让我离开这里:在大流行病期间用漫画治愈的故事

IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Comics Grid-Journal of Comics Scholarship Pub Date : 2021-11-11 DOI:10.16995/cg.6545
S. Heifler
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This act lessened myfeelings of isolation and gave me the support network I so desperately cravedand needed, especially with the comics and comics studies communities.  In sharing myexperience, I hope to impart why comics are so important now by showing how thecreative helped me process trauma created and exacerbated by the pandemic.Intro:In January of this year, I was assaulted twice withina four-day period. These two incidents resulted in physical and mental trauma andextreme change in how I view myself, my life, and those around me. These two incidentsweren’t the only traumatic ones had experienced in recent time. I had also experienceda miscarriage, which was made worse by the circumstances of isolation (due tothe pandemic) and abandonment. My step-grandfather passed away from Covid. However,what occurred in January was a sort of catalyst to a personal breakdown. I lostmyself.Being a woman is difficult enough. I always feel as ifI am battling with my femininity. 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引用次数: 0

摘要

这篇自传式的图画文章详细描述了我作为一名漫画研究学者在新冠肺炎期间所面临的困难,我搬到全国各地开始攻读历史博士学位。它强调了漫画制作在对抗当今的孤立和困难以及帮助创伤恢复方面的重要性。新冠肺炎和隔离继续带来他们,并加剧了新的、特定于悲剧的创伤,这让我绝望地寻找应对方法。在我读博士的第一年,我经历了一次流产,我的继祖父因感染新冠病毒而去世,在我的第二学期开始时,我遭到了性侵犯,造成了至今尚未愈合的身体伤害。这些事件造成的情感和身体上的创伤使我的功课落后了。为了应对,我参加了艺术治疗,并开始了一个创伤恢复计划。通常,我的康复是通过我创作的漫画来帮助和表达的,这些漫画是数字格式的,通常(但不总是)采用诗歌漫画的形式。创造这些漫画帮助我释放情绪,使我能够在我的一居室公寓的墙外创造一个“逃避”的空间。创作的过程也帮助我从痛苦的思想中找到了自由。例如,给攻击者和我自己的皮肤涂上阴影,让我能够拥有自己被攻击的故事,并重新获得对自己身体的所有权。进一步将这些图像与文字并列,为我提供了一种表达各种创伤事件所引发的痛苦和深度孤立的方法。通过视觉和文字表达这些创伤事件的重要性,我能够正确地认识到它们的重要性,因此我在这个行为中找到了一些解脱和自我安慰。我也通过社交媒体与外界分享我的经历。这一举动减轻了我的孤立感,给了我迫切渴望和需要的支持网络,尤其是漫画和漫画研究社区。在分享我的经历时,我希望通过展示创造力如何帮助我处理疫情造成和加剧的创伤,来传达为什么漫画现在如此重要。今年1月,我在四天内被袭击了两次。这两件事给我的身体和精神都带来了创伤,我对自己、生活和周围人的看法也发生了巨大的变化。这两起事件并不是最近经历的唯一创伤事件。我也经历过流产,由于隔离(由于大流行)和被遗弃的环境,流产变得更糟。我的继祖父死于新冠肺炎。然而,1月份发生的事情是一种催化剂,导致了他的个人崩溃。我lostmyself。做一个女人已经够难的了。我总是觉得我在和我的女性气质作斗争。总有一些独特的、非女性的标准,我必须以此来定义自己,但为了在这个男权社会中发声,我永远无法达到这些标准。很难去爱那些很容易被用来对付自己的东西。那个袭击我的人用最恶毒的方式攻击我。结果是一种巨大的自我憎恨和分离感。很难看出这一切的意义。但我一直在努力重拾目标感。复苏是一种选择,而且是不容易做出的选择。这是一个没有路线图的令人困惑的过程。迷路是很容易的,我不会评判任何放弃或在路上走弯路的人。我经常觉得自己被墙包围着。我不能绕过去,也不能爬上去。我无法分解它们。我被困住了。然而,随着我的艺术,我开始透过这些墙看到东西,我觉得在制作这些漫画时,它们变得相当透明。我可以更清楚地看到发生在我身上的事情,以及我如何以及为什么会做出那样的反应。我可能没有找到一个地图,可以引导我通过我的恢复过程,但我可以看到我的下一步。制作这部漫画,以及之前的艺术作品,让我能够理解并建立一些关于我最近的过去的秩序。从这个过程中产生的是一种平静感。我不会说我找到了幸福(我对追求那种情感也不太感兴趣),但我确实有时感觉很好。我找到了自己的声音。通过这幅漫画中的图像和文字与你分享我的声音,这是一种快乐,或一种解脱的感觉。参考文献:Chivington, L., 2021。象征沉默:空的演讲气球。图片文本https://imagetextjournal.com/signifying-silence-the-empty-speech-balloon/
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Let Me Out of Here: A Story of Using Comics to Heal During the Pandemic
This autobiographical graphic essay details my experience with the hardships I facedduring Covid as a comics studies scholar who moved across the country to starttheir Ph.D. in history. It highlights the importance of comic-making incombating present-day isolation and hardship and in aiding in trauma recovery. Covid and quarantine continued to bring with them and compound new, tragedy-specific traumas that left me desperately seeking ways to cope. During the first year ofmy Ph.D. I experienced a miscarriage, my step-grandfather passed away due to Covid, and, at the start of my second semester, I was sexually assaulted,resulting in a physical injury that has yet to heal. The emotional and physicaltrauma resulting from these incidents put me behind in my coursework. To cope, I engaged in art therapy and started a trauma recovery program. Often, myrecovery has been aided in and expressed through comics I create, which aredigital in format and usually, but not always, take the form of a poetry comic. Creating thesecomics aided in an emotional release by enabling me to create spaces of ‘escape’outside the walls of my one-bedroom apartment. The creative process also helpedme