作者回应

Q1 Arts and Humanities Advances in the History of Rhetoric Pub Date : 2017-09-02 DOI:10.1080/15362426.2017.1385258
Ned O’Gorman
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引用次数: 0

摘要

在这里最重要的一句话是感谢:感谢Heather Hayes、Rosa Eberly、Tim Barney和Nate Atkinson对我工作的热情投入。感谢美国修辞学史学会,它比我所接触过的任何其他学科组织都更是我许多“啊哈!”时刻的来源。感谢美国更广泛的修辞学研究,这为我和许多其他人提供了知识和批评的空间。正如我的评论员在这里所指出的,“象塑性想象”的范围很广。就其范围而言,而不仅仅是其方法而言,它是美国修辞学研究中许多房间中的一个paideia的产物。我很感激。我必须承认,当我阅读回复和评论时,我仍然在学习《象塑性想象》。正如埃伯利教授所知,这是一本酝酿已久的书。虽然它的基本论点很清楚,但它也是一本你必须深思熟虑的书。正如《美国季刊》的一位评论家最近所写:
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Author Response
The most important thing to say here is thank you: thanks to Heather Hayes, Rosa Eberly, Tim Barney, and Nate Atkinson for so thoroughly and graciously engaging with my work. Thanks to the American Society for the History of Rhetoric, which more than any other disciplinary organization with which I have been associated has been the source of so many of my “ah ha!” moments. And thanks to rhetorical studies in the United States more broadly, which affords me and many others intellectual and critical space to move. The Iconoclastic Imagination, as my commentators note here, ranges widely. In its scope, and not just its methods, it is a product of a paideia in the house of many rooms that is United States rhetorical studies. I am grateful. I must confess that, as I read responses and reviews, I am still learning about The Iconoclastic Imagination. It is a book, as Professor Eberly knows, that was long in developing. While clear in its basic arguments, it is also a book that you have to deliberately work your way through. As a reviewer in American Quarterly recently wrote:
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来源期刊
Advances in the History of Rhetoric
Advances in the History of Rhetoric Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
22
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