中国女性的欲望、凝视与身份建构——以《男孩的爱》为例

IF 0.9 4区 社会学 Q3 WOMENS STUDIES Asian Journal of Womens Studies Pub Date : 2022-07-03 DOI:10.1080/12259276.2022.2098556
Shuying Liang
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引用次数: 2

摘要

摘要近年来,关于中国女性身份建构、女性凝视和性欲望的研究很少,这些研究主要是通过对BL媒体或耽美题材的消费来进行的。本文借鉴布迪厄的习性观和德勒兹的欲望观,注意到中国女性观众对性欲的表达和改变反映在她们对BL媒体的想象投射和消费中,这是她们身份建构的一部分。这些都位于在线社交媒体(OSM)中BL粉丝的想象社区中。本文以中国女性观众对泰国轻喜剧《一起》系列(2020)的反应和交流轨迹为例,通过粉丝字幕的方式进行介绍,探讨这些女性观众的动态。这在很大程度上代表了她们通过对BL媒介和基于BL的文字的消费,不断演变自身的性别价值观、性欲和身份认同的过程。因此,本文试图探讨中国女性观众如何在同性恋中投射男性气质,并证明女性身份建构是自主的、主动的和创造性的。这也反映了他们对平等爱情关系的坚定信念,无论性取向如何。
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Chinese female desire, gaze, and identity construction: A case study of “Boys Love”
ABSTRACT In recent years, there are few studies on Chinese female identity construction, female gaze, and sexual desire, as seen via the consumption of Boys Love (BL) media, or the tanbi genre. Drawing on Bourdieu’s concept of habitus and Deleuze’s idea of desire, this paper notes that expressions and alterations regarding sexual desire by Chinese female spectators are reflected in their imagined projections and consumption of BL media as part of their identity construction. These are situated in an imagined community of BL fans in Online Social Media (OSM). Using the trajectory of responses and exchanges of Chinese female audiences on the light Thai BL comedy, 2gether the Series (2020), which is introduced via fan-subtitling, I explore the dynamics of these female spectators as a case study. To a great extent, this represents a process of evolving their own gender values, sexual desires and identities through the consumption of BL media and writings based on the former. This paper thereby attempts to explore how Chinese female spectators project masculinity in homoeroticism and demonstrates that female identity construction is autonomous, proactive, and creative. Also reflected here are their strong beliefs in egalitarian love relationships, regardless of sexual preferences.
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来源期刊
CiteScore
1.70
自引率
11.10%
发文量
23
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