{"title":"无神论的神圣:金属音乐和人工制品的心理功能","authors":"K. Messick, J. Jong, V. van Mulukom, M. Farias","doi":"10.1080/10508619.2023.2196898","DOIUrl":null,"url":null,"abstract":"ABSTRACT The psychological functions of the nontheistic sacred in a secular context (metal music culture) were examined for their consistency with previous studies of the sacred in religious contexts using two studies. The first experiment examined music as a form of nontheistic sacred through a comparison of death metal fans (n = 89) listening to death metal or hard rock. The second experiment examined how some metal cultural artifacts were perceived as sacred by metal fans (n = 52), and how their loss or defilement was experienced when compared to non-sacred artifacts. The first experiment found that the death metal music was perceived as more sacred than hard rock music to the metal community, it promoted higher levels of positive affect, and it was associated with significantly higher levels of prosocial behavioral intentions, social relatedness, mood maintenance, and self-awareness, with no differences in empathy and negative affect. The second experiment found that acts of desecration of sacred items, when compared to non-sacred items, led to a higher state of anger and the loss of the items led to significantly higher levels of depressive symptoms and anxiety. The two experiments present evidence that the nontheistic sacred is experienced within the secular context of metal music in terms of functions and effects consistent with previous literature exploring the sacred in religious contexts.","PeriodicalId":47234,"journal":{"name":"International Journal for the Psychology of Religion","volume":"33 1","pages":"198 - 213"},"PeriodicalIF":1.7000,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Nontheistic Sacred: The Psychological Functions of Metal Music and Artifacts\",\"authors\":\"K. Messick, J. Jong, V. van Mulukom, M. Farias\",\"doi\":\"10.1080/10508619.2023.2196898\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The psychological functions of the nontheistic sacred in a secular context (metal music culture) were examined for their consistency with previous studies of the sacred in religious contexts using two studies. The first experiment examined music as a form of nontheistic sacred through a comparison of death metal fans (n = 89) listening to death metal or hard rock. The second experiment examined how some metal cultural artifacts were perceived as sacred by metal fans (n = 52), and how their loss or defilement was experienced when compared to non-sacred artifacts. The first experiment found that the death metal music was perceived as more sacred than hard rock music to the metal community, it promoted higher levels of positive affect, and it was associated with significantly higher levels of prosocial behavioral intentions, social relatedness, mood maintenance, and self-awareness, with no differences in empathy and negative affect. The second experiment found that acts of desecration of sacred items, when compared to non-sacred items, led to a higher state of anger and the loss of the items led to significantly higher levels of depressive symptoms and anxiety. The two experiments present evidence that the nontheistic sacred is experienced within the secular context of metal music in terms of functions and effects consistent with previous literature exploring the sacred in religious contexts.\",\"PeriodicalId\":47234,\"journal\":{\"name\":\"International Journal for the Psychology of Religion\",\"volume\":\"33 1\",\"pages\":\"198 - 213\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2023-04-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal for the Psychology of Religion\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1080/10508619.2023.2196898\",\"RegionNum\":2,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"PSYCHOLOGY, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal for the Psychology of Religion","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1080/10508619.2023.2196898","RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"PSYCHOLOGY, MULTIDISCIPLINARY","Score":null,"Total":0}
The Nontheistic Sacred: The Psychological Functions of Metal Music and Artifacts
ABSTRACT The psychological functions of the nontheistic sacred in a secular context (metal music culture) were examined for their consistency with previous studies of the sacred in religious contexts using two studies. The first experiment examined music as a form of nontheistic sacred through a comparison of death metal fans (n = 89) listening to death metal or hard rock. The second experiment examined how some metal cultural artifacts were perceived as sacred by metal fans (n = 52), and how their loss or defilement was experienced when compared to non-sacred artifacts. The first experiment found that the death metal music was perceived as more sacred than hard rock music to the metal community, it promoted higher levels of positive affect, and it was associated with significantly higher levels of prosocial behavioral intentions, social relatedness, mood maintenance, and self-awareness, with no differences in empathy and negative affect. The second experiment found that acts of desecration of sacred items, when compared to non-sacred items, led to a higher state of anger and the loss of the items led to significantly higher levels of depressive symptoms and anxiety. The two experiments present evidence that the nontheistic sacred is experienced within the secular context of metal music in terms of functions and effects consistent with previous literature exploring the sacred in religious contexts.
期刊介绍:
The International Journal for the Psychology of Religion (IJPR) is devoted to psychological studies of religious processes and phenomena in all religious traditions. This journal provides a means for sustained discussion of psychologically relevant issues that can be examined empirically and concern religion in the most general sense. It presents articles covering a variety of important topics, such as the social psychology of religion, religious development, conversion, religious experience, religion and social attitudes and behavior, religion and mental health, and psychoanalytic and other theoretical interpretations of religion. The journal publishes research reports, brief research reports, commentaries on relevant topical issues, book reviews, and statements addressing articles published in previous issues. The journal may also include a major essay and commentaries, perspective papers of the theory, and articles on the psychology of religion in a specific country.