The ornamental design found in the architectural building of the Sam Poo Kong Temple gives an oriental unique characteristic. As a cultural heritage tourism destination, Sam Poo Kong Temple is required to develop the concept of information as part of good public service for visitors. Typeface design is a form of visual message design that can represent the image of the designed visual object. The purpose of this research is to design and develop an ornament-based typeface design from the Sam Po Kong Temple. The method used in this research is a descriptive-qualitative method with the ATUMICS theory approach for designing the typeface. In this context, the researcher wishes to bring back the decorative relief motifs that exist in the Sam Poo Kong Temple as a building element for new media with the mission of strengthening the image of the Sam Poo Kong Temple.
{"title":"Development of \"Sam Contemporary Font\" Typeface Based on Sam Poo Kong Temple Ornament","authors":"Dzuha Hening Yanuarsari, Agus Setiawan","doi":"10.33153/glr.v20i2.4452","DOIUrl":"https://doi.org/10.33153/glr.v20i2.4452","url":null,"abstract":"The ornamental design found in the architectural building of the Sam Poo Kong Temple gives an oriental unique characteristic. As a cultural heritage tourism destination, Sam Poo Kong Temple is required to develop the concept of information as part of good public service for visitors. Typeface design is a form of visual message design that can represent the image of the designed visual object. The purpose of this research is to design and develop an ornament-based typeface design from the Sam Po Kong Temple. The method used in this research is a descriptive-qualitative method with the ATUMICS theory approach for designing the typeface. In this context, the researcher wishes to bring back the decorative relief motifs that exist in the Sam Poo Kong Temple as a building element for new media with the mission of strengthening the image of the Sam Poo Kong Temple.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44325188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ana Rosmiati, S. Supriyanto, Joko Budiwiyanto, Tubagus Mulyadi, Soemaryatmi Soemaryatmi
The research entitled " World Dance DAay: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts" was conducted to explore the strengths in maintaining the existence of traditional arts, which began to shift with the introduction of Western culture. World Dance Day was a dance event with a duration of 24 hours. This event had been going on for several years. It had become a routine agenda at ISI Surakarta by involving the public, community, art activists, cultural observers, foreign participants, and others. World Dance Day could be used as branding in building ISI Surakarta amid competition among higher education institutions. Organized events could be media promotions both domestically and internationally. This event was held once a year in April, on the 29th. The problem in this research was how to maintain the existence of traditional arts through the activation of World Dance Day and brand World Dance Day activation as a medium for introducing art. The purpose of the research was to find ways to maintain the existence of traditional arts through the World Dance Day activation and to find ways to make World Dance Day branding activation a medium for introducing dance arts to the community. This type of research was qualitative descriptive research. The data source in this study was primarily data source in the form of World Dance Day activation. The monitoring method was carried out by identifying the types of activation included in World Dance Day. Data were obtained from the World Dance Day activation. Researchers directly observed the World Dance Day activation and saw Youtube and other social media. The result of this research was to find ways to maintain the existence of traditional arts through World Dance Day activation. Apart from that, they also carried out branding in the form of World Dance Day activation as a medium for introducing dance arts to the community.
{"title":"World Dance Day: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts","authors":"Ana Rosmiati, S. Supriyanto, Joko Budiwiyanto, Tubagus Mulyadi, Soemaryatmi Soemaryatmi","doi":"10.33153/glr.v20i2.4564","DOIUrl":"https://doi.org/10.33153/glr.v20i2.4564","url":null,"abstract":"The research entitled \" World Dance DAay: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts\" was conducted to explore the strengths in maintaining the existence of traditional arts, which began to shift with the introduction of Western culture. World Dance Day was a dance event with a duration of 24 hours. This event had been going on for several years. It had become a routine agenda at ISI Surakarta by involving the public, community, art activists, cultural observers, foreign participants, and others. World Dance Day could be used as branding in building ISI Surakarta amid competition among higher education institutions. Organized events could be media promotions both domestically and internationally. This event was held once a year in April, on the 29th. The problem in this research was how to maintain the existence of traditional arts through the activation of World Dance Day and brand World Dance Day activation as a medium for introducing art. The purpose of the research was to find ways to maintain the existence of traditional arts through the World Dance Day activation and to find ways to make World Dance Day branding activation a medium for introducing dance arts to the community. This type of research was qualitative descriptive research. The data source in this study was primarily data source in the form of World Dance Day activation. The monitoring method was carried out by identifying the types of activation included in World Dance Day. Data were obtained from the World Dance Day activation. Researchers directly observed the World Dance Day activation and saw Youtube and other social media. The result of this research was to find ways to maintain the existence of traditional arts through World Dance Day activation. Apart from that, they also carried out branding in the form of World Dance Day activation as a medium for introducing dance arts to the community.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44616214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Bugis-Makassar cultural community has a firm and courageous character. The character can be created through the cultural values contained in the Panngaderreng concept (ade, rapang, wari, bicara, sara). The Monolog, Ibu Sejati by Putu Wijaya, tells of a woman who is in a dilemma, having to choose between her son making a crime or enforcing the law. This study aims to create the character of the mother in Putu Wijaya’s Monolog, IbuSejati, based on the Panngaderreng concept. The reseach on the creation of this Monolog is a form of adaptation, namely examining the female characters of Bugis-Makassar and embodied in performances.
