{"title":"负生态：罗伯特·史密森50岁时的螺旋码头","authors":"John Culbert","doi":"10.1353/pmc.2020.0011","DOIUrl":null,"url":null,"abstract":"Abstract:This essay reassesses the significance of Robert Smithson's land art for environmental politics in a time of climate crisis. Drawing on analyses of fossil capital and petrocultures, it argues that Smithson's aesthetics of entropy—particularly as conveyed in the 1970 earthwork Spiral Jetty—provide a valuable dialectical methodology for critical theory in the Capitalocene. The essay proposes a \"negative ecology\" that can challenge logics of resilience and survival shared by ecologists and extractivists alike.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.2000,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Negative Ecology: Robert Smithson's Spiral Jetty at 50\",\"authors\":\"John Culbert\",\"doi\":\"10.1353/pmc.2020.0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay reassesses the significance of Robert Smithson's land art for environmental politics in a time of climate crisis. Drawing on analyses of fossil capital and petrocultures, it argues that Smithson's aesthetics of entropy—particularly as conveyed in the 1970 earthwork Spiral Jetty—provide a valuable dialectical methodology for critical theory in the Capitalocene. The essay proposes a \\\"negative ecology\\\" that can challenge logics of resilience and survival shared by ecologists and extractivists alike.\",\"PeriodicalId\":55953,\"journal\":{\"name\":\"POSTMODERN CULTURE\",\"volume\":\" \",\"pages\":\"-\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POSTMODERN CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/pmc.2020.0011\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POSTMODERN CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/pmc.2020.0011","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Negative Ecology: Robert Smithson's Spiral Jetty at 50
Abstract:This essay reassesses the significance of Robert Smithson's land art for environmental politics in a time of climate crisis. Drawing on analyses of fossil capital and petrocultures, it argues that Smithson's aesthetics of entropy—particularly as conveyed in the 1970 earthwork Spiral Jetty—provide a valuable dialectical methodology for critical theory in the Capitalocene. The essay proposes a "negative ecology" that can challenge logics of resilience and survival shared by ecologists and extractivists alike.
期刊介绍：
Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.
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