“他们看到无声的创造在颤抖”:古英语《基督三世》中的灾难形式

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2022-01-01 DOI:10.1215/10829636-9478468
E. Reynolds
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引用次数: 0

摘要

古英语诗《基督三世》(Christ III)不是通过描写基督的苦难,而是通过描写自然灾害来表现耶稣被钉在十字架上。在它对创造剧变的表现中,基督三世建立了一种生态诗学,在这种诗学中,语言可以勾画,但永远无法完全理解生态灾难的程度,更重要的是,也无法完全理解生态灾难的原因。它的形式表明,造物主对基督苦难的同情实际上导致了暴力的自我毁灭——这一暗示困扰着21世纪关于生态灾难和人类责任的叙述。尽管造物同情基督的主题出现在中世纪的神学中,但基督三世对这个主题的处理提出了两组关于中世纪对灾难的描述的问题,一组侧重于生态灾难的表现,另一组侧重于灾难的原因。《基督三》让读者体验到完全理解灾难的不可能,迫使读者质疑个人在灾难中的角色。
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“They Saw Mute Creation Trembling”: Forms of Catastrophe in the Old English Christ III
The Old English poem Christ III represents the Crucifixion not by focusing on Christ's suffering but by depicting natural disasters. In its representation of creation's upheavals, Christ III establishes an ecopoetics in which language can sketch but never fully fathom either the extent or, importantly, the causes of ecological catastrophe. Its forms suggest that creation's compassion for Christ's suffering actually results in violent self-destruction—a suggestion that troubles twenty-first-century narratives of ecological catastrophe and human responsibility. Although the motif of creation's sympathy with Christ appears throughout medieval theology, Christ III's treatment of this motif raises two sets of questions about medieval depictions of catastrophe, one set focused on represention of ecological catastrophe and one focused on causes of catastrophe. Christ III leads the reader to experience the impossibility of fully understanding catastrophe, forcing the reader to question the individual's role in catastrophe.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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