{"title":"Adaptation of Mother’s Character in Putu Wijaya’s Monolog “Ibu Sejati”","authors":"Andi Aryani","doi":"10.33153/glr.v20i1.4178","DOIUrl":"https://doi.org/10.33153/glr.v20i1.4178","url":null,"abstract":"The Bugis-Makassar cultural community has a firm and courageous character. The character can be created through the cultural values contained in the Panngaderreng concept (ade, rapang, wari, bicara, sara). The Monolog, Ibu Sejati by Putu Wijaya, tells of a woman who is in a dilemma, having to choose between her son making a crime or enforcing the law. This study aims to create the character of the mother in Putu Wijaya’s Monolog, IbuSejati, based on the Panngaderreng concept. The reseach on the creation of this Monolog is a form of adaptation, namely examining the female characters of Bugis-Makassar and embodied in performances.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48287744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The online learning is a new thing in learning cultural arts at Islamic Junior High School Al-Azhar BSB City Semarang, it is an interesting and challenging things because of the presence of students who come from several different places. During the COVID-19 pandemic, the teacher applied several different methods to make students more pro-active and think critically. Innovation begins with changing learning strategies, learning patterns and assessments in the learning process. This study aims to determine learning innovations in cultural arts subjects during the COVID-19 pandemic by using a qualitative descriptive approach method which interviews directly with teacher at Al-Azhar 29 Islamic Junior High School, BSB City Semarang. Data analysis using data triangulation with data processing techniques using data reduction, display data and conclusions. The results of this study indicate the existence of innovations in learning cultural arts at Al-Azhar 29 Islamic Junior High School, BSB City Semarang, including; improving learning strategies, learning media, learning management, and critical assessment systems for students.
{"title":"Innovative Learning Arts and Culture during the Pandemic in Junior High School","authors":"Ari Irfan Fahruddin, A. Cahyono","doi":"10.33153/glr.v20i1.3980","DOIUrl":"https://doi.org/10.33153/glr.v20i1.3980","url":null,"abstract":"The online learning is a new thing in learning cultural arts at Islamic Junior High School Al-Azhar BSB City Semarang, it is an interesting and challenging things because of the presence of students who come from several different places. During the COVID-19 pandemic, the teacher applied several different methods to make students more pro-active and think critically. Innovation begins with changing learning strategies, learning patterns and assessments in the learning process. This study aims to determine learning innovations in cultural arts subjects during the COVID-19 pandemic by using a qualitative descriptive approach method which interviews directly with teacher at Al-Azhar 29 Islamic Junior High School, BSB City Semarang. Data analysis using data triangulation with data processing techniques using data reduction, display data and conclusions. The results of this study indicate the existence of innovations in learning cultural arts at Al-Azhar 29 Islamic Junior High School, BSB City Semarang, including; improving learning strategies, learning media, learning management, and critical assessment systems for students.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45528101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
"Maduswara" is a new musical work whose creation is based on memoirs, or the journey of Peni Candra Rini's in interpreting the sounds she has encountered. The memoir in question is the composer's memory from childhood when he first knew the tembang macapat, which was later termed as wiji tembang. The song continues to develop into a sound journey when the artist grows up, enters a formal karawitan school, and becomes a tembang lecturer in the musical department at the Indonesian Institute of the Arts Surakarta.The method of creation used is through several stages inspired by the composer's personal process, namely (1) reflection, (2) dialectics, (3) giving the tone of expression, (4) determining the form, (5) determining the medium, (6) compiling compositional musical notation, (7) transmedium, (8) practice, (9) improvisation.These steps of creation finally found a concept of nyarira lagu which was built on 5 indicators, namely; (1) language, (2) voice, (3) expression, (4) spirituality, and (5) improvisation
