19世纪的平等主义音乐教育:约瑟夫·迈因策尔和《为百万人歌唱》

Jane Southcott
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摘要

19世纪40年代,由约瑟夫·梅因泽(1801-1851)等富有魅力的先锋音乐教育家领导的集体歌唱班在英国各地兴起。美因泽是一位备受尊敬的作曲家、音乐记者和音乐教育家。他出生于特雷夫斯(普鲁士),游历欧洲并定居巴黎,在那里他是革命的理工协会的一员,该协会为工人阶级提供免费教育。他的群众歌唱课取得了显著的成功,但引起了当局的怀疑。美因泽因政治原因离开巴黎,搬到英国,在英国各地任教后,定居爱丁堡。他抵达苏格兰时受到了一定程度的名人奉承。在苏格兰各地建立了各种课程来传播他的新体系,这种体系在较大的中心和大多数小城镇都有教授。尽管美因泽的固定doh系统并没有在他和随后在19世纪50年代出现的tonic sol-fa方法中长期存在,但他的工作(以及其他人的工作)创造了一个环境,在这个环境中,学校、教堂和社区的流行歌唱班可以蓬勃发展。美因泽是一位技术娴熟、富有魅力的教育家。他孜孜不倦地倡导全民终身音乐教育。美因泽一直被忽视,值得肯定。
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Egalitarian Music Education in the Nineteenth Century: Joseph Mainzer and Singing for the Million
In the 1840s, massed singing classes led by charismatic pioneer music educators such as Joseph Mainzer (1801–1851) sprang up across the United Kingdom. Mainzer was a much respected composer, music journalist, and music educator. Born in Trèves (Prussia), he traveled across Europe and settled in Paris, where he was part of the revolutionary Association Polytechnique that offered free education to the working classes. His mass singing classes were a remarkable success but aroused the suspicions of authorities. Mainzer left Paris for political reasons and moved to England, and after teaching across the United Kingdom, settled in Edinburgh. His arrival in Scotland was greeted with a degree of adulation reserved for celebrities. Across Scotland classes were established to disseminate his new system that was taught in larger centers and most small towns. Although Mainzer’s fixed-doh system did not long survive him and the subsequent arrival of the tonic sol-fa method in the 1850s, his work (and that of others) created an environment in which popular singing classes in schools, churches and the community could flourish. Mainzer was a skilled and charismatic educator. He advocated tirelessly for lifelong music education for all. Mainzer has been overlooked and deserves recognition.
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