“Not just for their own use …”: Solidarity in Times of Discord

In May 2015, I happened to visit Frankfurt am Main, where during my haphazard exploration of the city I blindly strolled into the building of the Bockenheimer Depot where a new opera was to premiere that evening. It was entitled “Am unseren Fluße” (By Our River), as I saw on the banner outside, and I thought it would be something ecological. I was more interested in the building than in the show, but the decorations of which I could get a glimpse from the lobby and an animated Bohemian crowd drew me in. It turned out to be a powerfully moving piece allegorizing the Israeli-Palestinian conflict, and by extension all human territorial conflicts of that kind, bringing out the absurdity inherent in all territorial claims, profiteering by third parties, humanity’s shared frailty, and love that transcends this all. Some reviewers later referred to it as a “Middle Eastern Romeo and Juliet.”