他描述为一个自私的党派,他的《爱的呼吁》和《爱的遗嘱》暴露了他对伦敦统治者物质奖励的希望,本文认为,乌斯克的两个文本提供了一个围绕着他和他的文化所认为的美德组织起来的政治愿景:对政治权威的理性服从。在1384年为审判伦敦市长而写的爆炸性文本《上诉》中,乌斯克使用了与1381年农民起义有关的措辞,将服从描述为伦敦和平的根本。一年后,他在狱中撰写的《遗嘱》重新审视了促使他撰写《呼吁》的问题,这一次他借鉴了中世纪的伦理和政治理论,定义了君主制社会中服从的必要性和局限性。
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“Al the town in a rore”: Authority, Revolt, and Rational Obedience in Thomas Usk's Appeal and Testament of Love
While much criticism on the fourteenth-century English scribe and politician Thomas Usk characterizes him as a self-interested partisan whose Appeal and Testament of Love lay bare his hopes for material reward from London's rulers, this article argues that Usk's two texts offer a political vision organized around what he and his culture regarded as a virtue: rational obedience to political authority. In his Appeal, the explosive text that was written for the trial of London's mayor in 1384, Usk makes use of charged language tied to the Peasants’ Revolt of 1381 in order to depict obedience as fundamental to peace in London. His Testament, written a year later while in prison, revisits the issues that moved him to write the Appeal, this time drawing on medieval ethical and political theory to define the necessity of—and the limits to—obedience in a monarchical society.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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