黑色是团结的颜色:美拉尼西亚的艺术抵抗

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY POSTMODERN CULTURE Pub Date : 2021-07-27 DOI:10.1353/pmc.2020.0027
J. Enomoto
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引用次数: 3

摘要

摘要:本文以三位美拉尼西亚女性艺术家活动家为中心,她们将艺术作为社会正义的工具和视觉档案:生活在斐济维提岛的伊塔凯族的卡马里·塞劳和米尔·图伊劳,以及生活在新墨西哥州的巴布亚·托莱族的索尼娅·拉尔森。这篇文章增加了黑人/土著研究,从太平洋内部传达了对黑人的更细致入微的理解。在这种背景下,黑色大洋洲不仅仅是黑色大西洋的概念对位,而且是政治和艺术团结的中心点,以意想不到和不可预测的方式承认黑人生活的神圣性。在已故特蕾西亚·泰伊瓦博士(Dr. Teresia Teaiwa)的积极主义和指导下,本文还说明了强调和承认参与西巴布亚自决和集体解放斗争的黑人/太平洋女性艺术家的工作的必要性。
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Black is the Color of Solidarity: Art as Resistance in Melanesia
Abstract:This essay centers on three Melanesian women artist activists who use art as a tool for social justice and as visual archive: Camari Serau and Mere Tuilau both of iTaukei descent living on the island of Viti Levu, Fiji, and Sonja Larson of Papuan Tolai descent living in New Mexico. This essay adds to Black/Indigenous Studies in conveying a more nuanced understanding of Blackness from within the Pacific. In this context, Black Oceania is not merely a conceptual counterpoint to the Black Atlantic but a center point of political and artistic solidarity that recognizes the sacredness of Black lives in unexpected and unpredictable ways. Drawing upon the activism and mentorship of the late Dr. Teresia Teaiwa, this essay also illustrates the necessity of highlighting and acknowledging the work of Black/Pacific women artists engaged in West Papua’s struggle for self-determination and collective liberation.
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来源期刊
POSTMODERN CULTURE
POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
11
期刊介绍: Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.
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