工艺作为抵抗:三种土著工艺传统的个案研究

IF 0.3 0 ART Craft Research Pub Date : 2022-09-01 DOI:10.1386/crre_00085_1
Stefania Castelblanco Pérez
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引用次数: 0

摘要

在这篇文章中,我的目的是探讨手工艺在三个土著民族的社会抵抗中所扮演的角色:哥伦比亚的伊库人和纳萨人,以及瑞典的萨米人。该方法基于民族志。采访了土著制作者和专家,目的是了解土著工艺和社会进程。研究了土著工艺传统的灵感、技术和材料及其与社会抵抗的关系。政治、生态和文化性质的社会阻力表现在工艺实践中,表现为物质性和隐含意义。这篇文章简要介绍了所分析的土著社区,以及作者希望从他们的工艺传统中学习的理由。还包括了一个基于社会抵抗和工艺概念的理论框架。文章最后对工艺在社会、文化、政治和生态抵抗方面的作用进行了反思。
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Craft as resistance: A case study of three Indigenous craft traditions
In this article, I aim to explore the role that craft has played in terms of social resistance for three native peoples: the Iku and Nasa peoples in Colombia and the Sámi people in Sweden. The methodology is based on ethnography. Interviews were performed with Indigenous makers and experts with the objective to understand Indigenous craft and social processes. Inspirations, techniques and materials involved in the Indigenous craft traditions and their relation to social resistance were studied. Social resistance of a political, ecological and cultural nature manifests itself in craft practices, in terms of materiality and implicit meaning. The article includes a brief of the analysed Indigenous communities and the rationale behind the author’s wish to learn from their craft traditions. A theoretical framework based on the concepts of social resistance and craft is also included. The article finalizes with a reflection on the role of craft in terms of social, cultural, political and ecological resistance.
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1.00
自引率
25.00%
发文量
28
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