抽样文件“舞台”

Sindhunata Gesit Widiharto, T. Santoso
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引用次数: 0

摘要

木偶戏和戏剧的结合创造了一种替代方案,以当代戏剧的形式提供了一种新的治疗方式,称为“Pakeliran Sampakan”。Pakeliran sampakan肩负着传统艺术现代化的使命,希望能够回应公众对印尼文化,特别是wayang kulit的景观的饱和,目标市场是年轻人。《Sang Panggung》改编自Eko Tunas的《Nyi Panggung》,讲述了toong Ketoprak Eka Mardhika的幕后生活。作品的结果代表了toong ketoprak艺术家的表演形式,并以“Sang panggong”为故事。就像被外部文化剥夺了荣誉而被异化的边缘人一样,它需要通过“轮回”来采取行动。这不仅仅意味着从一个岛屿迁移到另一个岛屿,还意味着人类心态的改变,对大众传媒的尖端技术进行更新,使传统艺术始终能够参与国际竞争。
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Pakeliran Sampakan “Sang Panggung”
The combination of puppetry and theater creates an alternative offering a new style of treatment in the form of contemporary theater called “Pakeliran Sampakan”. Pakeliran sampakan carries the mission of modernizing traditional art with the hope of being able to answer the public's saturation regarding spectacle that smells Indonesian culture, especially wayang kulit with the target market the young people. “Sang Panggung” is an adaptation of a story from “Nyi Panggung” written by Eko Tunas which tells about the life behind the scenes of the group of tobong Ketoprak Eka Mardhika. The results of the work represent the form of performances by the tobong ketoprak artists, with the story "Sang Panggung". Like the marginalized who are alienated because of their deposed honour by the outside culture, it needs an action by doing 'transmigration'. It doesn’t only mean moving from one island to another but also a change in the human mindset to be renewed towards the sophisticated technology of mass media, in order that traditional arts can always involve in the international competitions. 
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来源期刊
自引率
0.00%
发文量
8
审稿时长
12 weeks
期刊最新文献
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