{"title":"电影的凝视与库特纳的《拿着电影摄影机的人》","authors":"J. P. Telotte","doi":"10.3828/EXTR.2018.15","DOIUrl":null,"url":null,"abstract":"This essay examines how a modernist sense of space, often linked to the movies, made its way into sf pulp literature during the pre-war and early postwar period. It focuses on Henry Kuttner’s Tony ...","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/EXTR.2018.15","citationCount":"0","resultStr":"{\"title\":\"The Cinematic Gaze and Kuttner’s “Man with a Movie Camera”\",\"authors\":\"J. P. Telotte\",\"doi\":\"10.3828/EXTR.2018.15\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay examines how a modernist sense of space, often linked to the movies, made its way into sf pulp literature during the pre-war and early postwar period. It focuses on Henry Kuttner’s Tony ...\",\"PeriodicalId\":42992,\"journal\":{\"name\":\"EXTRAPOLATION\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2018-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.3828/EXTR.2018.15\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EXTRAPOLATION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/EXTR.2018.15\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EXTRAPOLATION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/EXTR.2018.15","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
The Cinematic Gaze and Kuttner’s “Man with a Movie Camera”
This essay examines how a modernist sense of space, often linked to the movies, made its way into sf pulp literature during the pre-war and early postwar period. It focuses on Henry Kuttner’s Tony ...
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