{"title":"对于世界音乐教学:关键工具和资源","authors":"G. Giuriati","doi":"10.6092/ISSN.2039-9715/11933","DOIUrl":null,"url":null,"abstract":"Stephen Collins Foster (1826-1864) is a crucial figure in the history of popular music, and in American history at large: the author of globally known songs such as, among many others, Susanna or Old Folks at Home, in 1951 a Congress resolution described him as «the father of American popular music». Despite this, for several decades his work and his own figure have been at the center of a heated debate that is leading to removal from both the musical and civil world. This contribution proposes a didactic unit aimed at providing knowledge about what is ultimately a fundamental author, filling, among other things, a substantial gap in Italian musicological literature. It is addressed primarily to Secondary Schools. However, its basic concepts can also be useful for Upper Secondary Schools and for Italian Popular music history courses at university or conservatory level.","PeriodicalId":30273,"journal":{"name":"Musica Docta","volume":"10 1","pages":"145-157"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Per una didattica delle musiche del mondo: strumenti critici e risorse\",\"authors\":\"G. Giuriati\",\"doi\":\"10.6092/ISSN.2039-9715/11933\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Stephen Collins Foster (1826-1864) is a crucial figure in the history of popular music, and in American history at large: the author of globally known songs such as, among many others, Susanna or Old Folks at Home, in 1951 a Congress resolution described him as «the father of American popular music». Despite this, for several decades his work and his own figure have been at the center of a heated debate that is leading to removal from both the musical and civil world. This contribution proposes a didactic unit aimed at providing knowledge about what is ultimately a fundamental author, filling, among other things, a substantial gap in Italian musicological literature. It is addressed primarily to Secondary Schools. However, its basic concepts can also be useful for Upper Secondary Schools and for Italian Popular music history courses at university or conservatory level.\",\"PeriodicalId\":30273,\"journal\":{\"name\":\"Musica Docta\",\"volume\":\"10 1\",\"pages\":\"145-157\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Musica Docta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6092/ISSN.2039-9715/11933\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musica Docta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.2039-9715/11933","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Stephen Collins Foster(1826-1864)是流行音乐史上以及整个美国历史上的一位重要人物:他创作了全球知名歌曲,如《苏珊娜》或《家里的老人》,1951年国会决议将他描述为“美国流行音乐之父”。尽管如此,几十年来,他的作品和他自己的形象一直处于一场激烈辩论的中心,这场辩论正导致他被音乐界和民间界除名。这篇文章提出了一个教学单元,旨在提供关于什么是最终的基本作者的知识,填补意大利音乐学文学中的一个巨大空白。它主要针对中学。然而,它的基本概念也可以用于高中以及大学或音乐学院级别的意大利流行音乐历史课程。
Per una didattica delle musiche del mondo: strumenti critici e risorse
Stephen Collins Foster (1826-1864) is a crucial figure in the history of popular music, and in American history at large: the author of globally known songs such as, among many others, Susanna or Old Folks at Home, in 1951 a Congress resolution described him as «the father of American popular music». Despite this, for several decades his work and his own figure have been at the center of a heated debate that is leading to removal from both the musical and civil world. This contribution proposes a didactic unit aimed at providing knowledge about what is ultimately a fundamental author, filling, among other things, a substantial gap in Italian musicological literature. It is addressed primarily to Secondary Schools. However, its basic concepts can also be useful for Upper Secondary Schools and for Italian Popular music history courses at university or conservatory level.