{"title":"The Concept of Nyarira Lagu in Jineman Maduswara, A New Sindhenan Tradition Composed by Peni Candra Rini","authors":"Peni Candra Rini, Pande Made Sukerta","doi":"10.33153/glr.v20i1.4337","DOIUrl":"https://doi.org/10.33153/glr.v20i1.4337","url":null,"abstract":"\"Maduswara\" is a new musical work whose creation is based on memoirs, or the journey of Peni Candra Rini's in interpreting the sounds she has encountered. The memoir in question is the composer's memory from childhood when he first knew the tembang macapat, which was later termed as wiji tembang. The song continues to develop into a sound journey when the artist grows up, enters a formal karawitan school, and becomes a tembang lecturer in the musical department at the Indonesian Institute of the Arts Surakarta.The method of creation used is through several stages inspired by the composer's personal process, namely (1) reflection, (2) dialectics, (3) giving the tone of expression, (4) determining the form, (5) determining the medium, (6) compiling compositional musical notation, (7) transmedium, (8) practice, (9) improvisation.These steps of creation finally found a concept of nyarira lagu which was built on 5 indicators, namely; (1) language, (2) voice, (3) expression, (4) spirituality, and (5) improvisation","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44646220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Bedhaya Sukma Raras dance by Hadawiyah Endah Utami, presented at a gathering of choreographers, was inspired by the journey of human life as it moves towards death. The complementary forms of verbal and nonverbal components in Bedhaya Sukma Raras implicitly offer a concept encased in the aesthetic expression of the dance about human awareness of doing good throughout the transient life in this world, in order to welcome an afterlife that is immortal and full of joy. This research uses a qualitative methodology. The data collection strategies include a library study, interviews, a visual study of dance recordings, an audio study of music recordings, documentation and study of archives of verbal transcripts of literature about songs and vocabulary of dance movements. The results show that in principle human life must seek to preserve a balance between the world and the hereafter. This means that microcosmically, in fulfilling their daily needs, human beings must work hard, prioritize virtue, and pray for God’s guidance so that macrocosmically, in the afterlife their sins will be forgiven and they will enter the heaven of the Creator.
{"title":"Pragmatic Expression of Bedhaya Sukma Raras: a Reactualization of Holisticity in Life","authors":"M. Maryono, Midiyanto Midiyanto","doi":"10.33153/glr.v20i1.4365","DOIUrl":"https://doi.org/10.33153/glr.v20i1.4365","url":null,"abstract":"The Bedhaya Sukma Raras dance by Hadawiyah Endah Utami, presented at a gathering of choreographers, was inspired by the journey of human life as it moves towards death. The complementary forms of verbal and nonverbal components in Bedhaya Sukma Raras implicitly offer a concept encased in the aesthetic expression of the dance about human awareness of doing good throughout the transient life in this world, in order to welcome an afterlife that is immortal and full of joy. This research uses a qualitative methodology. The data collection strategies include a library study, interviews, a visual study of dance recordings, an audio study of music recordings, documentation and study of archives of verbal transcripts of literature about songs and vocabulary of dance movements. The results show that in principle human life must seek to preserve a balance between the world and the hereafter. This means that microcosmically, in fulfilling their daily needs, human beings must work hard, prioritize virtue, and pray for God’s guidance so that macrocosmically, in the afterlife their sins will be forgiven and they will enter the heaven of the Creator.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42129052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pandemic Covid has widespread in Indonesia since early 2020 resulting in some artistic activities paralysis. In performing arts artist are banned to make crowd, direct contact between individuals, and to travel to other cities. This causes musicians to loose opportunity to perform on the stage. To fill the void some groups of musicians find a way to make music by using digital platforms. Some of the virtual activities are: Virtual Live Music Concert, Virtual Tapping Music Concert, Drive-in Music Concert, Virtual Online Music Class, and Podjam among musicians. These have revolved in keeping the creative process among musicians in their homeland.
