Tectius illa cupit:奥维德《爱的天堂》中的女性快感

IF 0.5 3区 历史学 0 CLASSICS HELIOS Pub Date : 2021-05-11 DOI:10.1353/hel.2020.0006
E. Weiberg
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引用次数: 1

摘要

摘要:在奥维德的《爱的艺术》中,女性快感的话题经常被压抑。然而,因为对于一个教授爱的技巧的老师来说,快乐是一个不可避免的主题,这个话题被提出的时刻,标志着教师逻辑的断裂,或者是他教学过程的明显改变,在女性欲望和快乐出现的那一刻,一个明显的掩盖。本文借鉴法国女权主义理论家卢斯·伊里加雷和朱莉娅·克里斯蒂娃的作品,以及保罗·b·普雷西亚多最近关于女性快感技术的理论,分析了女性快感给男权爱情话语带来的问题。它认为,奥维德的感受器在他的教导中对女性的快乐做出手势,只是为了逃避或压抑它。这些破裂的时刻——当女性的快乐实现了,却又被打败了——激发读者去思考性别和性的父权意识形态中固有的矛盾,从而对占主导地位的社会和政治秩序提出了挑衅的挑战,最突出的代表是奥古斯都和他的道德立法。
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Tectius illa cupit: Female Pleasure in Ovid's Ars amatoria
Abstract:The topic of female pleasure is frequently suppressed in Ovid's Ars amatoria. Yet because pleasure is an unavoidable subject for a teacher who professes techniques of love, the moments in which this topic is broached are marked by a rupture in the teacher's logic or by an overt redirection of the course of his teaching, an overt covering up of female desire and pleasure at the very moment it appears. Drawing on the works of French feminist theorists Luce Irigaray and Julia Kristeva, as well as Paul B. Preciado's more recent theorization of technologies of female pleasure, this article analyzes the problems that female pleasure poses for a patriarchal discourse on love. It argues that Ovid's praeceptor gestures at female pleasure in his teachings, only to evade or repress it. These moments of rupture—when female pleasure materializes only to be defeated—provoke the reader to consider the contradictions inherent in patriarchal ideologies of gender and sexuality, thereby posing a provocative challenge to the dominant social and political order, represented most saliently by Augustus and his moral legislation.
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来源期刊
HELIOS
HELIOS CLASSICS-
CiteScore
0.50
自引率
0.00%
发文量
4
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