托马斯·沃森、托马斯·基德与嵌入式诗歌

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS STUDIES IN PHILOLOGY Pub Date : 2023-06-01 DOI:10.1353/sip.2023.a903806
B. Vickers
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引用次数: 0

摘要

摘要:在这篇文章中,我从“嵌入诗歌”的实践角度探讨了托马斯·沃森和托马斯·基德之间的关系,即诗人重复借鉴其他诗人的诗歌。Kyd和Watson都巧妙而有意识地运用了这种借用,以获得广泛的戏剧和诗歌效果。在定义和阐释了沃森的“发明”修辞之后,我为沃森的1593年十四行诗序列《幻想的眼泪》的作者身份辩护,并探索了《眼泪》诗歌和基德戏剧之间的许多文本相似之处。仔细研究这两位诗人之间的相互作用,以及基德对华生十四行诗的明智回应,可以发现基德与华生写作的修辞和诗意结合启发并丰富了基德自己的戏剧创作。
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Thomas Watson, Thomas Kyd, and Embedded Poetry
Abstract:In this essay, I explore the relationship between Thomas Watson and Thomas Kyd in terms of the practice of “embedded poetry,” when a poet reuses borrowings from other poets. Both Kyd and Watson deployed such borrowings skillfully and consciously for a wide range of dramatic and poetic effects. After defining and illustrating Watson’s rhetoric of “Inventions,” I argue for Watson’s authorship of The Teares of Fancie, a 1593 sonnet sequence, and explore the many textual parallels between the poetry of Teares and Kyd’s plays. A close examination of the interplay between these two poets and of Kyd’s judicious echoes of Watson’s sonnets suggests that Kyd’s rhetorical and poetical engagement with Watson’s writing inspired and enriched Kyd’s own dramatic production.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Founded in 1903, Studies in Philology addresses scholars in a wide range of disciplines, though traditionally its strength has been English Medieval and Renaissance studies. SIP publishes articles on British literature before 1900 and on relations between British literature and works in the Classical, Romance, and Germanic Languages.
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