{"title":"Innovation and Creativity of Indonesian Musicians during the Covid-19 Pandemic","authors":"Rachzonja Adhy Kirana Putra, Santosa Soewarlan","doi":"10.33153/glr.v20i1.4098","DOIUrl":"https://doi.org/10.33153/glr.v20i1.4098","url":null,"abstract":"Pandemic Covid has widespread in Indonesia since early 2020 resulting in some artistic activities paralysis. In performing arts artist are banned to make crowd, direct contact between individuals, and to travel to other cities. This causes musicians to loose opportunity to perform on the stage. To fill the void some groups of musicians find a way to make music by using digital platforms. Some of the virtual activities are: Virtual Live Music Concert, Virtual Tapping Music Concert, Drive-in Music Concert, Virtual Online Music Class, and Podjam among musicians. These have revolved in keeping the creative process among musicians in their homeland. ","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46373223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Muhammad Syafiq Azam, Sumathi Maniam, Muhammad Fazli Taib Saearani
This research aims to analyze the choreography of the New Creation dance, Batu Tumbuk by Muhaldin Jamin, which was staged in 2015. The term ‘New Creation dance’ refers to the dance that undergoes a process of improvement or refinement that is appropriate to the passage of time but does not affect the traditional values of the community. Hence, this research discusses the Batu Tumbuk dance from the aspect of choreography. The choreographic approach by Minton (1997) is used in this article to discuss the choreographic aspects of the New Creation dance selected. The methodology used for this research was qualitative. Data collection was conducted by using observational methods, unstructured interviews, and library methods. The findings of this research show that the choreography of Batu Tumbuk dance has undergone the creative process of movements and development in terms of composition in the performances presented. Based on the various elements of Malay traditional dance, it is shown that the development processes of Batu Tumbuk dance include actions such as casting, floor patterns and additional props as forms of dance creations. The implications of this research could benefit local choreographers in providing the reference for understanding the terms and concepts of the New Creation dance choreography that continues the original tradition, as a source to be processed and developed in accordance with the passage of time aimed to preserve cultural art heritage.
{"title":"Batu Tumbuk as A New Creation Dance: Art and Culture Preservation Through Time","authors":"Muhammad Syafiq Azam, Sumathi Maniam, Muhammad Fazli Taib Saearani","doi":"10.33153/glr.v20i1.4019","DOIUrl":"https://doi.org/10.33153/glr.v20i1.4019","url":null,"abstract":"This research aims to analyze the choreography of the New Creation dance, Batu Tumbuk by Muhaldin Jamin, which was staged in 2015. The term ‘New Creation dance’ refers to the dance that undergoes a process of improvement or refinement that is appropriate to the passage of time but does not affect the traditional values of the community. Hence, this research discusses the Batu Tumbuk dance from the aspect of choreography. The choreographic approach by Minton (1997) is used in this article to discuss the choreographic aspects of the New Creation dance selected. The methodology used for this research was qualitative. Data collection was conducted by using observational methods, unstructured interviews, and library methods. The findings of this research show that the choreography of Batu Tumbuk dance has undergone the creative process of movements and development in terms of composition in the performances presented. Based on the various elements of Malay traditional dance, it is shown that the development processes of Batu Tumbuk dance include actions such as casting, floor patterns and additional props as forms of dance creations. The implications of this research could benefit local choreographers in providing the reference for understanding the terms and concepts of the New Creation dance choreography that continues the original tradition, as a source to be processed and developed in accordance with the passage of time aimed to preserve cultural art heritage.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41664178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Louis Cahyo Kumolo Buntaran, Agnes Indah Suciani Kristanti, Alfons Christian Hardjana
This research discusses the use of typography in the title of the Loki series. As a title design, the Loki series received unfavorable comments, especially on its aesthetics. The purpose of this study was to find out how typographic elements are applied in the title of the Loki series. This type of research is qualitative using content analysis methods. It is known that the title of Loki series puts forward functions in the typographic design. So that the design is able to represent the content of the message in the story.
