修辞读字

IF 0.5 2区 文学 0 LITERATURE NARRATIVE Pub Date : 2022-05-01 DOI:10.1353/nar.2022.0015
James M. Phelan, J. Frow
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引用次数: 0

摘要

摘要:本文更新和扩展了我在《读人,读情节》(1989)中提出的理解文学小说中人物概念的模型。该模型提出角色有三个同时存在的组成部分,模仿(角色可能是人),主题(角色代表更大的群体和/或一组想法)和合成(角色作为更大叙事结构中的结构)。该模型还指出,各叙事要素之间的关系因叙事进程而异。以乔伊斯·卡罗尔·奥茨的短篇小说《寡妇的第一年》为例,我得出了三个相互关联的观点:(1)角色是一种灵活的资源,作者可以以多种方式加以利用;(2)对听众的修辞方法有助于澄清模仿成分、主题成分和合成成分之间的关系;(3)经过适当调整,这种方法对非虚构和虚构叙事都有效。在此过程中,我还提出了更新后的模型如何解决Alex Woloch和John Frow所确定的角色本质和功能之间的一些紧张关系。
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Reading Characters Rhetorically
ABSTRACT:This essay updates and extends the model for understanding the concept of character in literary fiction I proposed in Reading People, Reading Plots (1989). That model proposes that character has three simultaneously existing components, the mimetic (character as possible person), thematic (character as representative of a larger group of people and/or a set of ideas), and the synthetic (character as construct within the larger construct of the narrative). The model also specifies that the relations among the components varies from narrative to narrative, depending on the narrative progression. Using Joyce Carol Oates's flash fiction "Widow's First Year" as a test case, I develop three interrelated points: (1) character is a flexible resource that authors can deploy in a diversity of ways; (2) a rhetorical approach to audiences helps clarify the relations among the mimetic, thematic, and synthetic components; and (3) the approach works, with appropriate adjustments, for nonfictional as well as fictional narrative. Along the way, I also suggest how the updated model can address some of the tensions in the nature and functions of character identified by Alex Woloch and John Frow.
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来源期刊
NARRATIVE
NARRATIVE LITERATURE-
CiteScore
1.10
自引率
0.00%
发文量
54
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