find freedom from the confines of my anguished mind. For instance, shadingthe skin of my attacker and myself allowed me to own the narrative of myassault and regain ownership of my body. Further juxtaposing these images withwords provides a method for me to express the pain and deep isolation that thevarious traumatic incidents incited. By expressing the weight of thesetraumatic incidents both visually and through written text, I am able to properly acknowledge their significance and consequently I have found somerelief and self-consolation in this act. I have also sharedmy experience with the outside world through social media. This act lessened myfeelings of isolation and gave me the support network I so desperately cravedand needed, especially with the comics and comics studies communities.  In sharing myexperience, I hope to impart why comics are so important now by showing how thecreative helped me process trauma created and exacerbated by the pandemic.Intro:In January of this year, I was assaulted twice withina four-day period. These two incidents resulted in physical and mental trauma andextreme change in how I view myself, my life, and those around me. These two incidentsweren’t the only traumatic ones had experienced in recent time. I had also experienceda miscarriage, which was made worse by the circumstances of isolation (due tothe pandemic) and abandonment. My step-grandfather passed away from Covid. However,what occurred in January was a sort of catalyst to a personal breakdown. I lostmyself.Being a woman is difficult enough. I always feel as ifI am battling with my femininity. There is always some distinct, un-femininestandard by which I must define myself but can never quite reach in order tohave a voice in this patriarchal society. It is hard to love something aboutyourself that can so easily be used against you. And the man who assaulted meused it against me in the worst way. What resulted was an immense sense ofself-hatred and dissociation. It was hard to see the point of it all. But Ihave worked hard to regain a sense of purpose. Recovery is a choice, and it is not an easy one tomake. It’s a confusing process with no roadmap. It’s easy to get lost and I donot judge anyone who gives up or takes detours along the way. I often feel thatI am surrounded by walls. I cannot go around them and I cannot climb them. Icannot break them down. I am trapped. However, with my art I started seeingthrough these walls, and I feel in making these comics they have become rathertransparent. I can see more clearly what has happened to me and how and why Ihave reacted the ways that I have. I may not have a found a map that can takeme through my recovery process, but I have can see my next steps.  Making this comic, and the art that came before it,has allowed me to make sense of and establish some sort of order concerning myvery recent past. What has emerged from this process is a sense of calm. Iwouldn’t say I found happiness (and I’m not much interested in the pursuit of thatemotion), but I do, at times, feel good. I have found a voice. There is a pleasure,or a sense of relief, in sharing my voice with you through the images and wordscontained in this comic. References:Chivington, L., 2021. Signifying Silence: The EmptySpeech Balloon. Image Text 12. https://imagetextjournal.com/signifying-silence-the-empty-speech-balloon/
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来源期刊
Comics Grid-Journal of Comics Scholarship
Comics Grid-Journal of Comics Scholarship HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
4
审稿时长
20 weeks
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An Archive of the New: A Review of Key Terms in Comics Studies On Graphic Scholarship: A Conversation with Nick Sousanis Cartooning with Compassion: A Conversation with Megan Herbert A Map of the Current Cultural Climate in Medicine and Healthcare, and How We Can Change It Of Time, Renewal, and Scholarship: Volume 11 (2021) Wrapped
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