{"title":"The Role of Typography in Loki Serial Title","authors":"Louis Cahyo Kumolo Buntaran, Agnes Indah Suciani Kristanti, Alfons Christian Hardjana","doi":"10.33153/glr.v20i1.3963","DOIUrl":"https://doi.org/10.33153/glr.v20i1.3963","url":null,"abstract":"This research discusses the use of typography in the title of the Loki series. As a title design, the Loki series received unfavorable comments, especially on its aesthetics. The purpose of this study was to find out how typographic elements are applied in the title of the Loki series. This type of research is qualitative using content analysis methods. It is known that the title of Loki series puts forward functions in the typographic design. So that the design is able to represent the content of the message in the story.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45283829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRAKPotret Posinden merupakan film dokumenter yang berusaha menunjukkan peran dan kedudukan sinden pada pertunjukan wayang kulit. Perubahan yang terjadi pada sinden saat ini membuat pertunjukan wayang kulit menjadi semakin menarik. Hal ini dibuktikan dengan fungsi sinden saat ini, bukan hanya menembang namun menjadi unsur penghibur. Sesekali jadi bahan lelucon pada saat limbukan dan goro-goro. Umumnya, sinden harus tampil dengan dandanan yang tidak biasa, sebab saat ini posisi sinden menghadap ke penonton. Sinden menjadi aspek penting di dalam setiap pertunjukan wayang kulit, dan hal itu tidak bisa dipisahkan. Film dokumenter ini menggunakan gaya expository, yaitu memiliki ciri berbicara langsung kepada penonton melalui on screen. Dokementer ini memanfaatkan penuturan dari narasumber atau subjek utama dalam menyampaikan informasi atau isi pada film.Kata kunci: Film Dokumenter, Sinden, Wayang Kulit. ABSTRACTPortrait of Pesinden is a documentary film that attempts to show Sinden's role and position in shadow puppets performances. The changes that occurred in the current Sinden made shadow puppets performances even more enjoyable. This matter is evidenced by the current function of Sinden singing and being an entertainment element. Occasionally it becomes the material for a joke at the moment when it is “limbukan” and “goro-goro”. The general findings show that the Sinden must appear with unusual make-up because the position of the Sinden is facing the audience. In addition, Sinden is an essential aspect of every shadow puppet show, and it cannot be separated. To sum up, this documentary film uses an expository style characterized by speaking directly to the audience via the on-screen. So, the documentary uses the narrative from the primary source or subject in conveying information or content in the film.Keywords: Documentary Film, Sinden; Shadow Puppets.
{"title":"Portrait of Pesinden Documentary Film: Role of Sinden in Puppet Show","authors":"Mohad Ali","doi":"10.33153/glr.v19i2.3307","DOIUrl":"https://doi.org/10.33153/glr.v19i2.3307","url":null,"abstract":"ABSTRAKPotret Posinden merupakan film dokumenter yang berusaha menunjukkan peran dan kedudukan sinden pada pertunjukan wayang kulit. Perubahan yang terjadi pada sinden saat ini membuat pertunjukan wayang kulit menjadi semakin menarik. Hal ini dibuktikan dengan fungsi sinden saat ini, bukan hanya menembang namun menjadi unsur penghibur. Sesekali jadi bahan lelucon pada saat limbukan dan goro-goro. Umumnya, sinden harus tampil dengan dandanan yang tidak biasa, sebab saat ini posisi sinden menghadap ke penonton. Sinden menjadi aspek penting di dalam setiap pertunjukan wayang kulit, dan hal itu tidak bisa dipisahkan. Film dokumenter ini menggunakan gaya expository, yaitu memiliki ciri berbicara langsung kepada penonton melalui on screen. Dokementer ini memanfaatkan penuturan dari narasumber atau subjek utama dalam menyampaikan informasi atau isi pada film.Kata kunci: Film Dokumenter, Sinden, Wayang Kulit. ABSTRACTPortrait of Pesinden is a documentary film that attempts to show Sinden's role and position in shadow puppets performances. The changes that occurred in the current Sinden made shadow puppets performances even more enjoyable. This matter is evidenced by the current function of Sinden singing and being an entertainment element. Occasionally it becomes the material for a joke at the moment when it is “limbukan” and “goro-goro”. The general findings show that the Sinden must appear with unusual make-up because the position of the Sinden is facing the audience. In addition, Sinden is an essential aspect of every shadow puppet show, and it cannot be separated. To sum up, this documentary film uses an expository style characterized by speaking directly to the audience via the on-screen. So, the documentary uses the narrative from the primary source or subject in conveying information or content in the film.Keywords: Documentary Film, Sinden; Shadow Puppets.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47653402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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