“我们追求优质音乐”:希伯来孤儿院和声乐队(纽约)与音乐教育,1924–1930

Carol L. Shansky
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引用次数: 0

摘要

口琴曾被称为“地球上最受诽谤的乐器”,在音乐教育中占有重要的历史地位,它是一种组建乐队、举办独奏和合奏比赛的乐器,在某些情况下,职业生涯也由此诞生。这项活动的大部分都集中在城市娱乐项目和公立学校上。该乐器的尺寸、低廉的价格和相对容易的声音制作对这些组织很有吸引力。在纽约市希伯来孤儿院生活和学习的男孩和女孩参加了这些比赛,并在电台广播中表演了口琴乐队演奏。本文考察了这个合奏团的历史,它代表了这个被低估的音乐教育领域中令人难以置信的活动。
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“We Are Aiming for Quality and Good Music”: The Hebrew Orphan Asylum Harmonica band (NYC) and Music Education, 1924–1930
Once referred to as “the most maligned musical instrument on earth,” the harmonica holds an important historical place in music education as an instrument around which bands were formed, solo and ensemble competitions were held, and in some cases, careers were born. Much of this activity centered itself on city recreation programs as well as public schools. The instrument’s size, low price, and relative ease of sound production were appealing for these organizations. The boys and girls that lived and studied at the Hebrew Orphan Asylum of New York City were engaged participants in these contests as well as performing in radio broadcasts of harmonica band playing. This paper examines the history of this ensemble as a representative of the incredible activity in this underresearched area of music education.
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WITHDRAWAL-Administrative Duplicate Publication: Book Review: Mary Stakelum, ed, Developing the Musician: Contemporary Perspectives on Teaching and Learning Corrigendum to “Challenges and Successes During the Early Years of the Nsukka Music School” A Century of Band Contest Literature Lists: From National Origins to the State of Florida Charles Darwin, Percy Grainger, and John Blacking: Reflections on the Historical Emergence of Music as a Human Universal Book Review: Orff Schulwerk in Diverse Cultures: An Idea That Went Round the World
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