保护文化工艺遗产:数字化叙利亚传统服装收藏

IF 0.3 0 ART Craft Research Pub Date : 2021-09-01 DOI:10.1386/crre_00055_1
Monica Sklar, Katherine Hill McIntyre, S. Autry
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引用次数: 0

摘要

该项目探讨了保护各种私人手工艺品收藏的重要性,特别是改善数字访问。重点是将保存在美国的100件叙利亚服装组合转变为博物馆级的、可供公众查阅的档案。没有资金支持的私人收藏面临着各种挑战,包括其具有文化价值的内容无法获得和销售不足。存档和展出这批服装的目的是分享叙利亚的服装和工艺历史,作为一种身份、社区、经济、艺术表达和技术发展的形式。每一件物品都是独一无二的,代表着不再存在的日常生活。随着人们迁移到新的地理位置,工艺传统并不总是随身携带。因此,该系列中的服装和配饰以染色技术、金属制品和叙利亚从古至今不同世代人民的象征性表现为特色。在整个研究过程中,我们学会了综合当代工艺遗产管理的核心问题,最初的目标是建立一种新的数字存档方法和模板,使机构外的小型或私人收藏受益。首先,我们确定了如何根据可管理的行业标准,使用负担得起且可访问的工具来做到这一点。数字摄影、元数据开发、对象标签和轶事采访补充了现有的收集信息。长期目标是通过展览、互动网站、研讨会和出版物传播这些藏品。博物馆正在努力使其藏品多样化,许多私人藏品代表了边缘化的文化,或者不符合公共机构的既定参数。这项研究涉及私人和公共收集的不同和具体需求,以及如何使用标准化数字化技术弥合一些差距,以实现类似的保护和推广目标。
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Preserving cultural craft heritage: Digitizing a traditional Syrian clothing collection
This project explores the importance of the preservation of diverse private collections of crafted artefacts, and specifically improving digital access. The focus is on the transformation of an assemblage of 100 Syrian garments held in the United States into a museum-quality, publicly accessible archive. Private collections that are not financially endowed face various challenges, including their culturally valuable content being inaccessible and underseen. The goal of archiving and exhibiting this collection of garments is to share Syria’s dress and craft history as a form of identity, community, economy, artistic expression and technological development. Each item is unique, representing an everyday life that no longer exists. As people moved to new geographical locations, craft traditions were not always carried with them. Consequently, the garments and accessories in this collection feature dyeing techniques, metalwork and symbolic representations of different generations of Syrian people from this ancient to present civilization. Throughout the research process, we learned to synthesize the core issues of contemporary craft heritage management, with an initial goal to build a new digital archiving method and template to benefit small or private collections outside of institutions. First, we determined how to do so using affordable and accessible tools, in line with manageable industry standards. Digital photography, metadata development, object labelling, and anecdotal interviews complement the existing collection information. The long-term goal is the dissemination of the collection through exhibitions, interactive websites, symposiums and publications. Museums are working harder to diversify their collections, and many private collections represent marginalized cultures or do not fit within the established parameters of public institutions. This study touches upon the disparate and specific needs of private versus public collecting, and how to bridge some of the gaps using standardized digitization techniques towards similar preservation and outreach goals.
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
28
期刊最新文献
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