奥斯曼突尼斯的考古与文化政策第二部分:穆罕默德·哈兹纳达尔(1871–99)

IF 0.7 2区 艺术学 0 ARCHITECTURE Muqarnas Pub Date : 2021-12-06 DOI:10.1163/22118993-00381p08
Ridha Moumni
{"title":"奥斯曼突尼斯的考古与文化政策第二部分:穆罕默德·哈兹纳达尔(1871–99)","authors":"Ridha Moumni","doi":"10.1163/22118993-00381p08","DOIUrl":null,"url":null,"abstract":"\nThis article is the second part of a study focusing on Muhammad Khaznadar’s role in the history of archaeology in nineteenth-century Tunisia. Whereas part I traced the meteoric rise of Muhammad Khaznadar as a Tunisian cultural figure, the second part of this inquiry examines Khaznadar’s fall from power and the end of his monopoly over the country’s antiquities. Following the dismissal of his father, Mustafa Khaznadar, as grand vizier in 1873, Muhammad’s artifacts were seized by the bey. The Khaznadar collection then attracted the attention of the new grand vizier, Khayr al-Din (1873–78). Influenced by the activities of Muhammad Khaznadar, Khayr al-Din sought to create a national museum of antiquities. However, this project came to an end with Khayr al-Din’s dismissal and the subsequent arrival of French colonizers, who established the Bardo Museum (then called the Alaoui Museum) in 1888. The historical narrative written by the French colonial authority erased the memory of prominent Tunisian archaeologists and collectors who had been active in the preceding decades. This article seeks to highlight the important contributions of local Tunisians to the development of archaeological research and policies surrounding Tunisian cultural heritage in the nineteenth century.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Archaeology and Cultural Policy in Ottoman Tunisia Part II: Muhammad Khaznadar (1871–99)\",\"authors\":\"Ridha Moumni\",\"doi\":\"10.1163/22118993-00381p08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis article is the second part of a study focusing on Muhammad Khaznadar’s role in the history of archaeology in nineteenth-century Tunisia. Whereas part I traced the meteoric rise of Muhammad Khaznadar as a Tunisian cultural figure, the second part of this inquiry examines Khaznadar’s fall from power and the end of his monopoly over the country’s antiquities. Following the dismissal of his father, Mustafa Khaznadar, as grand vizier in 1873, Muhammad’s artifacts were seized by the bey. The Khaznadar collection then attracted the attention of the new grand vizier, Khayr al-Din (1873–78). Influenced by the activities of Muhammad Khaznadar, Khayr al-Din sought to create a national museum of antiquities. However, this project came to an end with Khayr al-Din’s dismissal and the subsequent arrival of French colonizers, who established the Bardo Museum (then called the Alaoui Museum) in 1888. The historical narrative written by the French colonial authority erased the memory of prominent Tunisian archaeologists and collectors who had been active in the preceding decades. This article seeks to highlight the important contributions of local Tunisians to the development of archaeological research and policies surrounding Tunisian cultural heritage in the nineteenth century.\",\"PeriodicalId\":39506,\"journal\":{\"name\":\"Muqarnas\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2021-12-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muqarnas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/22118993-00381p08\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muqarnas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22118993-00381p08","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0

摘要

本文是关于穆罕默德·哈兹纳达尔在19世纪突尼斯考古史上的作用的研究的第二部分。第一部分追溯了穆罕默德·哈兹纳达尔作为突尼斯文化人物的迅速崛起,而本调查的第二部分则考察了哈兹纳德尔的下台以及他对该国文物垄断的结束。1873年,穆罕默德的父亲穆斯塔法·哈兹纳达尔(Mustafa Khaznadar)被解除大维齐尔的职务后,穆罕默德的文物被贝王朝没收。哈兹纳达尔的收藏吸引了新的大维齐尔,海尔丁(1873-78)的注意。受穆罕默德·哈兹纳达尔活动的影响,海尔丁试图创建一个国家文物博物馆。然而,随着Khayr al-Din被解职以及随后法国殖民者的到来,这个项目结束了,他们于1888年建立了巴尔多博物馆(当时称为阿劳伊博物馆)。法国殖民当局撰写的历史叙事抹去了突尼斯著名考古学家和收藏家的记忆,他们在过去几十年里一直很活跃。本文旨在强调突尼斯当地人对19世纪突尼斯文化遗产考古研究和政策发展的重要贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Archaeology and Cultural Policy in Ottoman Tunisia Part II: Muhammad Khaznadar (1871–99)
This article is the second part of a study focusing on Muhammad Khaznadar’s role in the history of archaeology in nineteenth-century Tunisia. Whereas part I traced the meteoric rise of Muhammad Khaznadar as a Tunisian cultural figure, the second part of this inquiry examines Khaznadar’s fall from power and the end of his monopoly over the country’s antiquities. Following the dismissal of his father, Mustafa Khaznadar, as grand vizier in 1873, Muhammad’s artifacts were seized by the bey. The Khaznadar collection then attracted the attention of the new grand vizier, Khayr al-Din (1873–78). Influenced by the activities of Muhammad Khaznadar, Khayr al-Din sought to create a national museum of antiquities. However, this project came to an end with Khayr al-Din’s dismissal and the subsequent arrival of French colonizers, who established the Bardo Museum (then called the Alaoui Museum) in 1888. The historical narrative written by the French colonial authority erased the memory of prominent Tunisian archaeologists and collectors who had been active in the preceding decades. This article seeks to highlight the important contributions of local Tunisians to the development of archaeological research and policies surrounding Tunisian cultural heritage in the nineteenth century.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Muqarnas
Muqarnas Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
25.00%
发文量
13
期刊最新文献
Made in the City of Baghdad? Medieval Textile Production and Pattern Notation Systems of Early Lampas Woven Silks Patrons, Painters, Women In Distress: The Changing Fortunes of Nevʿizade Atayi and Üskübi Mehmed Efendi in Early Eighteenth-Century Istanbul The Palanquin Thrones of the ʿAlawite Sultans of Morocco A Scholar, Calligrapher, and Illuminator in Early Fourteenth-Century Cairo: The Illuminated Manuscripts of Ahmad al-Mutatabbib “Angels of the Angels”: Abdüllatif Subhi Paşa’s Coins, Egypt, and History
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1