时尚博客及其影响力的二十年:一个批判性的综述

IF 0.7 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Fashion Theory-The Journal of Dress Body & Culture Pub Date : 2022-01-06 DOI:10.1080/1362704X.2021.2017213
Marco Pedroni
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引用次数: 3

摘要

近年来,网红垄断了媒体的注意力,这是自21世纪初博客兴起以来长达20年的漫长过程的结果。在这篇文章中,我列出了被称为时尚博主和影响者的社交媒体从业者作为时尚领域相关参与者出现和发展的历史框架。我建议将时尚博客和影响力解读为2000年至2020年之间的四个阶段。在这20年里,社交媒体在时尚领域的实践逐渐制度化,2010年代下半叶出现了基于instagram的网红,并继续统治着时尚平台,而TikTok在21世纪20年代初在同一领域的相关性也在上升。我首先探讨了21世纪初时尚博客的兴起,以及关于其特征的学术辩论。然后,我把从博客到Instagram的转变框定为,不仅仅是平台的改变,而且是一个创造新职业的机会,影响者,以及影响力业务的奉献。最后,我批判性地审视了影响和影响者的概念。
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Two Decades of Fashion Blogging and Influencing: A Critical Overview
Abstract Influencers have monopolized media attention in recent years, the result of a long process lasting two decades dating from the rise of blogging at the beginning of the twenty-first century. In this article, I set out the historical framework in which the social media practitioners known as fashion bloggers and influencers have emerged and developed as relevant players in the field of fashion. I propose a reading of fashion blogging and influencing as a process articulated in four stages between 2000 and 2020. These two decades, marked by a progressive institutionalization of social media practice in the field of fashion, saw the advent of Instagram-based influencers in the second half of the 2010s and their continuing domination of fashion platforms, and TikTok’s rise in relevance in the same field during the early 2020s. I first explore the rise of fashion blogs in the early 2000s and the scholarly debate regarding its characteristics. I then frame the transition from blogging to Instagram, not just as a change of platform, but as an opportunity for the invention of a new occupation, the influencer, and the consecration of the business of influence. Lastly, I critically examine the concepts of influence and influencer.
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来源期刊
CiteScore
2.10
自引率
10.00%
发文量
41
期刊介绍: The importance of studying the body as a site for the deployment of discourses is well-established in a number of disciplines. By contrast, the study of fashion has, until recently, suffered from a lack of critical analysis. Increasingly, however, scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory takes as its starting point a definition of “fashion” as the cultural construction of the embodied identity. It provides an interdisciplinary forum for the rigorous analysis of cultural phenomena ranging from footbinding to fashion advertising.
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